DiCapo
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HAN Jay
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Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.
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恩斯特·刘别谦
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劉別謙初嚐美高梅大製作的派頭,所有筆法更神情飛揚。開敞的場景!绝后的排場讓人物裏裏外外任意張開:寡婦的心更顯孤獨,男女的愛愈加沒處安置。坐擁小國大部门財富的寡婦溘然要搬到巴黎从新尋找生涯颜色,國王唯恐國祚不保來一招美女計,派出風流種子色誘寡婦。本來一個用情一個求性,幾番相逢與折騰,改寫了男男女女的根本须要。歌與舞沒有賣弄甜膩,反而放在愛情的繁重中換來了歌頌。歌與影無間交换,劉別謙輕歌劇巔峰之作,亦成了荷里活極有代表性的一章。司花利亞與珍娜.麥當奴最後一次协作,後者散發從未有過的成熟韻味。堪稱最性感的音樂劇。Rated"thesexiestmusicalinthethirties",TheMerryWidowcouldwellbethesexiestmusicalever.JeannetteMacDonald,sensualandmajesticasaPersiancat,isthewealthiestwidowinthekingdomofMarschovia.OnavisittoParis,sheattractsaflurryofgold-diggers.Topreventherfortunefrompassingtoforeignhands,thekingsendsaromanticenvoytocourther.HechoosesCaptainDonilo,whosecavalierattitudetowomenisnotlimitedtohisrapportwithMaxim’s"girls,girls,girls".Osébutnotblasé,thiselegantadaptationofFranzLehar’soperettaout-classedvonStroheim’ssilentinopulence,culminatinginthegrandestofgrandballs.Source:28thHKIFF
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Academy Award Nominated director Michèle Ohayon's Verite film follows women of all ages and ethnic backgrounds who heal trauma and body image shame through sensual dance and daring pole dance artistry.
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从媒体关联参谋到总统消息参谋,OliviaPope(KerryWashington表演)一辈子都在掩护美国的机密--对她来说,保护美国精英阶级的抽象!防止让种种丑闻曝光对这个国度来说是极端主要的事件。小布什的总统任期停止后,跟布什关联亲密的Olivia分开了白宫,开办了本人的公关公司,生机就此揭开人生的新篇章--无论任务仍是生涯。但是她好像无奈完整解脱从前--无论是她仍是她的精英团队,他们可以[修复]任何人的生涯,但却对本人生涯中涌现的疑问能干为力。
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莱奥·麦卡雷
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Freedonia国家财政陷入困难,有钱的寡妇Mrs.Teasdale(玛格丽特·杜蒙MargaretDumont饰)推荐RufusT.Firefly(格劳乔·马克斯GrouchoMarx饰)出任国家领袖,她才答应出资资助国家。Freedonia的邻国Sylvania想要对其发起进攻,Sylvania的大使Trentino于是派出了两名间谍Chicolini(奇科·马克斯ChicoMarx饰)和Pinky(哈勃·马克斯HarpoMarx饰)去刺探Firefly的情报。然而这两个不专业的间谍却闹出了不少笑话。Firefly的秘书BobRoland(泽伯·马克斯ZeppoMarx饰)让Firefly多加小心,然而昏庸的Firefly并没有放在心上,随着他和大使Trentino的矛盾越来越大,战争终于无可避免........
