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A Medieval Knight resurrects to fulfill his vow and bestow a blood-thirst vengeance upon the kindred spirits of those who betrayed him long ago. In the course of one night, identities will be revealed, destinies met, and a poetic justice of the macabre maniacally served. Here lies a tale of passion, loyalty, deceit, betrayal...and revenge. They were Warriors. They were Crusaders. Under the leadership of the righteous GREGOIRE, this band of brothers in the Holy Order of the Knights Templar selflessly fought back-to-back, defending GOD and the True Cross. Until one dark night of utter betrayal... Glorious was their victory that night, gold their find. The spoils were to be taken to their Grandmaster for use in furthering their Cause. Yet greed had infected one of their number - RENAULT - and under the influence of the demon of lust, he embraced and fiendishly persuaded others to help him carry out his nefarious plan of betrayal. Among those whose hearts he blackened was the already resentful MENAS, envious of his brother MELKON, the man famed as being both the greatest swordsman in all of Europe and the right hand of Gregoire. The following morning Renault's heinous plot went into effect and Gregoire, Melkon and their beloved steward KOKO were ambushed and executed for purposes of greed. But as he lay dying, Gregoire vowed his revenge. Ten lifetimes of excess Renault and his murdering compatriots would enjoy. And then he would return to deliver their souls to Hell for all of eternity. Ten lifetimes of excess... The centuries pass and after 700 years, the allotted time of the evildoers nears culmination. One dark, stormy night, the Crusader, upon his steed, resurrects to execute his pledge of vengeance upon the now kindred spirits of those who victimized him so very long ago. The stage is set for retribution as an eclectic group assembles at a secluded manor home under the guise of a promised fantasy weekend to fulfill personal desires. JAKE, the events coordinator will have his hands full playing host to his young guests; CELINE, the alluring and promiscuous Eastern-European, ASHLEY, the contemptuous yet beautiful socialite, AMY, the innocent and meek girl-next-door, HURCOS, the predatory Middle-Eastern playboy, and JAPONIKO, the uninvited and mysterious Asian minimalist. SHAUNA, the abrasive Irish cook, and her cohort in crime BENOIT, the bone-idle English caretaker, along with the enigmatic PRIEST and the benevolent SHOPKEEPER, round out this unusual and extremely colorful cast of characters. Jake assigns the position of assistant recreational coordinator to Amy, and as she reads from an obscure storybook, the tale of Gregoire and his righteous band of Templar Knights animates, and the story of betrayal is reenacted for the guests. Blood will flow excessively as the cursed and unsuspecting kindred spirits meet their imminent destinies one-by-one during the Crusader's maniacal reprisal.

Thestoryofayoungwomanwhoisrecoveringfromamentalconditionaftersheisseverelyattacked.Thementalillnesscausedhertofightanxiety.AndsomestoriesthatevenshecouldnotdistinguishTheimageoffearistrueorsheisafraidofhissubconsciousmind.

Thestoryrevolvesaround27-year-oldNourquiwhohasimmigratedillegallytoMarseilleandwhogetsbyonpettycrime,livingamarginalandfestivelifewithhisfriends.From1990to2000,Nourloves,growsolderandclingstohisdreams,damagedbythemelancholyofanirreversibleexile...

A70-yearoldmanabductshisdementia-sufferingwifefromherretirementhomeandgoesontherunfromboththepoliceandhisadultchildren.StarringSandraPrinsloo,IanRoberts,AshleyDeLange,LukeVolker,EricaWessels,AmyLouiseWilson,EvanHengstMovieismadeinSouthAfrica.

Whenayoungwomanfindsherselflivinglifeonthestreetsshelearnstheartofpickingupmentoputaroofoverherhead.Butwhenshemeetstheguyofherdreamshersecretthreatenstoruintheirperfectrelationship.

SetinanalternateAmericawherewitchesendedtheirpersecutionover300yearsagobycuttingadealwiththegovernmenttofightfortheircountry,“Motherland:FortSalem”followsthreeyoungwomenfrombasictrainingincombatmagicintoearlydeployment.Inthisworld,thetraditionalrolesofgenderandpowerareflipped,withthemoredominantwomenonthefrontlinesfightingloomingterroristthreatsthatarefamiliartoourworld—butwithsupernaturaltacticsandweapons.TheseriesalsostarsAshleyNicoleWilliams,JessicaSutton,TaylorHickson,DemetriaMcKinneyandAmaliaHolm.“Motherland:FortSalem”isexecutiveproducedbyEliotLaurence,WillFerrell,AdamMcKay,KevinMessick,MariaMaggentiandStevenAdelson.

蒂尔达·斯文顿的秘密主演新片曝光：她于疫情期间在威尔士拍摄了一部鬼故事片《永恒的女儿》(TheEternalDaughter)，继《纪念品》后再次与导演乔安娜·霍格合作。A24最新拿下该片全球版权，已拍完进入后期制作阶段，讲述一个中年女子与年迈母亲回到她们以前的家——一个旧日的大庄园，如今变成了一间空荡荡的酒店，充满神秘，母女俩将必须面对一些埋藏了很长时间的秘密。该片演员阵容还包括约瑟夫·迈德尔、卡莉·戴维斯和阿尔菲·桑基·格林，由ElementPictures(《宠儿》《房间》)和JWHFilms(《纪念品》)制作，BBC影业也加入，马丁·斯科塞斯担任执行制片人。

ThisisanadaptationofE.Lockhart’sbest-sellingyoungadultnovelofthesamename.Theseriesfocusesonthethemeoftheresultsofone’smistakesandrevolvesaroundtheaffluentandseeminglyperfectSinclairs,whoenjoyspendingeverysummergatheringontheirsecretisland.However,somethingstrangehappenstooneofthemembersofthefamily,Cadence,inthesummer...

Mavkaisadangerousnymphoftheforestlakethatlurepeopleintoitsdepthsforthemermaidstofeedontheirenergy.WhenshemeetsLukian,abiologywhizz,Mavkafallsinlovedisruptingthenaturalorder.

"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.