Sen)、胡烁然(Hu

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灼热2020
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A listless grand-daughter, Chance Sinclair (Avery Konrad), is sentenced to live with her draconian grand-father, August (Timothy V. Murphy) after a violent incident at school and begins to question the source of her families immense wealth and power. When Chance's scheming Mom, June (Annette Reilly), hires a troubled chef, Sydney (Johnathan Lipnicki), to poison August, the family's monstrous secrets are revealed over the course of one bloody night. Every soul is up for grabs as The Sinclair Family Games Night gets underway and Chance learns that being apart of this family is a blood-in, blood-out proposition.
最后的列车
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
两句恐怖故事第一季
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CW宣布推出夏档诗选恐怖剧《两句恐怖故事TwoSentenceHorrorStories》,本剧定于美国时间8月8日两集首播,每集半小时。由VeraMiao主创的《两句恐怖故事》原本是17年10月推出的5集短剧,短剧后来于CWSeed上线,接着CW决定制作剧集长度的版本。《两句恐怖故事》源自于网上仅两句内容的恐怖故事,例如「我手机上有张我在睡觉的照片。我是独居的。」这类,目前CW公布了部份演员﹑编剧及导演名单
酒神巴克科斯狂欢之神
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ProfessorBettanyHughesinvestigatesthestoryofBacchus,godofwine,revelry,theatreandexcess,travellingtoGeorgia,Jordan,GreeceandBritaintodiscoverhisoriginsandhispresenceinthemodernworld,andexplorehowlosingoneselfplaysavitalroleinthedevelopmentofcivilisation.
杀人自白
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Asensational,sentimental,andphilosophicalhorrorneo-noirthatfollowsthestill-at-largecrimesofNoel,arepentant,classyandcharmingserialkillerlooseinthesuburbsofNewYork.
乌龙恶棍
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比尔·斯卡斯加德和麦卡·梦露将主演新片《恶棍》(Villains),DanBerk&RobertOlsen(《别杀它》《身体》)执导。剧情讲述一对业余罪犯闯进了一间郊区房子,偶然发现了一个黑暗秘密,两名虐待狂房主将不惜一切代价阻止秘密被曝光。Tim&TrevorWhite编写剧本,并联合AllanMandelbaum、GarrickDion制片。
超级小怪兽:圣诞小助手
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When Santa needs serious help prepping all of his presents, the Super Monsters lend a hand - and some monster magic - to get every gift out on time.
你我所见
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  Tre Manchester的童贞座 自编自导  A family is torn apart as a result of lengthy absences and bad choices. A man is accused of being guilty, which results in him being named a fugitive. The man's son makes a decision to find his father and bring him home to a town that is struggling to survive.
巴黎,永远值得
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ExecutiveChelseaMartingoestoPariswithrivalJasonKnightlyforadonation.Herlatemother'smessageandsisterAnnabelle'sencouragementleadhertorevisitthreepastlovesacrossIreland,Paris,andSpain.
37秒
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Yumaisa23-year-oldwomanfromTokyo.Whenshecommutesbytraintoherjobinamangastudio,herfaceisathipheighttotheotherpassengersstandingup.Yumausesawheelchaironaccountofcerebralpalsy.Herdeformedlimbsonlyallowhertocrawl–andtoholdapencil.Thefactthatherboss,asuccessfulcomicartistandbloggernamedSayaka,whohasapenchantforgarishFairyKeiattire,passesYuma’sdrawingideasoffasherown,dismaysthetalented‘mangaka’.Evenworse,heroverprotectivemotherhardlyletsheroutofhersightandrefusestotalkaboutherfather.AsYumaattemptstoliveamoreindependentlife,shestumblesacrossadultcomics–mangaporn–andtoyswiththeideaofdrawingsomeherself.Thepublisheradviseshertogainsomepersonalexperiencefirst.ButwhathappenswhenawomaninawheelchairasksatoutinTokyo’sredlightdistricttofixherupwithasexdate?DirectorHIKARI’shumorousandendearing37Secondsdepictsanunusualjourneyofself-discovery-inartistic,physicalandfamilialterms.And,asthefilm’scharmingprotagonistlearns,friendswhoarenotprejudicedcanbefoundanywhere.
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