Favart
搜索"Favart" ，找到 以下影视作品
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"whentwoworldscollide;theybecomeone."SetinthepicturesquecityofUdaipur,DhadakisthestoryofMadhukarandParthavi.Fromthemomenttheyseteyesoneachother;MadhukarandParthavifeltsomethingfamiliar,somethingpure,butastheirloveblossomed,sodidtheirproblems.Tornbetweensocietyandtheirfamilies,theirfatebecameuncertain.DHADAKisasimple,passionatestoryaboutfirstlove.
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WilliamBaldwin﹑KathleenRobertson﹑AmaliaWilliamson﹑SpencerMacPherson及TaylorThorne加盟CBC与Netflix所合拍的加国剧《北方搜救队NorthernRescue》，这部由MarkBacci﹑DavidCormican及DwayneHill主创的剧集讲述JohnWest（WilliamBaldwin饰）在妻子过身后，带同三个孩子从大城市搬到家乡，并且接手了当地搜索救援队的指挥官位子。孩子们的阿姨Charlotte（KathleenRobertson饰）协助治疗主角们的伤痛，不过其实她也对姐姐的死感到很失落，而且看着主角一家亦令Charlotte想建立自己的家庭。剧中John将在公在私上遇到各种挑战，期间亦认识到北方社区中形形色色的人。AmaliaWilliamson饰演16岁女儿MaddieWest﹑SpencerMacPherson饰演14岁儿子ScoutWest﹑TaylorThorne饰演10岁女儿TaylorWest。其实角色有MichelleNolden饰演的SarahWest，John的妻子﹑MichaelXavier饰演的搜救队志愿工PaulSimmon﹑PeterMacNeill饰演的退休﹑前搜救队指挥官Harry。
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Charlene deGuzman
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约翰·浩克斯
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梅丽莎·里奥
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保罗·詹姆斯
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艾伦·戈尔
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杰克·麦克道曼
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乔希·法德姆
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摩根·科莱恩斯
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山姆·米德
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阿内丽丝·海因茨
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Gigette Reyes
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Alim Kouliev
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乔什·鲁本
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Ben Blenkle
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Pam Trotter
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Camille Cregan
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Nicholas Norsten
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Abe Pagtama
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Jimmy Fowlie
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Julia Stephens
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Nick Smoke
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Devorah Lynne Dishington
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A sex and love addicted woman learns what real intimacy is when she starts making music with a reclusive man.
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丘达帕·查恩凯特
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Wanfahmai Vararith（女配角）由于得到了怙恃住进了Arthit（男配角）家,她晓得本人可能会被赶出去,以是脱了衣服引诱Arthit,想要留上去。 没想到Arthit愤而奔出门碰到了车祸,差点得到性命,就算康复了,也仍然布满恨意。 Wanfahmai Vararith因而被送出国留学四年,返国事由于对Arthit父亲的许诺,不得不返来再次面临Arthit,固然她懊悔了,但Arthit仍然不谅解她。 谁说“时光会疗愈所有”, 都是哄人的, 四年从前了,他仍然对她布满恨意,乃至愈甚 以是,就如许吧, 她必需实现对他父亲的许诺, 以是她会表示得像个隐形人。 一点也不让他朝气。
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[InAsYouSee,Farockisearchesforthoseinstancesandfactsinthehistoryoftechnologythathavebeenoverlookedorignored,alsoexploringtheambivalentrelationshipbetweentechnologiesdevelopedforciviluseandthosedesignedformilitarypurposes.Thusthefilmforinstancedescribeshowinthe1970'sworkersattheBritisharmsfactoryLucasAerospaceattemptedtod...
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萨曼莎·柯尔伯恩
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迈克·埃尔文
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史蒂芙·林恩·琼斯
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佐伊·麦克勒兰
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Stephanie Charles
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Chris Dougherty
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Ryan Madison
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Matthew Pohlkamp
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Olivia struggles to sort out truth from fiction after her daughter mysteriously vanishes during a camping trip with the new neighbors.
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MayansM.C.followsthelifeofEzekiel“EZ”Reyes,amemberoftheMayansM.C.charterontheCali/Mexiborder.EZ,hisbrotherAngelandtherestoftheSantoPadreM.C.faceretaliationfromotherchartersafterafailedattempttoalignunderoneKing.Meanwhile,EZandAngelhavegrowndistantfromtheirfatherFelipe(EdwardJamesOlmos)afteraheartwrenchingbetrayal.
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¿How far does a soccer fan go for his beloved national team? Mariano Cárdenas (Adrian Uribe), a married man and a civil servant, shows us that crossing the line when supporting the national team is a must. Mexico and the USA are in the final qualifying match for the 2018 - World Cup. Mariano is committed to giving everything he has, including his time and relationship with his wife, to be present in the game because he is convinced that his presence in the stadium is the only thing factor that will guarantee the victory. Everything is ready and organized for the big day. Unfortunately, plans change when Mariano learns of the death of his uncle, with whom he lived and with whom he wagered a large bet on the team. Mariano is torn between being at the funeral or escaping to accompany the team. Thanks to the decision he makes, he loses his job, his wife, his home but his heart is full as Mexico qualifies for the World Cup.
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50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
