Mathis

搜索"Mathis" ,找到 以下影视作品

呼唤非洲
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TheveterinarianMarkusWenningerreceivesasurprisingoffertotakeoverthemanagementofananimalcarefacilityinAfrica.WithhischildrenKattaandJacobhebeginsthejourneytoanewlife,stirredbythememoriesofthedreamhehadsharedwithhissuddenlydeceasedwifeofstartingafarminAfrica.IntheexperiencedanimalhandlerJonathanGold,hefindsaloyalandcompetentemployee.Markushelp,though,isimmediatelyandurgentlyrequired:aruthlessgangofpoachersismakingtroubleintheNationalPark.WiththeattractivegamewardenArianeathisside,Markusfightsfortheprotectionoftheanimalsandthepreservationoftheirhabitat.ThetworapidlygrowclosermuchtotheconsternationofArianespartner,thegamewardenOliver,whohasturnedtoheavydrinkingaftersufferingadifficultstrokeoffate.Meanwhile,Jacob,apassionateanimallover,isexcitedbytheirnewhome,whileKattaisextremelyunhappy.The13-year-oldmissesherfamiliarsurroundingsandherfriends.Consideringhisdaughtershomesicknessandthewildernessdangerstowhichhehasexposedhischildren,MarkusbeginsquestioninghisdecisiontoleaveGermany.ButasheandArianecatchupwiththepoachers,theirownlivesaresuddenlyontheline
墨西哥万岁
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After his grandfather's death, a man travels with his wife and kids to his hometown, where chaos ensues with his relatives over the inheritance.
中央公园第三季
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  In this animated musical comedy, Owen Tillerman and his family live an unconventional life in New York’s bustling Central Park, which Owen manages. Now, they’ll have to fend off a wealthy hotel heiress who wants to turn the park into condos. The series comes from Emmy® Award-winner Loren Bouchard (Bob’s Burgers) with voice cast including Josh Gad, Leslie Odom Jr., Emmy Raver-La...
水星平原
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Facing a bleak future, a young man runs away to Mexico where he is recruited by the mysterious captain of a paramilitary group of teens who fight drug cartels. Isolated at their desert camp and unsure what he's fighting for, he seeks to prove himself in this crucible of manhood.
自由古巴1996
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Depressing,darklovedramawiththinstoryline,thatmakesyouwonderwhetherthemakersbelieveinlifeatall.Themaleprotagonistisconstantlyrunningintoproblemsandgetsbeatenuptimeandtimeagain,somuchsothatafterawhileIcouldnothelplaughing,whichcannothavebeentheintentionofthemakers:theyarevèry,vèryserious.ThecruxofthefilmseemstobeasharpcommentonthemoneydrivenGermansociety,inwhichitisimpossibletoshowanyrealaffection;ofcoursethiscouldbeadilemmaofthemakersthemselves:moneyisnottheproblem,butwhatyoudowithit.Notforgottenistoincludeanextremerightwingmanwhoseself-proclaimedpurposeinlifeitistofreethestreetofsociallyundesirableelements.Itisallveryheavysymbolismwithnorelief,butitiscertainlywell-madewithascriptthat-asthefilmprogresses-becomeslessandlesssurprising.Thetwoactingleadsaregood;finecinematography.(janonderwater)
沉寂之桥
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  Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.  Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.  The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.  Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
小宇宙3:自然奇观
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  A deserted pond. Two lonely children fall under the spell of this wild place that, little by little, draws them closer to each other and gives them the strength to cope with life. Seen through their eyes, and through their imaginations, the pond becomes a secret kingdom, both marvellous and frightening, thronging with creatures born from dreams or nightmares. The children experience an initiation, brief and intense, from which they will emerge transformed.
蓝色夏威夷
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Chad Gates has just gotten out of the Army, and is happy to be back in Hawaii with his surf-board, his beach buddies, and his girlfriend. His father wants him to go to work at the Great Southern Hawaiian Fruit Company, but Chad is reluctant. So Chad goes to work as a tour guide at his girlfriend's agency. Written by Pat McCurry {[email protected]}
成年人们
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A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.
拯救能人
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Director YOON Seongho was offered to make this film because the indie-sitcom was too big to be seen on a computer. It had to be seen bigger in a feature film. It contains his confession-like dialogue and cold, sharp introspection.
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