Oto
搜索"Oto" ,找到 以下影视作品
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Ahauntingspiritofanunknowngirlwhodwellsinakaraokebooth,namedPremikaaftertheclothingtagshewears.Onenight,someoneaccidentallyswitchedonakaraokebooththatPremikapossessesin.Then,shewasawakenedfromthedeath,andisreadytotormentwhoeverthatsingsincorrectlyoroutoftune,bringingtogetherahorrifying,laughing,amusingandtunefulhaunt.
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PojArnon
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Atahauntedapartmentblockpopulatedmostlybyladyboysandcross-dressers,Taewopensanewapartmentbutsoonsomeonecommitssuicideinaroom-ormaybeitsmurder.Thatisthestartofcrazyandfunnyhauntingincidentsandscenesinvolvingalotofpeoplerunningawayfrompursuingghosts.
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杰瑞米·艾伦·怀特
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艾邦·摩斯-巴克拉赫
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Lionel
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Boyce
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莉莎·科伦-扎亚斯
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Edwin
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Lee
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Gibson
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Corey
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Hendrix
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Richard
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Esteras
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Jose
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M.
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Cervantes
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Ayo
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Edebiri
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艾比·艾略特
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Matty
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Matheson
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克里斯·维塔斯凯
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乔尔·麦克哈尔
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Carmen
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Christopher
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Christopher
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Zucchero
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奥利弗·普莱特
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莫利·林沃德
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艾米·莫顿
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Richard
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Cotovsky
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布赖恩·伯兰德
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乔·博恩瑟
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AyoungcheffromthefinediningworldreturnstoChicagotorunhisfamily'ssandwichshop.
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马特·怀克洛斯
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恩里克·阿尔切
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克劳迪奥·桑塔玛利亚
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Adrian·Grösser
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奥斯卡·卡萨斯
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萨尔·南尼
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马里奥·埃米托
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Jorge·Rueda
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安娜·梅纳
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Matteo·Paolillo
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Desirèe·Pöpper
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Nadal·Bin
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José·Milán
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Miguel·Seguí
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Ravina·Raventós
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Edith·Martínez·Val
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鲁莽的天才摩托手埃杜·塞拉获得AsparMoto2车队的参赛机会,却必须接受疏离多年的父亲——曾因事故退役的前冠军车手安东尼奥·贝拉尔迪的训练。在竞速梦想、父子旧怨与意外爱情的三重拉扯中,他踏上自我蜕变与和解的赛道。
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朴孝朱
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Achillingmysterythriller,blessedbystirringimaginationandstrikingactingperformances,especiallybychildactors.Amongwittyscaresinventedbythedirectorherself,wegetclosertountreatabletruesinsoftheCatholicreligion.Skilfullyraisedfantasiesaboutexorcism,possessionandresurrectionslowlytransformintobreath-takinghorror,whichmaynotleaveyourthoughtsforalongtimeafterthescreening.AdevotedlyfaithfulfamilymournstheireldersonHan-byul.BothparentssincerelybelievethatitisthehandofgoodlordJesusthatteststhemwithpainfulsuffering.Thereverendadvisesadoptingachildwithspecialneedsandsharingallthelovetheystillhaveintheirwoundedheartsafterthetragicaccident.SothegrievingparentsembracevisuallyimpairedcharismaticIsaac,whoquicklyfindshisplaceintheirspacioustwo-storeyhouse.Theacutelysensitiveboycountsthatthekindfamilystillconsistsofsevenmembers,andwitnesseshowthecryingHan-byulconstantlyvisitsthem.Confusedbyincrediblerevelations,themotherstartstonoticepreviouslyunseenguidingsigns.Guiltconfrontssanity.Grieftransmitsintofear.Doubtsbringhomeobsession.Newcluesexposehurtfullies.Divinefaithopensallgatestopowerfuldevilishmanipulations.Theprolongedprocessofhealingdispersesintodrownedsecrets.Howlongcanyoubelievesomethingwhisperedbysomeonewhoisnotentirelytrustworthy?Howfarwillalovingmothergotoprotectheradoptedchildwhosuddenlyuncoversnot-so-pleasanttruths?源自:https://poff.ee/en/film/the-other-child/
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AsthehomelesspopulationofanOhiotownisravagedbybrutaldeathsinthedeadofwinter,twooutcastwomendefendtheirturfandfightbackagainstthedeadlycreature-awerewolf.
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原定19-20年度播出的FOX新剧「智能逆袭 neXT」因疫情而延期,当初FOX肯定它会分开原定的周一档,改为在周二档﹑美国时光10月6日首播。 AI题材惊悚剧「智能逆袭」由「24小时:遗产 24 - Legacy」主创之一Manny Coto﹑「咱们这一天 This Is Us」两位幕后John Requa及Glenn Ficarra结合开辟。 「智能逆袭」剧谍报告一名聪慧但偏执的前科技公司CEO Paul Leblanc参加美国领土平安体的收集平安间谍部分,联手阻拦一个足以威逼全天下人类的人工智能。 Fernanda Andrade扮演女主Shea﹑John Slattery扮演Paul Leblanc。
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Nearfuture.Mankindissuccessfullyexploringspace:nowahugeDeltastationislocatedintheearth'sorbit.MaksimBortnikovisoneofthemembersofthestationrepairteam.AnunexpectedcatastrophecausedbyaprotonstormcutsoffMaksimfromtherest,andheisleftaloneinouterspace.
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
