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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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昆汀·杜皮约
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Alain and Marie moved to the suburb house of their dreams. But the real estate agent warned them : what is in the basement may well change their lives forever.
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Two star-crossed lovers navigate through all-out war between the North and South criminal underworlds.
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托斯卡·马斯克
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ColtonDonavanlivesonthatrazor-thinedgetowardoutofcontrol.Whetherit'sonthetrackoroffofit,everythinghewantsisathisfingertips:success,willingwomen,mediaattention.Everythingthatis,butRylee.She'stheexceptionthisrecklessbadboycan'tseemtowinover.Herheartishealing.Hissoulisdamaged.Theybothknowthetwoofthemcouldneverwork....
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杰夫·瓦斯特
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Duringtoday’sDCFandomeeventanumberofanimatedfilmswereannouncedforthesummerof2022.AmongthemisGreenLantern:BewareMyPower.Nodetailsweredisclosedabouttheplot,characters,orcasting.
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A young man, Guy, discovers the woman he's been sleeping with is not only married, but married to Burt Walker, a notorious low-level crime boss. Worried that Walker will at some point discover the affair and kill him, Guy decides to be upfront, tell Walker about his transgression and beg for forgiveness. The ploy works, and the pair form a very unusual, and ultimately dangerous, friendship. Written by Conspicuous Pictures
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Following the crisis in Ukraine and Russia’s involvement in Syria, the world is closer to super power confrontation than at any time since the end of the Cold War. Now a committee of senior former British military and diplomatic figures comes together to war game a hypothetical ‘hot war’ in Eastern Europe, including the unthinkable - nuclear confrontation. The War Room faces a scenario that has haunted western strategists since civil war broke out in Ukraine potential Russian military involvement in the Baltic States of Latvia and Estonia. Like Ukraine these countries have sizable Russian speaking minorities, but unlike Ukraine they are members of NATO, whose founding treaty states that an attack on one ally is an attack on all of them. Because of this, western analysts regularly war game a situation where Russia seeks to exploit ethnic tensions in the Baltic and test the strength of the NATO Alliance.
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一个情人节晚上，一对年轻的男女情侣被人发现横尸于情人巷内。经过调查，令人尴尬的是他们竟然已经各自成家，令到他们的家眷都惊讶不已。一晃13年过去了，当年的女遇害者的丈夫汤姆警长（Matt Riedy 饰）一直都还在和女儿曼蒂（Jori Wanquist 饰）因为当年妻子的死而闹别扭；而男遇害者的配偶潘妮（Suzanne Bouchard 饰）一直都还在努力向儿子麦可隐瞒当年父亲死亡时的情形；当年的命案阴云一直还在两家人的头顶盘旋。更糟糕的是，当年的命案凶手越狱成功了，又一年的情人节即将到来！
