Baily
搜索"Baily" ，找到 以下影视作品
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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CharlieCaleisbackontherun,andinSeason2we’vetakenherjourneytothenextlevelonemurdermysteryatatime,"JohnsonandLyonneteasedinajointstatement."Fromminorleaguebaseballtobigboxretail,fromfuneralhomestoalligatorfarmsandevenagradeschooltalentshow,Charlienavigateshercrimesolvingexistentialroad-tripwithdeadpanwit,humanempath...
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服部光則
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ThebeautifulShizukaHimanokihasbeensavingherselfforaboyshemettwelveyearsago.Theymadeapromisebackthen,andshe’sdeterminedtokeepit.Butwhenshefinallytrackshimdown,shecatcheshimintheactwithanotherwoman.Wherecananineteen-year-oldvirginturnforsolace?
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乔丹·亚历山大
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惠特尼·皮克
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米歇尔·崔切伯格
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伊莱·布朗
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乔尔·韦斯特伍德
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阿什莉·诺斯
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Natalie
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Shaw
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Gretchen
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Allison
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Alex
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Anagnostidis
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Denia
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Aponte
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Isa
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Barrett
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Jac
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Bernhard
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Naomi
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Castellano
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Anthony
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Cipriani
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Victorya
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Danylko-Petrovskaya
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Dominique
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Gatlin
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Anthony
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Gullotta
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David
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Negri
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Booch
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O'Connel
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It'sthesecondsemesterofJunioryear,andGossipGirlisleavingnostoneunturnedinherefforttocontrolthescandalouslivesofManhattan'selite.She'slearnedathingortwofromherfirstgo-round-namelywhatheraudiencewants,theyshallget.It'stimeforhertoturntheheatuponwhat'sbeensimmering.Oldenemies,newallies,constantlyshiftingsands-thiss...
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ppoy is a school kid with a creative mind who couldn't cope up with the formal system. All the while he got attention through his art. When he was forced to the edge of the system he begin to lose his identity. Later he is pushed into a loser category. At one point he begins to get attention when he started to perform outside of the system as a wild character. Because of the strong outer factor of the system and due to confused feelings he chose to remain as a wild character without knowing he is actually being a slave of the rottening system.…
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一个电视台摄制组离开萨利姆镇,对外地治安官布里奇（苏利`厄那 Sully Erna 饰）直接采访。与此同时,警官戴夫（乔伊`费通 Joey Fatone 饰）跟共事丹西在巡查途中,发明某户人家五口人受到残暴杀戮,现场只有一个披着白色大氅的小女孩存活。戴夫向警局转达情形,接下缘故丹西陪同小女孩,他则一自我上楼考察。但是未过多久,丹西即被奥秘之人残暴杀戮,戴夫的运气也令人堪忧。 未过多久,布里奇跟摄制组驱车赶到现场,他跟多少名不着调的警员兴许以为这只是一次一般的人物,但是却没想到有如许恐惧的气象跟阅历期待着他们。萨利姆的不眠之夜,残暴的运气遽然来临……
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劳埃德·培根
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Scion of the once-rich Mitchell family, Herbert Wynn is found shot to death. Nurse Adams, bored by hospital routine, is recruited by the police to ferret out clues as she tends to Wynn's elderly aunt Julia. Jokingly given the 'rank' of Miss Pinkerson, after the famous detective agency, Adams probes into the mystery, but not before a second death.
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Atrucker'sfamilyiskilledinafierycrashcausedbyagroupofrecklessteens.Rescuedfromthewreckageandnursedbacktohealthbyamysteriousoldman,thetruckerexactsbrutalrevengeontheteenswhodestroyedhislife.
