Sahni
搜索"Sahni" ，找到 以下影视作品
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杰里米·卡根
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Mark(NoahWyle)andPhoebeareinthemidstofabreakup.Miguel|abulliedteenager|getsanillegalgunandaccidentallyshootsMark.Inrealtimewenowexperiencetheconsequencesofgettingshot.Usingmultiplescreentechniques|weviscerallygothrougheverythingthecouplegoesthrough|andatthesametimeseehowtheboytriestoavoidgettingcaught.Thestorytrack...
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哈利·布拉德比尔
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NoelClarke将主演制片公司TigerAspectProductions制作的ITV剧《观点Viewpoint》，这部剧来自《伦敦生活Fleabag》的导演HarryBradbeer及爱伦•坡奖得主编剧EdWhitmore，这部5集剧讲述警方在曼彻斯特进行严密的监视调查行动，而剧情会探讨观察他人时是否存在真正的「客观」以及影响。NoelClarke饰演MartinKing总警司，他在单亲母亲ZoeSterling（AlexandraRoach饰）家里设立监视点，因为这儿可以清楚观察到韦斯特伯里广场及失踪小学教师GemmaHillman（AmyWren饰）的家。GemmaHillman失踪前与男友GregSullivan（FehintiBalogun饰）同住，而他亦是主要嫌疑犯。其他演员包括CatherineTyldesley﹑BronaghWaugh﹑SarahNiles﹑ShannonMurray﹑PhilDavis﹑IanPuleston-Davies﹑DominicAllburn﹑MarcusGarvey﹑CarlyssPeer及ErinShanagher。
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EderleziRisingisanexcitingsciencefictionromancesetinnearfutureaboutthepioneeringspacemissiontoAlphaCentauriundertakenbythemultinationalEderleziCorporation.EderlezirecruitsMIlutinaSlavcosmonauttrainedinthenewlyreformedfuturisticSovietUnionandaccompanieshimwithNimani,afemaleandroidprogrammedtofulfillwhateverhedesires.
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杜桑·哈那克
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《322档案》是杜桑·哈那克执导的剧情片，Václav Lohnisky和卢茜娜·温尼斯卡出演。该片讲述了一个关于个人疾病和社会疾病的故事。曼海姆-海德堡国际电影节 年份结果奖项类别/获奖者 1969 荣获特等奖 杜桑·哈纳克 捷克斯洛伐克的一名政府官员误认为自己患有癌症。他认为，他在斯大林执政期间参与的秘密活动注定会死于一种可怕的疾病。当他对过去的罪行感到内疚时，他寻求内心的平静。本片荣获 1969 年曼海姆电影节大奖。 斯洛伐克导演杜桑·哈纳克是 60 年代和 70 年代捷克电影界最聪明、最优秀的人才之一，但由于审查制度，这一点直到 80 年代末才显现出来。杜桑凭借他的处女作《322》（1969）对电影界产生了影响。虽然直到 1988 年才被禁，但最终上映后，它赢得了国际赞誉并在曼海姆电影节上获得了大奖。哈纳克的第二部作品，纪录片《Obrazy Stareho Sveta/Image of an Old World》（完成于 1972 年），直到 1988 年才上映，他 1980 年的电影 Ja Milujem, Ty Milujes/I Love You, You Love 也没有上映。只有哈纳克 1976 年的电影《Ruzove Sny/Rose-Tinted Dreams》通过了审查并及时上映。
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Sorn,anethnicShansexworker,copeswithhisbitterrealityinChiangMai,Thailandbyimagininghimselfinhisclients’lives.Heisdrawnintoacomplexrelationshipwithoneclient,apoliceofficerinvestigatingapoliticalactivist,evenashetriestobuildafutureofhisownasarefugeefarfromhome.
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影片描写了1865年4月14日美国第16任总统亚伯拉罕·林肯遇刺前后所产生的国王影院故事,特殊是他生前最后多少天的阅历及凶手谋划刺杀行为的全进程。Billy Campbell在本片中表演林肯,Jesse Johnson表演John Wilkes Booth,Geraldine Hughes表演Mary Todd Lincoln,Graham Beckel表演Edwin Stanton!Shawn Pyfrom表演列兵John W. Nichols。本片由汤姆·汉克斯讲解,全部故事素材均来自同名滞销小说。
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ThefilmdelvesintotheunexploredthemeofthedisplacementoftheRusyn,anEastSlavicethnicgroupfromtheEasternCarpathiansinCentralEurope,duringtheconstructionoftheStarinareservoirinthe1980s.Setagainstthistumultuousbackdrop,Floodintertwinespersonalandcollectivestories,bringingtotheforefronttheoften-overlookedplightoftheRusynminorityinSlovakia.Gonda'sfilmspeakstominorities,individualswhohaveexperienceddisplacementandyoungadultsthroughitsprotagonist,Mara.Thestoryunfoldsinasmallvillage,threatenedbyanimpendingfloodduetotheconstructionofthereservoir.Mara,ayoungwomanyearningforcitylifeandaneducation,isboundtoherruralrootsbyherstrictfather,aRusynfarmer,whorefusestorelinquishhislandandlegacydespitetheloomingendoftheirworld.Floodexploresthethemesofadolescence,uprootingandthesacrificeofpersonaldesiresforthegreatergood.Thefilmseekstoelicitreflectionsonone'srootsandtheconceptofhome,aswellasthechallengesofnavigatingadisappearingcultureandheritage.TheStarinareservoir'sconstruction,whichlastedfrom1981-1988,ledtothelargestdisplacementinSlovakhistory.Gonda'spersonalconnectiontotheregion,havingspenthischildhoodsummersthere,addsalayerofauthenticityanddepthtothenarrative.ThefilmnotonlyrecountsthephysicaldestructionofthesevenRusynvillages,butalsocapturestheemotionalandculturalimpactofthiseventonthecommunity.Thedirectoraimstopresentadeeplyresearched,emotiveandintimatestoryaswellasdivingintothecomplexdynamicsbetweenpersonalidentity,communitytiesandtheinexorablemarchofprogress.Themovieispoisedtoengageandchallengeaudiences,fosteringadeeperunderstandingoftheoften-painfulinterplaybetweentraditionandmodernity.
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DickWolf’strioofFBIdramaswillcontinueatCBS.FBI,FBI:MostWantedandFBI:Internationalhaveallbeenrenewedbythenetwork.FlagshipshowFBIhasbeenhandedathreeseasonrenewal,whichwillencompassseasonsseventhroughnine.FBI:MostWantedcomesbackforitssixthseasonandFBI:Internationalhasbeenrenewedforitsfourthseason.Allthreewillairinthe...
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
