Tangs
搜索"Tangs" ，找到 以下影视作品
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西班牙的《我知道你是谁》是根据马德里的一宗真人真事改编而成的作品。当年左翼强硬派在律师行放下炸弹，为了将派系内的温和份子对改革的障碍剔除。杀手Mario没料到那个生日会竟有弱小妇孺，所以爆炸后，小女孩伤痕累累走出灾场，他正义的手从此沾上蒙上眼睛的尘埃。不想看，所以Mario要求自己的脑袋永久损伤，好等自己永远忘记那少女尸体的记忆。可是，有心人精神科医生Paloma对Mario这个个案感到非常有趣，誓要将他锁起的记忆解封。桥段像RobertdeNiro及RobinWilliams的Awakenings，Paloma加重药份，务求在最短时间内将Mario失忆的真相揭开。可惜，药物不能持久，Paloma由怜生爱，希望用自己的身体代替小女孩的尸体。这招比药物的投放更痛苦。Paloma在床上问Mario：「你会记得我吗」镜头一转，Paloma的努力引起暗杀集团的忌讳。结果，真相使Paloma不能接受爱郎是个杀人凶手，同样暗杀集团也不容一个恢复记忆的杀手。回忆是好、是坏导演KeithF.Hatcher没有答案。不过，这出影片原名「真相」倒是我们值得深思的课题，真相需要付代价，不过这个代价需要个人来牺性，抑或由群众来付出，倒是伦理重要的一课。（皮皮/文）
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BLAZEYOUOUTfocusesonayoungwoman'sjourneytofindhermissingsisterintheheartofabrutalunderworldcontrolledbytheherointrade.ThestorytakesplaceinthebeautifulEsperanzaValleyinNorthernNewMexico,abasinwhichbeliesanunderlingsickness,asinisterinsidiousspiritualdownfallcausedbydecadesofdruguse;buttheprotagonist'sjourneyintothisb...
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A thief fresh out of prison, tries to work his way back into the life of his daughter and ex-fiancé. Determined, he is forced to use the skills he has as a gifted locksmith. Things take a tumultuous turn after an unexpected disappearance.
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Timandhisteamaretherisingstarsoftheghosthuntinggame.Onethingtheyalllikebetterthanagoodhauntisagreatprank.Whentheteamarrivesatanewinvestigation,theycannotfigureiftheoccurrencesarepartofsomeelaboratemasterprankorifthehouseisactuallyhaunted.Unfortunately,theydon’tfindtheansweruntilitisfartoolate.
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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乔丹·亚历山大
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惠特尼·皮克
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米歇尔·崔切伯格
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伊莱·布朗
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乔尔·韦斯特伍德
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阿什莉·诺斯
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Natalie
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Shaw
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Gretchen
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Allison
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Alex
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Anagnostidis
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Denia
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Aponte
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Isa
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Barrett
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Jac
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Bernhard
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Naomi
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Castellano
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Anthony
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Cipriani
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Victorya
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Danylko-Petrovskaya
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Dominique
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Gatlin
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Anthony
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Gullotta
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David
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Negri
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Booch
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O'Connel
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It'sthesecondsemesterofJunioryear,andGossipGirlisleavingnostoneunturnedinherefforttocontrolthescandalouslivesofManhattan'selite.She'slearnedathingortwofromherfirstgo-round-namelywhatheraudiencewants,theyshallget.It'stimeforhertoturntheheatuponwhat'sbeensimmering.Oldenemies,newallies,constantlyshiftingsands-thiss...
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“我每天午夜的就餐者是漫长一天的结束，也是新一天的开始。”——吉姆《月光鸡饭》讲述了一个以卖海南鸡饭为生的普通小伙吉姆，在自己的餐车里遇到了醉酒的顾客文的故事。把他们两个带到一起的那个晚上，创造了一种难以理解的感觉。尽管文是一个被绑架的人，但两人都无法停止对彼此的思念。之后他们生活中的一切都不一样了。"Mydineratmidnighteverydayistheendofalongday,butalsothestartofanewday."-Jim"MoonlightChicken"tellsthestoryaboutJim,anordinaryguywhosellsHainanesechickenriceforaliving,whometWen,adrunkcustomerinhisdiner.Thenightthatbringsthembothtogethercreatedafeelingthatishardtounderstand.NoneofthetwocanstopthinkingabouteachotherdespiteWenbeingatakenman.Everythingintheirlifeisnotthesameafterthat.
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ppoy is a school kid with a creative mind who couldn't cope up with the formal system. All the while he got attention through his art. When he was forced to the edge of the system he begin to lose his identity. Later he is pushed into a loser category. At one point he begins to get attention when he started to perform outside of the system as a wild character. Because of the strong outer factor of the system and due to confused feelings he chose to remain as a wild character without knowing he is actually being a slave of the rottening system.…
