der
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‘How do you feel about intimate relations? Speak freely, don’t hold back.’ · ‘I think it’s the highest connection between two souls.’ Benny’s hair is as red as the fur of her devout father’s treasured calf – which he believes will bring salvation. But the 17-year-old feels as lonely and trapped as the calf in its enclosure. Benny’s mother died giving birth to her, and she grew up alone with her caring yet patriarchal father. He is a figure of authority and a mentor for many people in their Jerusalem religious community. Benny becomes increasingly critical of her father’s religious, utopian nationalism and then there’s Yael, the self-confident young woman who has set off a whirlwind of longing and emotions in her. Avigayil Koevary powerfully portrays the defiance and desire of a young woman in Tsivia Barkai Yacov’s debut feature film.
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乔纳森·莱斯·梅耶斯,埃米尔·赫斯基,帕斯·贝加([对她说]),杰里米·皮文([明日边缘])将携手出演黑色惊悚片[美国之夜](AmericanNight,暂译)。影片将是AlessioJimDellaValle的导演处女作,Valle亲自撰写剧本。影片讲述迈克尔·鲁比诺(赫斯基饰)刚刚成为纽约黑手党的头目,但他最大的梦想是将自己的一生奉献给绘画,并成为伟大的艺术家。艺术品经销商约翰·卡普兰(梅耶斯饰)的生活似乎一片混乱,但他仍拥有最能发现世界各地假货的双眼。当安迪·沃霍尔的《粉红玛丽莲》被偷走时,陌生的两人有了交集,而这一切也将颠覆他们的生活。
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兰道尔·华莱士
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本片依据越南战役中的实在战役改编。1965年11月,越南战役进级至美军直接介入战役阶段。驻越美武士数一直回升。摩尔中校（梅尔吉布森 Mel Gibson 饰）授命把一群新兵练习为真正的兵士,军队中同时涌入不少随军家眷,武士们表演着老公与兵士的双重脚色,温馨的氛围中掺杂着丝丝不安。为了缓解枯燥的军旅生涯,军队举行了大型晚会。出征的时辰到了,摩尔在仪式上肃穆许诺“带回每一名流兵”。 摩尔与他的军队被空降在邻近柬埔寨的河谷地带,这里是北越军的重兵地点,人数弱势的美军堕入了重重包抄,伤亡沉重,最后在火炮!直升机的帮助下战局开端对峙。第二天,战役推动到山丘但仍旧无奈打破包抄,摩尔追求空军赞助,因为两边间隔过近,美军的汽油弹炸伤了部门空中军队。拍照记者乔（Barry Pepper 饰）记载下了战役中一幕幕残暴的画面。第三天,美军正预备直接决议性的近身战役,这时空军增援到位了,越军被全灭。
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Night Falls in India tells the story of Ricardo (Juan Diego) and Dana (Clara Voda). Ricardo decides to travel overland to India, as he used to do in the old days, when he brought hippies to the East with his van, crossing Europe, Turkey, Iran and Pakistan. But the situation is very different now. Ricardo has been in a wheelchair for the last ten years, suffering from a degenerative disease now in its final stage. He wants to die on the banks of the Ganges River and meet Gadhali again. In this journey, he is accompanied by Dana, his Rumanian housekeeper. Life owes something to these two lonely beings. The journey will become the alibi for paying it off. Night Falls in India is a shining road-movie full of life that uses journey as an excuse to tell a story about love and the passing of time, about the importance of the present and the need to recover lost time; a story in which the journey itself is as important as the arrival.
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艾玛纽尔·贝克特
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凯瑟琳·德纳芙
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伯努瓦·马吉梅尔
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塞西尔·德·弗朗斯
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Gabriel
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Sara
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Oscar
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Morgan
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Lou
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Lampros
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梅利莎·乔治
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Clément
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Ducol
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Olga
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Mouak
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Marc
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Fauveau
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Babetida
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Sadjo
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Izabella
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Maya
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Lomane
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de
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Dietrich
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Marushka
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Jury
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Julie
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Arnold
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Gérard
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Gaudron
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Nada
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Sara
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Marie
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Courroy
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Ariane
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Liautaud
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Karim
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El
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Toukhi
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Thefilmtellsthestoryofthreepeopleforayear:ason(Magimel)diagnosedwithcancer,amother(Deneuve)sufferingfromhelplessnessandadoctor(CéciledeFrance)todoherjob:Oneyearandfourseasonsforthesethreecharacterstodealwiththedisease,totameit,andtounderstandwhatitmeanstodiewhilealive.
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
