Dieter
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桑尼·墨海
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Ellie, a recovering drug addict, has just moved to a new city with her two teenage children. She has struggled to stay sober in the past and is determined to make it work this time, finding a stable job and regularly attending her meetings. Unfortunately, new friends, a new job, and the chance of a new life, can't keep Ellie from slipping once again. Her life changes when she meets Christopher - a different kind of addict - which forces her daughter and son to accept a new version of Ellie.
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When Troy Holloway wakes up to find himself trapped aboard a drifting escape pod shooting towards the Sun he quickly realises the true terror of his situation. With rapid oxygen depletion and a burn- up rate of 90 - minutes, Commander Roberts leads a rescue party to save Holloway before time runs out. Having recently lost his son and now confronted by his immediate end, Holloway feels less enthusiastic about survival. But Roberts, speaking to him only through a weak radio transmission, is determined to save his life, and both soon learn that the lives they have both lived influence each other in unexpected ways.
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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伸手不见五指的黑夜,一辆汽车蜿蜒盘旋在乡间小路上。那是名叫莎拉·泰勒(伊莎贝拉·凯瑟尔佩IsabellaCalthorpe饰)的女孩,此前她已在美国闯荡多年,如今在事业小有成就之际总算返回了久别的家乡。她的家地处偏远乡村,是一幢有着悠久历史的古老别墅,周围杳无人烟。在和父亲邓肯(SimonMacCorkindale饰)寒暄过后,她来到仓库寻找当年的玩伴艾米莉(盖玛·阿金斯GemmaAtkinson饰)、加里(汤姆·费尔顿饰)、道格(约叔华·伯曼JoshuaBowman饰)、斯蒂芬(皮特·加迪亚特PeterGadiot饰)以及查理(加布里尔·汤姆森GabrielThomson饰),他们正等待着莎拉一同狂欢。夜深人静,这群无所顾忌的年轻人决定进入别墅冒险,却不知嗜血的怪物等待着猎物的到来,血腥之夜拉开了序幕……
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Filmed on the beautiful islands of Greece, "With a Kiss I Die" is a dark love story about Juliet Capulet (from Shakespearean fame) who is forced to live for all eternity knowing that her true love died in her arms nearly 800 - years ago. Broken and numb, she meets a young woman who captures her heart again, and teaches her that love and loss are all a part of life, and that a life without love is no life at all.
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From living a normal life to surviving homelessness in the city of Miami, Peter is a victim of the turbulent US recession during late 2000's. A drama based on true events. A heartbreaking chronicle witnessing a drastic character transformation when he is exposed to the harsh cruelties the streets reveal.
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曹建南
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文慧(罗美薇)与友明头(刘玉翠)欲成为歌星,惋惜文慧因家庭疑问自愿到夜总会任务,因与黑帮喽罗B哥发生争论,肇事下身,幸得车房仔阿忠(张家辉)及May姐(蓝洁瑛)!健哥(成奎安)互助离开险境。阿忠对文慧情有独钟,但文慧专心敬慕新进男歌星Peter(吴大维)。另一方面,明头却对义薄云天的忠发生好感,一对女友的情感生涯顿起波涛……
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克雷格·比贝洛斯
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年仅19岁的亚当(杰克·奥康奈尔 Jack O'Connell 饰)可谓呆子废柴界的魂魄人物,他老娘搭上黑帮喽罗皮特(彼得·穆兰 Peter Mullan 饰),百无一用的无业青年亚当也顺带帮后爹干点儿上不了台面的脏活。但是黑社会对他来说也不那么好混,亚当撞爆皮特的汽车,气的后爹怒喜洋洋。无法之下,皮特只得再给亚当支配一项任务,赞助冷淡的独行杀手罗伊(蒂姆·罗斯 Tim Roth 饰)担负司机兼助手。面劈面前这个放风!杀人!肢解全体能干且不测状态一直的“黑二代”,罗伊彻底没了性格。 旅途中,两个有着差别配景的人好像关联渐渐拉近,但亚当却并不知晓罗伊此行的机密任务,他们的运气也朝着弗成猜测的偏向开展……
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Vincent和Antoine都是狂热的乐迷,两人靠到处做工地秀苦苦支撑着一个小小的演艺公司。眼看生计难以为继,Vincent家中的一个小小皮盒给了他们创业灵感:Jeanne Mas, Jean-Luc Lahaye, Lio, Desireless, Peter & Sloane, François Feldman, Début de soirée, Images, Cookie Dingler, Sabrina, Gilbert Montagné... 里面装满了80年代的畅销曲!让这些80年代的巨星重新登上舞台会大卖吧!?两位制作人于是出发去寻找那些已经被公众遗忘的明星们。从乡下小酒吧里的寒酸怀旧演唱会开始r……直到法兰西体育场!
