Dabó
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Jeff
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干净能源真的干净吗!这部由Michael Moore监制的记录片率领不雅众走进干净能源的一线,细究干净能源的装备制作方法跟资料!应用年限!发电资料起源!以及当面的经济驱能源。本片也提醒了美国一些头号环保人士跟环保构造在生物资能源等可再生能源令人困惑跟担心的破场,以及环保活动跟能源业的赞助关联。当环保主义跟资源主义手牵手,能源真的会更干净吗!Michael Moore presents Planet of the Humans, a documentary that dares to say what no one else will this Earth Day — that we are losing the battle to stop climate change on planet earth because we are following leaders who have taken us down the wrong road — selling out the green movement to wealthy interests and corporate America. This film is the wake-up call to the reality we are afraid to face: that in the midst of a human-caused extinction event, the environmental movement’s answer is to push for techno-fixes and band-aids. It's too little, too late.Removed from the debate is the only thing that MIGHT save us: getting a grip on our out-of-control human presence and consumption. Why is this not THE issue? Because that would be bad for profits, bad for business. Have we environmentalists fallen for illusions, “green” illusions, that are anything but green, because we’re scared that this is the end—and we’ve pinned all our hopes on biomass, wind turbines, and electric cars?No amount of batteries are going to save us, warns director Jeff Gibbs (lifelong environmentalist and co-producer of “Fahrenheit 9/11” and “Bowling for Columbine"). This urgent, must-see movie, a full-frontal assault on our sacred cows, is guaranteed to generate anger, debate, and, hopefully, a willingness to see our survival in a new way—before it’s too late.Featuring: Al Gore, Bill McKibben, Richard Branson, Robert F Kennedy Jr., Michael Bloomberg, Van Jones, Vinod Khosla, Koch Brothers, Vandana Shiva, General Motors, 350.org, Arnold Schwarzenegger, Sierra Club, the Union of Concerned Scientists, Nature Conservancy, Elon Musk, Tesla.Music by: Radiohead, King Crimson, Emerson, Lake & Palmer, Blank & Jones, If These Trees Could Talk, Valentina Lisitsa, Culprit 1 - Patrick O’hearn, The Torquays, Nigel Stanford, and many more.Donate: https://www.paypal.com/cgi-bin/webscr...Website: https://planetofthehumans.com/FB: https://www.facebook.com/PlanetoftheH...
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百老汇,一个充满了梦想和希望的地方,有些人的名字在这里被永远篆刻在荣誉碑上,而另一些人,则只能在黑暗中品尝着梦想破碎的滋味独自饮泣。汤姆(克里斯蒂安·鲍勒ChristianBorle饰)和茱莉亚(黛博拉·梅辛DebraMessing饰)决定制作一部有关玛丽莲·梦露的音乐剧,此消息一经放出,立刻就吸引了公众的目光,各路人马犹如闻到了鱼腥味的猫咪一般纷至沓来。女演员凯伦(凯瑟琳·麦菲KatharineMcPhee饰)拥有一副所有女人都羡慕的羡慕外表,却在事业上屡屡遭遇挫折,和她同样境遇的还有艾薇(梅根·希尔提MeganHilty饰),两人都将能够扮演玛丽莲·梦露当成了事业和人生的突破口。随着时间的推移,制作团队逐渐扩大,台上和台下,好戏共同上演着。
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乔·兰多
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丹妮尔·查克兰
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迪奥拉·拜尔德
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亚布拉哈姆·本鲁比
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约瑟夫·D·雷特曼
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Sean Dillingham
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凯兰崔尔·斯蒂尼曼
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布伦特·贝利
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伊凡·谢尔盖
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雷吉·奥斯汀
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Kevin Joy
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Nayeli Esparza
