Kauê
搜索"Kauê" ，找到 以下影视作品
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乌维·鲍尔
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蒂尔·施威格
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埃曼妞·沃吉亚
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CraigFairbrass
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娜塔莉·爱娃隆
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乌多·基尔
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杰夫·古斯塔夫森
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泰伦·莱斯托
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拉尔夫·莫勒
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Scott
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Cooper
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Thomas
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Hanley
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Craig
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Skistimas
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Michael
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Cook
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安东尼·鲍代恩
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Michael
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Robinson
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Kimani
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Ray
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Smith
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艾伦·坡尔
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迈克尔·帕尔
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迈克尔·本耶尔
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杰伊·布拉泽奥
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麦克·多普德
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凯利·格泽尔
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艾德里安·霍姆斯
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D.哈尔兰·库特沙尔
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唐·戴维斯
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Gareth
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Von
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Kallenbach
剧情：
美国军方正在跟某秘密实验室合作培植转基因战士。这类非法战士被封闭在一个秘密的小岛上，由专人看管。女记者瓦拉瑞（埃曼妞沃吉亚EmmanuelleVaugier饰）的丈夫曾经是优等兵，因此成为了实验的对象。她为了寻找爱人，孤身潜入小岛。为了上岛，她搭乘了一个小游艇，并和出租游艇的男人杰克（蒂尔施威格TilSchweiger饰）产生了一段微妙的感情。而杰克是拥有神秘过去的退休老兵。上岛之后，他们发现了军方的秘密，并遭到追杀，快艇被炸毁。逃跑中，杰克受了伤，外面下了很大的雨，他们浑身湿透，躲在一个冷僻的小木屋中。他们相互取暖、共享体温。在枪林弹雨中，两个人产生了爱情。为了营救丈夫、揭开事实真相，这对落难的恋人与恐怖敌人展开了殊死搏斗……
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叶荣祖
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简介：聪明顽皮的小鬼头因淘气无意间识得金大发，金大发因发现当地恶霸曹天霸的恶行，欲上省城揭发，不料被曹发现，并派人追杀。小鬼头想保护他，最终只能是两人一起合力相斗，两人虽然逃脱追杀，但两股实力相差太甚，金与小鬼头能顺利达成铲除恶霸的心愿吗？ 片名：睡拳怪招 Sleeping Fist 年份：1978 地区：香港 类型：功夫 导演：叶荣祖 Wing-Cho Yip 主演： 梁家仁 Ka-Yan Leung 袁小田 Siu Tien Yuen 黄一龙 Yat Lung Wong 高雄 Eddy Ko 欧阳玲珑 Ling Lung AuYeung 马金谷 Ma Chiu-Ku 罗汉 Han Lo 欧立保 Au Lap-bo 戚毅雄 Yixiong Qi 翁小虎 Weng Hsiao Hu 萧德虎 Tak Foo Siu
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Giant Dragon fights, giant monster fights and some kung fu in this fantasy epic from Taiwan also known as Prince of the Dragon King. The dragon turns into human form early on in the movie and goes on some magical quest.
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凯瑟琳·兰福德
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德文·特雷尔
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古斯塔·斯卡斯加德
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丹尼尔·沙曼
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塞巴斯蒂安·阿梅斯托
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莉莉·纽马克
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莎罗姆·布龙-富兰克
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彼得·穆兰
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埃米莉·科茨
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比利·詹金斯
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马特·斯托克
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贾斯帕·雅各布
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娜塔莎·奥诺诺博
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克里夫·罗素
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阿什利·班纳曼
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波利·沃克
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索菲亚·奥克斯纳姆
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约翰内斯·豪克尔·约翰内森
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索菲哈克尼斯
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贝拉·戴恩
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凯瑟琳·沃克
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安德鲁·惠普
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优素福·凯尔科尔
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娜塔莎·卡尔扎克
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彼得·吉尼斯
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特伦斯·梅纳德
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肖恩·吉尔德
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乔乔·马卡里
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安格斯·瑞特
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休·西蒙
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博·福勒
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朱利安·西格尔
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阿伊莎·安托
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该剧依据Frank Miller及Tom Wheeler所著的未出书同名青年向小说改编,采取Nimue的角度描写亚瑟王的传奇,她注定会成为壮大但喜剧的湖中妖女/Lady of the Lake；剧谍报告Nimue母亲过死后,她不测埠与年青的雇佣兵亚瑟成了搭档,他们将结伴找寻梅林并递交一把陈旧的剑。而在路程傍边,Nimue将成为反抗乌瑟王及白色骑士团的意味人物。
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迭戈·哈尔维斯
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Afteragovernorissuesanexecutiveordertoarrestthechildrenofundocumentedimmigrants,thenewlydetainedyouthareofferedanopportunitytohavetheirchargesdroppedbyvolunteeringtoprovidecaretotheelderly.Onceinsidetheeldercarefacility,thevolunteersdiscoverthegovernorandthefacility’ssupervisorhavecookedupahorrifyinglydepravedconspiracytha...
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山本裕介
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沐浴后能致死的剧毒之雨“BlueCyst”所导致的大灾难“新月之泪”。在那之后经过100多年的时间，人类终于开始走上了克服这一灾难的道路。在荒废世界的村落“Nest”中坚强生活的人们身边，发现了搭载类双对思考型AI的类人“梅加斯”的身影。时间是公元2242年，失去记忆而沉睡的梅加斯，迎来了觉醒的时刻一-
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安锡动画节最佳电影，被誉为不会令细路欲求动画公仔，而是令世界更美好的电影。20 世纪中拿破仑五世统治的另一个法国，科学家70 年来不断失踪，飞行、电力甚至电影等伟大发明都成泡影，只有艾菲尔建起了第二座铁塔。煤与蒸气把天空弄得乌烟瘴气，出街要戴防毒面具，大皇宫变大温室。阿菲（玛莉安歌迪雅美丽声演）父母是科学家，也无端失踪，当老猫达尔文病到七彩，阿菲偷偷研制不死药，却因此逃亡历险，牙尖嘴利的达尔文、主意多多的怪爷爷、变节特工祖利亚也一起有难同当。《我在伊朗长大》监制再接再厉，法国漫画家Jacques Tardi 原著，糅合凡尔纳和宫崎骏的灵光，以罕见的怀旧动画风，找回失落的动画年代。
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
