Panc
搜索"Panc" ，找到 以下影视作品
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Since the 1940s, alien beings known as "GRAYS" have been sighted around the globe with the thought that they visit our planet to study our species and civilization before they eventually invade...but what if we're wrong? What if they are only here to protect us? After a meteorite crashes to earth awakening the extraterrestrial creature within, a young woman is abducted by an alien "GRAY" to aid in hunting down and destroying the creature, before it can reach a second meteorite that fell to earth decades earlier, unleashing its deadly infestation of earth.
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25-year-oldLivstillhasn’tfoundherselfyetandlivesintheprovinceswithherparentswhereshespendsmostofhertimeonthefamily’sorchard.SowhensheunexpectedlyfallsinlovewiththechaoticandadventurousAndrea,herlifeisturnedlifeupsidedown.LivistornbetweenthesecurityofherparentsappletreesandanexcitinglifeinthecitywithAndrea’sprogre...
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Marseille,juillet1905.LejeuneMarcelPagnolvientd'acheversesétudesprimaires.Danstroismois,ilentreraau?lycée?.Troismois...uneéternitéquandonacetage.Carvoiciletempsdesvacances,lesvraies,lesgrandes!Enfantdelaville,ceretourtantattenduàseschèrescollinesd'Aubagne,cellesde?LaGloiredemonpère?et?LeChateaudemamère?letr...
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豪梅·巴拉格罗
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艾斯特·爱珀斯托
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ángela Cremonte
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Alejandra Meco
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费尔南多·瓦尔迪维尔索
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费德里科·阿瓜多
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Magüi Mira
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Inés Fernández
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Whengo-godancerLucíanicksafortuneindesignerdrugsfromhermafiaemployers,themobsters’doggedpursuitforceshertoseeksanctuarywithherestrangedsisterRocíoandnieceAlbain“TheVenus,”adecrepitapartmentcomplexontheoutskirtsofMadrid.Asterrible,rotten,no-goodluckwouldhaveit,LucíasoonfindsherselfsoleguardiantolittleAlbaafterRocíosuddenlyfliestheconcretecoop,unabletohandlethesupernaturalstressoflivinginamonoliththatisapparentlyalsohosttoamalignantevil—onethatinvadesitstenants’wakingnightmares.TakingafewcuesfromH.P.Lovecraft’s“TheDreamsintheWitchHouse,”"Venus"pilesonthebloodandbombshellslikeadoublebillof"Demons2"and"TheSentinel".源自：https://poff.ee/en/film/venus/
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In1933,ayoungwomanleavesherruralhometochaseherdreamofbecomingawriterinthecity.Shetakesajobasamaidforamiddle-agedprintinghouseownerwhoquicklystartspursuingherromantically.Theymarry,buthispassionatedeclarationsoflovesoonturncold.Aspoliticaltensionsriseinthecountry,theirlovestoryunfoldsinadividedsociety,revealingtox...
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Williamwhohasasimplejob,hemakesdeadbodiesdisappear.Thisisntsomethinghelikestoorevenwantstodo,butthroughcircumstancesoutofhiscontrol,hislittlefarmhouseinthecountryhasbecomeadumpinggroundforthecasualtiesofthegangrelatedmurdersinthenearbycity.HisdaughterGloriahasbecomeusedtoroughlookingmendroppingoffcorpsesandisevenconvincedthatsomeofthemarehauntingtheirhouse.Afterawomansbody,isdumpedatthehouse,Williambeginshismeticulousprocesswhenherealizes,shesnotactuallydead.Asthegangactivityincreases,Williampatchesthewomanupandholdsheragainstherwilluntilhecanfigureoutwhattodowithher.Astheybegintodevelopaveryunusualrespectforeachother,thewomansmurderersgetwordthatshesstillaliveandmakeplantogofinishwhattheystarted.
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丹·柯蒂斯
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由David France的小說改編,這部獲獎的迷你電視電影呈現了在2002年震驚上帝教會的迫害孩童醜事。當波士頓環球時報揭開早已持續的罪惡時,以紅衣主教為首的,尽力設法使犯有罪恶的神父遠離處罰跟媒體曝光,教會可能主張的所有都被廣泛討論。大胆的律師拒絕睜一隻眼閉一隻眼,儘管束會做了最大的尽力為了使他閉嘴。他掉掉落了神父的幫助,以及一些受害者的母親為檢察官供给令人寒心詳細實情。傑出的演員跟倍受爭議的故事性質培养了一部既讓人悲哀又鼓励平易近气的出色影片。
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Devastatedbythelossofherfifteenyearoldson,Kevin,atthe1989FACupsemi-finalbetweenLiverpoolandNottinghamForest,AnneWilliamsfightsforthetruthaboutthetragedy.Standingalongsideotherparentswholostchildreninthematchandrefusingtobelievetheofficialinvestigationresults,Anneseeksherownevidenceinarelentlessquestforjustice.
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广濑贵士
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Constantlyonthehuntandsufferingfromhallucinationsthatdrivehisviolentnature,anunnamedmaniscapturingwomenandsavagelybeatingthemtodeath.Meanwhile,awomanisluringmenintoaviolentend,bywayofherknife.Drivenbythesameforcetomaketheoppositesexsuffer,thekillers’fatesintertwine.Thetwomustfaceoffinabattletothedeath,inwhichtheyareforcedtorevealthehorribletruthbehindtheiraddictiontomurder.“Brutal”takesaninterestingapproachtoitsvisuals,drawingheavyinfluencefromWestern“Grindhouse”films,usingafiltertomakethefootageappeargrainy,damaged,andwithlightandcolorfluctuations.Unfortunately,thevisualstylingendsupfeelingmisguided,asotherthanapplyingthefilteritdoesnotimitateanyotheraspectsofthe“Grindhouse”genre.Despitetryingtodirtyupthefilm,itisapparentitwasshotondigital.Thecinematographyisalsoastepabovemost“Grindhouse”productions,withTakashiHiroseprovinghehastalentbehindthecamera.Exteriorshotstothosetakingplaceinsmallspacesareallcompetentlyframed,lit,andtransitionwell.Thedecisiontoaddaneffectontopoftheworkhurtsthefilm’simageryandevengivesasenseofdesperationtotrytocaptureacertaintypeofnostalgiawiththeaudience,insteadofrelyingonitsownstrengths.Itisunfortunatewhenonecreativechoicecanhurtaproductionsomuch.Thestoryof“Brutal”issimplebuteffective,itdoesattemptsomesortofsocialcommentaryabouttheviolentnatureofmenandwomen,butitdoesnotofferenoughdepthintothesubjecttojustifytheamountofviolenceondisplay.Thefilmdoesendonastrongnotewithaninterestingtwist,witharevealthatisboundtogrosssomeout,whilegivingothersachuckle.Inspiteofitssimplenature,thosewhoenjoyfilmsthatmakethemsomewhatuncomfortableandenjoythechallengeofgettingthroughsomeultra-violence,“Brutal”posesafunandentertainingchallengeinthatregard.