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Carly Diamond Stone
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Val Barri
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保罗·哈帕尼米
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Tianna Tuamoheloa
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Levi Vincent
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Thomas Nelson
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Jillian Tremaine
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客岁過世的波蘭導演耶吉‧卡瓦萊洛威茲,是「Polish Film School運動」中的代表人物之一。其作品擅長以影像呈現細膩的細節,累積給予觀者強烈的震能源。議題圍繞個人在社會備受政治或戰爭壓迫下,人道的掙扎與品德的選擇。這些深具豐富意涵的創作文本,也讓他的作品深受影壇重視。1951年拍攝首部劇情長片「The Village Mill」,隨後实现「Shadow」(1956) ,以及本片「夜車」,這些影片都被視為相當具時代代表性的波蘭電影。卡瓦萊洛威茲亦曾主掌着名的KADR 製作部門,安德烈華依達!塔都茲考威克(Tadeusz Konwicki) 跟尤利斯馬休斯基(Juliusz Machulski)都曾在其製作部門任务。他最為人所熟知的影片莫過於1961年的「修女約安娜」,以及1966年改編自Bolesław Prus的歷史小說「Pharaoh」,本片亦入圍了1967的奧斯卡最佳外語片。「夜車」敘述一對男女Jerzy跟Marta不测埠在前去波羅地海邊Hel的夜車上共處一室。一表人才的Jerzy狀似緊張,看來像是在回避追趕,Marta剛開始也缄默不言,渐渐的兩人才成為友人。在車上還有愛慕著Marta的男孩Staszek,以及擁有豔光四射的年輕太太的老律師。當火車停靠在一個小站裡,警方上車開始搜寻惧罪潛逃的殺人犯時,谣言開始四起,都將警方要緝捕的對象,指向這個車廂中的Jerzy跟Marta…。差别於當時深受義大利新寫實主義影響的「Polish Film School運動」作品,「夜車」瀰漫著希區考克式的懸疑詭譎氣氛。全片的劇情推展在火車內進行,封閉的車廂成為卡瓦萊洛威茲最好的發展空間。火車上搭客間相互的猜疑與不信赖,可說是當時波蘭共產社會的最佳寫照,也是一部波蘭影史主要的傑作。
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迈克尔·巴塞特
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Section20arecalledintoBangkok,ThailandtorescueChloeFoster,thedaughtertoBritishambassadorandlongtimfriendofPhillipLocke(Green),RobinFoster(TimMcInnerny).Theteamfindthecompoundwheresheisbeingheld,butduringtheraidthekidnappersescapewithChloe.AfteridentifyingtheleadkidnapperasRayMcQueen(MaxBeesley),MichaelStonebridge(Winchester),DamienScott(Stapleton)andJuliaRichmond(Lukes)trackhimtoanightclubandplantatrackeronhim.However,McQueensoonrealisesheisbeingtailedandtriestoescapewithChloeagain,whilealsocontactingFostertodeliveranarmedbombtotheembassywhereheisnegoatiatingwiththeNorthKoreans.Withlessthanfifteenminutes,ScottandStonebridgehavetofindMcQueenandcontendwithalocalgang.TheyultimatelyrescueChloeandapprehendMcQueen,butLockefailstostopFosterbeforethebombdetonated,killingFosterandaNorthKoreangeneral
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HBO剧「继续 Succession」由片子「大空头」编剧导演Adam McKay执导并监制﹑Jesse Armstrong(担任编剧)与Will Ferrell介入制造,现定于美国时光6月3日首播。该剧环绕国际媒体巨子Roy一家的家庭丑闻内情,这虽是虚拟的故事,不外主创表现剧集有暗射媒体巨子Sumner Redstone。 剧中Logan Roy及他的四个孩子掌握着寰球最大的媒乐媒体团体之一,年老的父亲(Brian Cox饰)开端退出公司,而他的孩子则考虑怎样放松机遇继续这帝国。其他演员包含Jeremy Strong﹑Hiam Abbass﹑Sarah Snook﹑Kieran Culkin﹑Alan Ruck﹑Nicholas Braun﹑Matthew Macfadyen﹑Natalie Gold﹑Peter Friedman及Rob Yang。
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无
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Sevilla,1920.Teresa,unamujerdecuarentaaos,llegaaSevillahuyendodelmisteriosoasesinatodelembajadorespaolenLisboaytraslapistadeunnombre:RobertaLuna,unaalumnadelaacademiadeseoritasdelaciudad.Intentandorecabarinformaciónsobrelajoven,TeresadecidehacersepasarporprofesoraysolicitaplazaenlaAcademia.TrassorprenderalanuevadirectoraManuelaporsusideasprogresistasysunuevamentalidad,Teresaconsigueelpuestoypasaaserunamásenelplanteldeprofesorasdelaacademia.Sinembargo,notodovaaserigualdefácilparaTeresa,yaqueallíseencuentraconlaoposicióndesucompaeramásexperimentada,Luisa,yladesmotivacióndeunasalumnasquenuncahanrecibidounaeducaciónquelesayudeapensaryavalerseporsímismas.
