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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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约翰·沃特斯
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A spoiled schoolgirl runs away from home, gets pregnant while hitchhiking, and ends up as a fashion model for a pair of beauticians who like to photograph women committing crimes.
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昆汀·杜皮约
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Alain and Marie moved to the suburb house of their dreams. But the real estate agent warned them : what is in the basement may well change their lives forever.
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梁志强
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Dongnan,a58-year-oldlong-timeemployeeatarestaurant,isknownforhis"ChaoGeng"(slackingoff)tactics.Despiteworkingformanyyears,hiscareerhasstagnatedduetohisunreliabilityandarrogance,leadingtohisdemotionasasecurityguard.Athome,hefrequentlyargueswithhiswifeandisneglectedbyhisfamily.Dongnanhasalwaysdreamedofbecominghisownbos...
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迈克·尼科尔斯
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四个男女之间的反复关系，在爱情里追逐和厌倦。丹（裘德·洛 Jude Law 饰）是作家，他爱上了舞女爱丽丝（娜塔丽·波特曼 Natalie Portman 饰）。丹对爱丽丝炽热燃烧的爱情给了他灵感和激情，但厌倦也随之而来，他内心在寻找另一个人的爱，终于他遇上了摄影师安娜 （朱莉娅·罗伯茨 Julia Roberts 饰）。 安娜和另一个年轻人拉里（克里夫·欧文 Clive Owen饰），在爱的游戏里相互试探和接近。但是丹的进攻也让她动了情。讽刺的是，安娜的情人拉里，也和爱丽丝有了瓜葛。 于是，躺在他们身边的人，未必是他们心里想念的那人。
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根据MegWolitzer所著同名小说改编，女主角JoanCastleman是一位文学家的妻子，美丽忠诚、无瑕疵，牺牲了自己的梦想、才华、野心，花费了40年的时间来辅助丈夫，忽略他的不忠，永远表现得体。而随着时间的推移，他们的婚姻也来到破碎的临界点。在诺贝尔文学奖颁奖的前夜，她将面临生命中最大的牺牲，同时也发现了丈夫职业生涯的秘密。
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Two star-crossed lovers navigate through all-out war between the North and South criminal underworlds.
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托斯卡·马斯克
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ColtonDonavanlivesonthatrazor-thinedgetowardoutofcontrol.Whetherit'sonthetrackoroffofit,everythinghewantsisathisfingertips:success,willingwomen,mediaattention.Everythingthatis,butRylee.She'stheexceptionthisrecklessbadboycan'tseemtowinover.Herheartishealing.Hissoulisdamaged.Theybothknowthetwoofthemcouldneverwork....
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杰夫·瓦斯特
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Duringtoday’sDCFandomeeventanumberofanimatedfilmswereannouncedforthesummerof2022.AmongthemisGreenLantern:BewareMyPower.Nodetailsweredisclosedabouttheplot,characters,orcasting.
