OJ·辛普森
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神保昌登
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良久良久从前,位于天空的白之王国跟位于地上的黑之王国,一边坚持着〈平衡〉一边直接着〈轮回〉。但在某一时辰,壮大的暗之王涌现了。暗之王在侵犯白之王国的同时,为了诛讨眼中钉巴尔而发起结下盟约。光之王艾莉丝,信任了使者阿德尔所说的希望〈平衡〉的语言而缔盟。即便在受到阿德尔打击之后,艾莉丝仍旧信任斩杀了阿德尔的暗之王子,并破下一起为天下带来跟平的〈商定〉。但两人的〈商定〉却受到暗之王的蹂躏。不仅是白,就连黑也妄图消灭的暗之王。发现这一点的暗之王子,在地底收回悲叹之后,掉掉落了飞越天空的气力,前去艾莉丝地点之处。暗之王子在弹压暗之军势,向艾莉丝伸脱手的同时,一个天下宣布了闭幕……
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Spanning19years,TheDreamlifeofGeorgieStonerevealsthememoriesofGeorgieStone,anAustraliantransgenderteenasshehelpschangelaws,affirmshergender,findshervoice,andemergesintoadulthood.TheDreamlifeProject,acollaborativestorytellingcampaigndevelopedandledbyanadvisorycommitteeofyoungtransgender,genderdiverseandnon-binarypeople,will...
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赛勒什·科拉努
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ArjunSarkaar,atopHITofficerfromVisakhapatnam,issenttoJammuandKashmirtoinvestigateaseriesofbrutalmurders.Ashepursuesagroupofelusivekillers,thecasetestshisskillsandmentalstrength.
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TheprojectfromshowrunnerTaylorSheridanfollowspatriarchJacob(Ford)andmatriarchCara(Mirren)andexplores“theearly20thcentury,whenpandemics,historicdrought,theendofProhibitionandtheGreatDepressionallplaguethemountainwest,andtheDuttonswhocallithome.”
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