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一位当红片子明星的新奇逝世亡吸引了侦察苏贾(阿米尔·汗AamirKhan饰)的留神,心中布满了困惑的他决议靠本人的气力找到变乱的本相。苏贾跟老婆罗斯(拉妮·玛克赫吉RaniMukherjee饰)已经占有过一个可憎的孩子,可怜的是,跟着这个孩子的逝世亡,伉俪两人的情感亦跌落了冰点,时辰濒临瓦解的边沿。在苏贾的新家里,一个生疏老妇的突入将所有搅得一团糟,同时,他手中的案子也成为了无头悬案。一次偶尔中,一位名叫罗诗妮(卡琳娜·卡普KareenaKapoor饰)的美艳男子涌当初了苏贾的视线中,很显然,各种线索标明白,这个奥秘的妓女跟他正在考察的案件有着蛛丝马迹的关系。
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内详
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ArmandoIannuccipresentsapersonalargumentinpraiseofthegeniusofCharlesDickens.Throughtheprismoftheauthor’smostautobiographicalnovel,DavidCopperfield,ArmandolooksbeyondDickens-thenationalinstitution-andinsteadexploresthequalitiesofDickens’sworkwhichstillmakehimoneofthebestBritishwriters.WhileDickensisoftencelebratedforhispowerfuldepictionsofVictorianEnglandandhisroleasasocialreformer,thisprogrammeforegroundstheelementsofhiswritingwhichmakehimworthreading,asmuchforwhathetellsusaboutourselvesinthetwenty-firstcenturyasourancestorsinthenineteenth.ArmandoarguesthatDickens’sremarkableuseoflanguageandhisextraordinarygiftforcreatingcharactersmakehimastartlinglyexperimentalandpsychologicallypenetratingwriterwhodemandsnotjusttobeadaptedfortelevisionbuttobereadandreadagain.
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Abitofcolorforonce,allthebettertoseetheredflagswith,nottomentiontheobviousaerialfilefootageofWarsaw.ThestoryconcernsJozefMalesa,themasonorbricklayerofthetitle.Hewasoncethedarlingoftheparty,thesonoftwooldpartyactivists,aworkerofheroicreputation,hisowncommitmenttoTheMovementunquestioned.Hewaschosentobedestinedforgreatthings,speciallyeducatedandpushedforwardtopositionsofresponsibilityintheParty.Eventuallyhedecides,becau搜索引擎优化ftheethicalpressureswhichhefeelsfromtheobstructionismofthebureaucracyfromabove,heaskstoreturntobeasimplebricklayer.HeisdisturbedwiththewaythePartydealswithpeople,especiallytheirlackofdirectcontact.Hethinksworkersknowbetterthantheleadershipmanytimesbutthat’snotthewaypowerflows.Heisuncomfortablewiththecompromisestohisidealism.HeremainscommittedtosocialjusticeandjoinshisfriendsfortheMayDayrallywherehiscomfortandconfidenceinhisplaceinsocietycausehimtodefertonoman,certainlynoratfacedmeninovercoatswithredarmbands.Hisgreatpleasureinlifemoreoverislayingbrick.Hefindstheworksatisfyingandfulfillingwhichiswhyhewassuchanobviouslysuperiorworkerinthefirstplace.
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Porunpuadodebesoscuentalahistoriadeunachica,Sol,quetienequerehacersuvidaydecidehacerloemprendiendounahistoriadeamor.Poneunanuncioparabuscaralchicoideal,secitany,desdeelprimermomento,seenamoran,iniciandounintensoromancemarcadoporlasganasdevivirdeellaylasmentirasdeél.Puedenunpuadodebesoscambiarlavidadealguienparasiempre
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尤利尤斯·马胡尔斯基
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米哈乌·塔尔科夫斯基
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WlodzimierzBorunski
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Wlodzimierz
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Borunski
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Krystyna
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Wachelko-Zaleska
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Janusz
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Skalski
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Andrzej
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Siedlecki
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Tomasz
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Lengren
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Irena
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Lorentowicz
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Ludwik
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Mika
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Helena
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Kowalczykowa
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Mieczyslaw
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Kobek
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Tomasz
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Zygadlo
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Personnel/Personel1975,releasedJan.13,1976,Poland,TVfilm16mm,color,70minDirector:KrzysztofKieslowskiScreenplay:KrzysztofKieslowskiCinematography:WitoldStokMusic:Aida”,GiuseppeVerdi,performedbyOrchestraoftheGrandTheatreandOperainWarsawArtDirector:TadeuszKosarewiczMusicarrangedby:MichalZarneckiProductionCompany:TorFilmStudio,...
