Blue
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Kyana Teresa
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乔治娅·沃特斯
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达约·阿德
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佐伊·费什
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Ernie Pitts
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Verity Marks
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Muriel Hogue
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Saul Elias
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Lauren Marshall
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Max Nelson
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David and Hannah Cashman have promised their family a fun Christmas getaway, but when they arrive at a grand, old house in the snowy woods of Washington and are greeted by familiar construction foreman, the kids realize their parent’s plan to make it a working vacation; renovating the place in the hopes of flipping it. Alicia, the eldest, is annoyed but the younger kids are soon distracted when, wandering through the creepy mansion, they find a stash of old toys in an abandoned playroom and take to them instantly. Before long, they seem to be inseparable from their new playthings, much to the consternation of their nanny Rose who, along with Alicia, senses that something in the house is not quite right. As stranger and stranger things start to happen, Rose and Alicia have a hunch that there may be more to the history of the old house than the Cashman’s are letting on. Can the family escape with their lives – or will they stay forever in the crumbling house, never to celebrate another Christmas again? Bringing the nostalgia of stop motion holiday specials - #ToysOfTerror stars #KyanaTeresa (“Shadowhunters,” “Star Trek: Discovery”) as Hannah Cashman, Georgia Waters (“Siren”) as Rose Mathis, Verity Marks (“The Christmas Club”) as Alicia Cashman, Dayo Ade (“Workin Moms,” “October Faction”) as David Cashman, Saul Elias as Franklin Cashman and Zoe Fish as Zoe Cashman. The film is written and executive produced by Dana Gould (“Stan Against Evil,” “The Simpsons”) and directed by Nicholas Verso (Boys in the Trees, “Nowhere Boys”). The movie is produced by Blue Ribbon Content in association with Warner Bros. Home Entertainment and SYFY.
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Duringaragingsnowstorm,adrifterreturnshometotheblue-collarbarlocatedintheremoteCanadiantownwherehewasborn.Whenheofferstosettleanolddebtwithagrizzledbartenderbytellinghimastory,thenight’seventsquicklyspinintoadarktaleofmistakenidentities,double-crossesandshockingviolence.You’renotgoingtobelievewhathappenedatTheOakRoom.
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
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扬·高能
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故事发生在18世纪70年代。美国人马歇尔麦可布鲁贝里的女朋友被威利布劳特杀害,并且威利还想得到储藏在印地俺认领地里的黄金。马歇尔必须设法阻止他。同时,他还遇到了一个叫普洛希德的德国恶棍,他也是千方百计想从那些神秘的山脉利挖出黄金……2004年2月,青年导演让·古南的《布鲁贝里Blueberry》真正地开始了“法国式西部片”的探索。该片也许是?0年法国拍摄的最典型的西部片,根据50年代开始的同名连载漫画改编。让·古南带着剧组几乎走遍了墨西哥全境选取最合适的外景,奇丽的风光和一望无际的沙漠,陡峭的山崖和涓涓流水,诡异莫测的西部小镇和妖艳多姿的妓女,蜥蜴、蟒蛇和风沙下渐渐显露的白骨,《布鲁贝里》呈现出一个魔幻、鬼魅和苍茫的西部,涂抹上了超自然主义色彩。一个复仇故事,一本奇书和一场探险,在这里变得如梦幻世界,好比法国人做了多年的西部梦。最后的结局没有美国西...
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马德林王室的继承人Blue公主到访泰国,由Wayo警官负责其安保工作。然而,一场刺杀行动使旅程沦为噩梦,公主被迫逃亡,而Lom成了唯一能保护她的人。在躲避追杀的危机四伏中,两人共同面对危险与种种对抗,逐渐滋生出亲密而禁忌的情愫。尽管深知这份爱情或许无法实现,洛姆仍决心不惜一切守护公主。当敌人发现他们的藏身之处,最终对决一触即发。
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大卫·惠灵顿
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在这部加拿大冬季剧会合,多伦多Hope-Zion病院的外科主任CharlieHarris(MichaelShanks)遭受车祸后昏迷不醒,让整座病院堕入凌乱,他的未婚妻兼共事AlexReid大夫(EricaDurance)更是忧心如焚。Alex信心在新来的有名外科大夫JoelGoran(DanielGillies)的赞助下挽救Harris的性命。与此同时,Harris的「魂魄」在病院里浪荡,不晓得本人真的酿成了幽灵,仍是纯洁在理想。总的来说,这既是一部惯例医学剧(Alex跟病院里的其余大夫天天还要照常诊治病人),又是一部带有灵异颜色的理想剧。剧名「挽救生机」共有三重含意:挽救Harris!挽救一般病人,挽救Hope-Zion这所病院。HuseMadhavji!JuliaTaylor-Ross跟KristopherTurner介入上演。该剧的演员跟制造班底大多来自加拿大外乡剧集「雏鹰展翅」(RookieBlue)。
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Aworking-classfableaboutabiker,amermaidandthreeshadesofblue.
