Hause
搜索"Hause" ，找到 以下影视作品
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Using breakthrough flesh-regeneration technology, a biotech firm creates a set of living dinosaurs. But when the creatures escape their museum exhibit and terrorize Los Angeles, a former firefighter must rescue his teenage daughter from the chaos brought on by the Age of Dinosaurs.
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高政煜
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SomeonebrutallymurdersYoung-hoon’swife.Ahairsamplewasfoundonhiswife’sbodyandthedetectivesuseittotraceitbacktohisfriendJoon-sungandlockshimup.Seeminglybecomingamurder’swifeovernight,Da-yeonasksYoung-hoontotestifyonhisbehalfbutwhenhedoesn’tshowupforthetrial,shegoestovisithimathishouse.
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内详
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DocumentaryseriesgoingbeyondthetheatredoorsofQueenElizabethHospitalBirmingham,wheresurgeonspushmedicalboundariestothelimits.?EverySecondCounts?Surgeonshavejustminutestoperformlife-savingemergencytraumaoperations.?GettingBetter?Asurgeonremovesawoman’soesophagusandusesherownstomachtoreplaceit.?ANewBeginning??AtBirminghamChildren’sHospital,twochildrenundergolife-changingsurgicalprocedures.?ARiskWorthTaking??SurgeonscarryoutQueenElizabethHospitalslargesteverremovalofexcesstissue.?PushingTheBoundaries?Afacialsurgeonventuresintounchartedterritorytooperateonapatient’sraredisease.?OneFalseMove?Theseriesreturnswithbrainsurgeryonapatientwhoisawakeandariskyaortarepair.
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黎刹·曼托瓦尼
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Dinda who escapes the Kuntilanak (female vampire ghost) terror, without the agreement of Aunt Donna, intends to meet someone who is believed to be her biological mother, Karmila. Together with his younger siblings and accompanied by Julia and Edwin, they are trapped in a house in the middle of the forest. Many irregularities occur. Dinda again has to deal with Kuntilanak, but it was different from what she had defeated using spikes or spells.
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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杜桑·哈那克
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An amiable picture about entering adulthood, great dreams, and the first - forbidden - love of a white postman, Jakub, and a pretty Gypsy girl, Jolanka. This is a poetic story, a mosaic of the playful world springing from the wild imagination of the village postman and its clash with the pragmatic mundane reality that finally beats the rosy dream's of the young protagonists. Director Dusan Hanak and screenwriter Dusan Dusek's most popular film has been cherished by critics as well as wide audiences at home arid abroad.
