Bach
搜索"Bach" ，找到 以下影视作品
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罗伯特·布列松
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一个男孩因为向父母讨要零花钱失败，去当了自己的手表，却换回一张500元法郎的假钞。之后，这张假钞在很多人之间转手，最后落到了一个叫伊文（克里斯琴·佩蒂 Christian Patey 饰）的年轻人手中。伊文试着去餐馆花掉这张假钞，但被服务员发现了。警察认为他参与了假钞贩卖案而逮捕了他，但法官念他初犯，没有给他判刑。伊文释放之后，丢了工作。没有了钱，他只好和朋友去银行抢劫，却又一次栽在警察手里，被抓进监狱，被判刑三年…… 本片是布列松的最后一部作品，改编自托尔斯泰的短篇小说《伪息券》，曾获第36届戛纳电影节主竞赛单元最佳导演奖。
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The legend of King Naresuan continues with this third of four chapters and tells the story of King Naresuan, Thai’s chivalric king and warrior in the Ayutthaya era who fought against the invasion of Burmese troops that wanted to overpower the Ayutthaya Kingdom.
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罗兰·约菲
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Entertaining thriller about the perfect girl next door. Beautiful, friendly and a devout churchgoer, she believes in always doing good. but underneath the pleasant exterior is a ruthless woman, determined to get the lifestyle she thinks she deserves.
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Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
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亚历山大·摩尔
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作为编剧兼导演亚历山大·摩尔斯的首部引人注目的故事片，《蓝色的任性》是一部痛苦却又压抑的心理惊悚片，讲述了一个被遗弃的男孩被诱拐到美国，进入一个危险父亲形象阴影中的故事。受真实事件的启发，BLUE CAPRICE从两名杀手的角度调查了臭名昭著和可怕的环城狙击手袭击事件，他们扭曲的父子关系促成了他们漫长而血腥的美国之旅。以赛亚·华盛顿(Isaiah Washington)和特全·里奇蒙德(Tequan Richmond)令人着迷的表演、抒情的摄影作品和独特而大胆的结构为特点，《蓝色任性》(BLUE CAPRICE)记录了导致其主题拥抱身体暴力的机制。《蓝色的任性》描绘了一幅令人着迷的21世纪美国的画像，并令人难忘地描绘了两个冷血杀手，他们将在灯光亮起后长久存在。
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Set200yearsinthefuture,asmallbandofrebelsfaceoffagainstthestatusquowherehumanshaveachievedimmortalitythroughgeneticengineering
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AfastpaceddramaticthrillersetinlocationsthroughoutVictoria,Australia.Grady(MarcusGraham)anex-soldierwhoselifehasbeendisruptedandhisemotionsdisturbed,byhisexperiencesatwarandinprison,escapesfrompolicecustodyafterattendingtheburialofhismurderedbrother,Chris.Althoughfreeheis'ontherun'andisdrivenbyhisdesireforfreedomanda...
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托比·霍珀
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A novelist and a young horror fan attempt to save a small New England town which has been invaded by vampires.
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安德烈斯·拜斯
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ColombianmusiciconJuanesplaysMoisés,theeldestofthreebrothersplyingthisperiloustradeandthelinchpinoftheoperation,whileAlbertoGuerradeliversacompellingperformanceasUlises,amanparalyzedbyconflictingdecisionsandhauntedbyfearandgrief.WhenJuan(AlejandroSpeitzer)—theyoungestofthebrothers—iscoercedintoworkingforamorepowerful,rivalcriminalorganization,theshockingunderbellyofthebusinessislaidbareandtherearetragicconsequences.