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麦克·勒曼
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《真爱如血》(TrueBlood)改编自CharlaineHarris的小说《南方吸血鬼》(SouthernVampire)。这部尺度大胆、引人恐惧的新剧由《六英尺下》(SixFeetUnder)的创造者AlanBall打造,是其返回HBO的新作。难产三年,终于破茧。《真爱如血》深入探讨了小说家CharlaineHarris精雕细琢构架的世界,被艾美奖赢家Ball描述为“聪明人的爆米花”。并且演员阵容强大,重点刻画各种与当地格格不入的人。《真爱如血》保证让观者心跳加速。故事发生在路易斯安那州的一个小镇——BonTemp。由于日本人发明的一种叫做“真血”(TruBlood)的人造合成血,吸血鬼们可以通过购买的方式获得血液来维生,一夜之间从传说中的怪物摇身变成了普通市民。虽然人类不再是吸血鬼的盘中餐,理论上两者能够和平共处共同生活,但是对于这些“走出棺材”的生物的理解仍有待加强。宗教领袖和政府官员选择了他们的立场,但是在BonTemp小镇,审判还未开始。SookieStackhouse(AnnaPaquin扮演)是个会读心术的酒吧女招待,深知被社会驱逐的感觉。由于吸血鬼没有可以让她窥视的脑电波,她乐意与他们打交道,尤其是173岁英俊的BillComton(StephenMoyer扮演)。可是当Sookie卷入跟随Bill到来的一系列神秘事件的时候,容忍将被迫受到检验。当吸血鬼走出棺材,走出与人类对立的生存夹缝,走出生物链顶端的孤独诅咒,我们的世界,还会是原来的那个世界么?
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丹尼尔·里贝罗
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女孩吉瓦娜(TessAmorim饰)和男孩里奥(GhilhermeLobo饰)是最要好的朋友。里奥虽然双目失明,但内心一直渴望自立,不喜欢来自父母的过多保护。新来转校生加百列(FabioAudi饰)不小心闯入里奥的世界,也改变了里奥和吉瓦娜的相处习惯。里奥对爱上加百列患得患失,吉瓦娜对里奥的疏远伤心难过,而加百列懵懵懂懂的回应更让男孩女孩们的世界复杂起来......《爱,简单》是巴西导演丹尼尔·里贝罗根据自己2010年的短片《爱,牵手》改编、起用原班人马拍摄的剧情长片处女作。《爱,牵手》曾获得大小11个电影节的最佳短片奖。《爱,简单》依然讲述在牵手中跨越视觉的爱,然而与短片相比,故事的重心从性觉醒转移到了主角的独立成长上。独立成为电影的内核,其中也包括他独立选择去爱谁的自由意志。《爱,简单》获得第64届柏林电影节全景单元国际影评人费比西...
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冬天,蒂妲絲雲頓拜訪落腳於法國小山村四十餘年的挚友約翰伯格,兩人散步於靄靄白雪的村莊!或深或淺地,在小屋中聊起童年記憶與歷史承接。春天,透過凝視動物,經歷一場人類與動物關係的思辨。炎天,於山村中跟三兩藝術家漫談當代政治,佐以舊時影片!音樂,摸索藝術怎样述說政治。秋日,蒂妲再度帶著孩子拜訪約翰以及約翰之子,在視野遼闊的山村生涯中,發現傳承的意念存在於所觀看的每一片風景。四部短片象徵四序的更迭,而山村的風景!動物!生涯則是年復一年的循環,體現約翰口中[無窮延长的此時现在]。他的思惟及人生觀與陈旧的農舍!青葱的綠地!放牧的牛群相呼相應,說著這個天下方圆人物风物的故事,阿爾卑斯山裡的小村莊,則是最诱人的舞台。(以上來自2016台北金馬影展)The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 - Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html
