Beach、Nick
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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约翰·沃特斯
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A spoiled schoolgirl runs away from home, gets pregnant while hitchhiking, and ends up as a fashion model for a pair of beauticians who like to photograph women committing crimes.
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昆汀·杜皮约
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Alain and Marie moved to the suburb house of their dreams. But the real estate agent warned them : what is in the basement may well change their lives forever.
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梁志强
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Dongnan,a58-year-oldlong-timeemployeeatarestaurant,isknownforhis"ChaoGeng"(slackingoff)tactics.Despiteworkingformanyyears,hiscareerhasstagnatedduetohisunreliabilityandarrogance,leadingtohisdemotionasasecurityguard.Athome,hefrequentlyargueswithhiswifeandisneglectedbyhisfamily.Dongnanhasalwaysdreamedofbecominghisownbos...
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杰夫·瓦斯特
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Duringtoday’sDCFandomeeventanumberofanimatedfilmswereannouncedforthesummerof2022.AmongthemisGreenLantern:BewareMyPower.Nodetailsweredisclosedabouttheplot,characters,orcasting.
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Netflix的拉丁裔多镜头喜剧《阿什丽·加西亚的扩阔宇宙TheExpandingUniverseofAshleyGarcia》由MarioLopez及SethKurland所创作，剧中讲述15岁半的AshleyGarcia（PaulinaChavez饰）是个机器人工程师兼火箭科学家，她现在得到机会在大空总署中工作，于是Ashley搬家来到与喜爱玩乐的叔叔Victor（JencarlosCanela饰）同住；Victor是个前职业美式足球员，现在则是高中教练，过去从来没有应付过甚么大责任。
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菲利普·阿杰耶夫
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亚历山大·库兹涅佐夫
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Aleksandra
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Rebenok
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Aleksey
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Agranovich
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Anastasiya
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Evgrafova
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罗扎·哈伊鲁林娜
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德米特里·库利奇科夫
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伊莲娜·莫罗佐娃
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Savva
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Saveliev
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Evgeniya
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Sheveleva
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Arina
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Shevtsova
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彼得·斯科沃尔佐夫
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轰趴狂嗨电音摇头,听来不外是浮滑少年消磨时间的罕见公式,拆解后倒是创痕累累的实在情绪。酸,是识透愁味道的废青宣言,是掉落臂所有的自毁前途。他们不稳定友谊!甜美家庭!纯粹初夜!美妙将来；他们被正能量好好地隔断在另一个天下。游离在不见天日的迷幻事实之中,他们吞噬芳华,用最狂暴的方法敲开虚伪,洞见千禧新世代的性命曙光。本片是初执导筒的俄国男星亚历山大葛奇林（Aleksandr Gorchilin）长片首作。寻衅满满的镜头言语,暴发独占的生猛力道,光彩入围柏林影展泰迪熊奖。
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米切尔·莱森
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乔治（查尔斯·博耶 Charles Boyer 饰）是一名拥有罗马尼亚血统的法国人，为了能够赚钱养活自己，乔治如今在墨西哥从事着出卖自己身体的行当。乔治最大的梦想就是有朝一日能够前往美国，获得美国的国籍，摆脱自己可悲的过往，为此他制定了一个周密的计划。 乔治决定找一个美国女人结婚，这样他就可以顺利成章的成为美国人，然后再一脚将这个可怜的女人蹬掉，之后接自己真正心爱的女人阿妮塔（宝莲·高黛 Paulette Goddard 饰）来美国一起生活。虽然不愿意将爱人拱手让人，但阿妮塔知道，想到得到任何东西，首先都得付出些什么。很快，乔治在美国就遇见了名为艾米（奥利维娅·德哈维兰 Olivia de Havilland 饰）的女子。
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一个情人节晚上，一对年轻的男女情侣被人发现横尸于情人巷内。经过调查，令人尴尬的是他们竟然已经各自成家，令到他们的家眷都惊讶不已。一晃13年过去了，当年的女遇害者的丈夫汤姆警长（Matt Riedy 饰）一直都还在和女儿曼蒂（Jori Wanquist 饰）因为当年妻子的死而闹别扭；而男遇害者的配偶潘妮（Suzanne Bouchard 饰）一直都还在努力向儿子麦可隐瞒当年父亲死亡时的情形；当年的命案阴云一直还在两家人的头顶盘旋。更糟糕的是，当年的命案凶手越狱成功了，又一年的情人节即将到来！
