Bess
搜索"Bess" ，找到 以下影视作品
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某个有些阴霾的日子，军人之女莎拉（杰西卡·朗德斯JessicaLowndes饰）和好友梅尔（茱莉安娜·奎尔JuliannaGuill饰）、科里（瑞恩·多诺荷RyanDonowho饰）、萨尔（杰克·威尔瑞JakeWeary饰）及布鲁斯（兰顿·李伯伦LandonLiboiron饰）相约驾机前往另一个城市看Coldplay的演唱会。莎拉胆大妄为，独自承担驾机任务。路途中充满欢乐，只有布鲁斯似乎总有隐隐的担忧。他们的欢乐没有持续太久，意外很快发生。飞机的升降舵出现问题，被迫驶入一片厚厚的雨云之中，燃油很快耗尽，重要部件相继结冰，飞机随时坠毁。经过一番努力，飞机总算恢复控制。但更恐怖的事随之发生，天空中出现了一只巨大的章鱼……
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伊丽莎白·莫斯
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凯丽·华盛顿
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凯特·玛拉
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乔尔·金纳曼
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寇瑞·斯托尔
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小莱斯利·奥多姆
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Audrey
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Zahn
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吉尔·瓦格纳
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罗姆·弗林
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雪莉·李·拉尔夫
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Violette
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Linnz
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印第安娜·艾尔
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杰克森·凯利
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基思·卡拉丹
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阿娜·奥缇兹
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威尔逊·贝索尔
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谢丽·萨姆
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何家蓓
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Michelle
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Arthur
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Maggie
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Weible
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米西·克莱尔·法尔科内
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Yanis
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Kalnins
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Hayley
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Assink
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Itziar
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Martinez
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亚当·沙皮罗
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埃文·沙夫兰
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瑞秋·阿什利·约翰逊
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凯萨琳·
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故事改编自AramintaHall的2021年小说，聚焦NancyHennessy的死，外人看来她的生活是完美的，漂亮、富有、深得相识的人的尊敬和喜爱。而她被谋杀后，留下两个最好的朋友、深爱她的丈夫和女儿，以及一个她至死都未说出身份的秘密恋人。随着对其死亡的调查陷入困难，两个好友Eleanor和Mary也深陷悲痛，黑暗的细节慢慢浮现，让她们发觉自己对好友、对彼此甚至对自己其实都知之甚少。
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AboutaweekaftertheWoodsfamilymoveintoXaosHouse,theirdaughterElliegoesmissingduringapowercut.Ellie'smotherKeirainvestigatesandfindsthatthewallshavestrangesymbolsengravedintothem.AfteranumberofterrifyingsupernaturalexperiencesshecomestotheconclusionthatthehousetookEllie.ShediscoversthataphysicistandoccultistcalledJohnF...
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In the year 2024, a fierce battle rages on between a ruthless villain and an android resistance group. Prsents a strong case for waging a war over rights of possession.
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桑克·李
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Inthewinterof1982threeAmericanboysfindthemselvesstrandedinacablecarwithadeadbodymid-airinthemountainsofNorway,duringararecelestialevent.Whattheyareabouttodiscoverwillaffecttheirlivesforever.
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Diz (Joel Courtney) is a reckless teenage drifter living life on the run. Abandoned by his parents as a child, he looks out for himself and doesn't accept handouts. He takes whatever he wants and runs. Jaded and determined to answer to no one, Diz lives a life marked by thievery and abandonment. Things change for Diz when he floats into a small town on the Snake River. There he is confronted by an unflappable old man named Marty and falls for Marty's guarded granddaughter, Selah. When Diz robs a local drug-dealing crazy, he becomes the owner of a giant pile of cash and the target of two vicious killers. With more money than he knows what to do with, and criminals at his heels, Diz puts the people he's learned to care about in danger, still trying to win Selah. But some things can't be stolen or bought. The River Thief is a film about guilt, self-sacrifice, and accepting life as a gift.
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Saturday Night Live had its thirtieth season on the 2004-2005 television season on NBC. The thirtieth season began on October 2, 2004 and ended on May 21, 2005 with 20 episodes in all.
Before the start of this season, Jimmy Fallon left the show. In the wake of his departure, Fred Armisen was promoted to repertory status, while Finesse Mitchell and Kenan Thompson remained feature players.
New cast members this season include Rob Riggle, an improv edian (at the Upright Citizens Brigade Theater) and U.S. Marine. This would be Riggle's only season on the show. In addition, SNL writer Jason Sudeikis (who appeared in many bit roles prior to joining the cast) joined the cast as a featured player for the last three episodes of the season.
With Fallon gone, Amy Poehler became Tina Fey's co-anchor on Weekend Update, making Fey and Poehler the first (and, so far, only) two-woman anchor team.
This season was also notable for Ashlee Simpson's infamous lip-syncing gaffe during her second performance (on the episode hosted by Jude Law). This season was also home to many sketches focused on the 2004 U.S. Presidential election, but, unlike the 2000 election (and later the 2008 election), there was little to no media coverage about the sketches.
This season was also, like seasons 6, 11, and 20 before it, lambasted for its relative poor quality. Many of the sketches were seen as "boring" and "fashionable".
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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Themayhemandmadnesscontinueinseasonthreeofthisbitinganduproariousadultanimatedcomedyseries.Wrappinguptheir“Eat.Bang!Kill.Tour,”HarleyQuinn(KaleyCuoco)andPoisonIvy(LakeBell)returntoGothamasthenewpowercoupleofDCvillainy.Alongwiththeirragtagcrew–KingShark(RonFunches),Clayface(AlanTudyk),FrankthePlant(JBSmoove)-"Harlivy...
