Aaron·Goldenberg
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弗朗索瓦·欧容
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生涯在巴黎的路易斯（Melvil Poupaud 饰）家景优渥,不用为生存担心的他整天跟女友莫西（伊莎贝拉·克雷 Isabelle Carré 饰）浸淫在毒品之中。就在某天凌晨,路易斯打针毒品适量,一命呜呼。莫西则经由尽力挽救保住生命,却发明本人已怀怀孕孕。路易斯母亲不生机一个有着家属血脉且可能感染毒瘾的孩子出生世间,她请求莫西拿掉落孩子。尔后未多少,路易斯的弟弟保罗（Louis-Ronan Choisy 饰）造访了躲在某海滨别墅待产的莫西。保罗是一个只对男子感兴致的仁慈俊美青年,他跟莫西的关联时而缓和,时而缓跟。在相处的日子里,他们相互交换着对于路易斯的所有,也垂垂拉近了心的间隔…… 本片荣获2009年塞巴斯蒂安国际片子节评委会特殊奖。
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InspiredbysurrealistartandGreekmythology,AWoundedFawnfollowsthestoryofMeredithTanning,alocalmuseumcuratorwhoisdippinghertoebackintothedatingpool,onlytobetargetedbyacharmingserialkiller.Whenafatefulromanticgetawaybetweenthetwobecomesatensegameofcatandmouse,bothmustconfrontthemadnesswithinhim.
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MAMMA+MAMMAisthestoryoftwowomenwholoveeachotherandoftheirdesiretohaveachildtogether.KaroleandAlistilldontknowthattheenthusiasmofthisfirstattemptwillbefollowedbymanyvicissitudes,butwhenthedesirebecomesstrongerthanthepainandfatigue,miraclescanhappen.
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When18-year-oldJohannacomeshomefromschool,hermiserablefatherhidesbehinddrawncurtains.Hecan'tmanagebuyingfood,payingtheelectricbill,orsupporthisdaughter,whoinsteadplodsovertothepawnshopwithherslalomskisaftertheuninspiredsophomoricsexwithapot-smokingsmall-timedealerfromthevillaneighbourhood.ButonedayJoannaendsupnexttoAudreyinGermanclass,andeverythingchanges.SoDamnEasyGoingisacharminglyplayfullovefilmwheresparksflyaroundNikkiHansebladandMelinaBenettPaukkonenintheleadingroles,withShantiRoneypresentingamovingportraitofthetorturedfatheronthecouch.
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
