Kagen
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布拉尔塔·泽奇里
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安妮塔(Adriana Matoshi 饰)和贝金(Alban Ukaj 饰)是一对相恋多年的恋人,早年间,安妮塔的双亲在科索沃战争之中失踪了,直到今日,安妮塔依然没有放弃过寻找他们的希望。随着婚礼的临近,安妮塔和贝金感到需要应付的麻烦好像越来越多了,尤其是贝金家人的强势插足,让这对情侣紧张的神经绷紧到了极致。 一天,贝金的前男友诺尔(Genc Salihu 饰)忽然再度出现在了她的面前,而让贝金美哦与想到的是,诺尔依然深深的爱着她。这让贝金一下陷入了两难的选择之中。随着时间的推移,事情变得越来越麻烦起来,安妮塔和贝金都开始渐渐的产生怀疑,究竟谁才是他们真正深爱着的人?
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阿坎·萨塔耶夫
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This is the story of the life of the great queen of of the steppe - legendary Tomyris. She is destined to become a skillful warrior, survive the loss of close people and unite the Saka tribes under her authority. 影片复原了斯基泰马萨格泰草原女王托米利斯击杀波斯阿契美尼德王朝国王居鲁士二世的汗青传奇。
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SetinanalternateAmericawherewitchesendedtheirpersecutionover300yearsagobycuttingadealwiththegovernmenttofightfortheircountry,“Motherland:FortSalem”followsthreeyoungwomenfrombasictrainingincombatmagicintoearlydeployment.Inthisworld,thetraditionalrolesofgenderandpowerareflipped,withthemoredominantwomenonthefrontlinesfightingloomingterroristthreatsthatarefamiliartoourworld—butwithsupernaturaltacticsandweapons.TheseriesalsostarsAshleyNicoleWilliams,JessicaSutton,TaylorHickson,DemetriaMcKinneyandAmaliaHolm.“Motherland:FortSalem”isexecutiveproducedbyEliotLaurence,WillFerrell,AdamMcKay,KevinMessick,MariaMaggentiandStevenAdelson.
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Can the Justice League prevail against an unstoppable intergalactic machine with the power to bend time itself! Until now, the Justice League has triumphed over every foe who has challenged them. This time, they face Brainiac, a super-intelligent invulnerable machine whose mad quest endangers all life in the galaxy. When Brainiac zaps Superman, Wonder Woman and Green Lantern to different places in time, the race is on for Batman and The Flash to re-assemble the Justice League!
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黑泽清
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早崎是医疗器械公司的研究人员,10年前开发的血压计获得了广泛的好评,自然对他的下一个开发都寄予了厚望。但是和助手一起开发的人工护理机器人进展不顺利,他开始感到很大压力。有一天,他的眼前突然出现了和他一模一样的另一个自己。。。 Dopperugenga是德语(Doppelg?nger)自视性幻觉的意思。古代传说,看到自己幻觉的人会在几天内死亡。。。
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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TheSingersisagenre-bendingfilmadaptationofa19th-centuryshortstorywrittenbyIvanTurge...
