Taher
搜索"Taher" ，找到 以下影视作品
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PaulAttanasio执笔的CBS剧《女局长Tommy》获正式预订，剧中讲述一位前高级纽约警官Abigail“Tommy”Thomas（EdieFalco饰）成为洛杉矶警察首位女局长后，她如何用诚实但强硬的手段解决各种社会﹑政治﹑国家问题。其余主演包括MichaelChernus﹑AdelaideClemens﹑RussellG.Jones﹑OliviaLucyPhillip﹑ThomasSadoski及JosephLyleTaylor。
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马克·蒙海姆
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安婕·特拉乌新片来袭~小时间当儿子看上的女友被老妈上了,长大了偶遇的梦中女神成果却又是母亲的女友,史上最惨儿子却又是“人生赢家”安丽人又演姬片「母亲的女友 The Girlfriend of My Mother」百口欢上场~
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When a young coffee shop owner is threatened with repossession she must take a chance with life and love as she fights to save her business
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With their different approaches, these versatile comedians complement each other perfectly and bring outside perspectives to the stage.
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Timandhisteamaretherisingstarsoftheghosthuntinggame.Onethingtheyalllikebetterthanagoodhauntisagreatprank.Whentheteamarrivesatanewinvestigation,theycannotfigureiftheoccurrencesarepartofsomeelaboratemasterprankorifthehouseisactuallyhaunted.Unfortunately,theydon’tfindtheansweruntilitisfartoolate.
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Americanabortionclinicsareinafightforsurvival.TargetedRegulationofAbortionProviders(TRAP)lawsareincreasinglybeingpassedbystatesthatmaintaintheyensurewomen’ssafetyandhealth,butasclinicscontinuetoshuttheirdoors,opponentsbelievetherealpurposeoftheselawsistooutlawabortion.WorldPremiere
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布瑞亚·格兰特
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It's 1998 - and over the course of one 12 - Hour Shift at an Arkansas Hospital, A Junkie Nurse (Angela Bettis), Her Scheming Cousin (Chloe Farnworth) and a group of black market Organ-Trading criminals (Mick Foley, David Arquette, Dusty Warren) start a heist that could lead to all of their demise.
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路易斯·布努埃尔
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鲁滨逊（丹·奥赫里奇 Dan O'Herlihy 饰）在航海期间遭遇了海难，幸运的捡回了一条性命的他流落到了一座孤岛上，在这里，他似乎是唯一的现代人类。鲁滨逊没有向命运低头，而是凭借着智慧和勇气，在岛上慢慢的建立了属于自己的王国。 然而，除了恶劣的气候和匮乏的物资外，鲁滨逊要面对的最大威胁是潜伏在小岛身处的食人族部落。一次偶然中，鲁滨逊从食人族的手中救下了一个孩子，他给他取名为星期五（Jaime Fernández 饰）。就这样，星期五成为了鲁滨逊最好的朋友和最忠实的仆人。在岛上，鲁滨逊生活了二八年两个月零十九天，这一段难忘的时光彻底改变了他的命运。
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
