Dieter
搜索"Dieter" ，找到 以下影视作品
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Without warning, millions of mysterious alien "doors" suddenly appear around the globe. In a rush to determine the reason for their arrival, mankind must work together to understand the purpose of these cosmic anomalies. Bizarre incidences occurring around the sentient doors leads humanity to question their own existence and an altered reality as they attempt to enter them.
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马蒂·贝克曼
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坐落于美国北卡罗来纳州的布朗山,从20世纪中叶起便接连有外地住平易近目睹不明飞翔物以及人类受到绑架的呈文。外星人仍是当局军事秘密！错综复杂,众说纷纷。直到某天,患有自闭症的少年莱利·莫瑞斯（Riley Polanski 饰）有意间用他的摄相机记载上去恐怖的所有。在一个平常沐日,莱利跟着父亲彼得（Peter Holden 饰）!母亲凯蒂（Katherine Sigismund 饰）!欧巴柯瑞（Corey Eid 饰）以及姊姊吉莉安（Jillian Clare 饰）驱车前去布朗山露营。 第一个晚上,他们目睹到夜空中飘动的奥秘光点,第二天则在途中迷路,更在地道里见到了空无一人的车辆以及从未见过的恐怖生物。凌乱中皮特被对方绑架,莫瑞斯家的其余成员则夺路而逃,未卜前程……
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本·法尔科内
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梅丽莎·麦卡西
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詹姆斯·柯登
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鲍比·坎纳瓦尔
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布莱恩·泰里·亨利
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珍·斯马特
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Jock McKissic
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卡兰·索尼
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莎拉·贝克
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朱万达斯·坎迪斯
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迈克尔·比奇
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乌斯曼·阿利
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Damon Jones
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Jay Lay
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Jenna Perusich
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Carolyn Trahan
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山姆·理查森
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安德鲁·T·李
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施奎塔·詹姆斯
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艾琳·法萨诺
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麦克斯威尔·海史密斯
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帕蒂·舍尔哈斯
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Tina Witherby
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查尔斯·格林
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何塞·阿尔弗雷多·费尔南德斯
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保罗·皮尔斯伯里
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梅丽莎·麦卡西将主演举措笑剧「超等智能」(Super-Intelligence),麦卡西老公本·法尔科内执导,这是两人自「塔米的游览」「老板」「派对配角」后第四次以演员-导演身份协作。麦卡西扮演前企业高管Carol Peters,当她被天下上第一个超等智能——一个可能掌控天下的人工智能选中作为视察目的后,她的生涯产生天翻地覆的变更。Steve Mallory(「老板」)编写脚本,7月开拍,新线出品。
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Jillian Clare
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泰勒·克里斯托弗
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斯塔西·爱德华兹
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普雷斯顿·贝里
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亚当·钱伯斯
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皮特·霍尔登
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Austin Hillebrecht
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Cosondra Sjostrom
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Jesse Lee Keeter
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特德·鲁尼
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托德·罗宾森
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Craig Michaelson
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Patrick Kwan
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Robert R. Bertrand
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Echo Bull
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Lindsey Lou's father has gone missing on a mountaineering expedition and she's determined to find him, only she's the least qualified for the job.
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第1回「君が好きだから」（著：井上美珠）第2回「溺愛デイズ」（著：槇原まき）第3回「愛されるのもお仕事ですかっ！？」（著：栢野すばる）第4回「待ち焦がれたハッピーエンド」（著：吉桜美貴）第5回「野良猫は愛に溺れる」（著：桜朱理）第6回「暴走プロポーズは極甘仕立て」（著：冬野まゆ）第7回「プリンの田中さんはケダモノ。」（著：雪兎ざっく）第8回「冷酷CEOは秘書に溺れるか？」（著：流月るる）第9回「総務部の丸山さん、イケメン社長に溺愛される」（著：有允ひろみ）第10回「152センチ62キロの恋人」（著：高倉碧依）第11回「私と彼のお見合い事情」（著：幸村真桜）第12回「4番目の許婚候補」（著：富樫聖夜）
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Anightofunimaginableterrorawaitstwelve-year-old,Bobby,andhisbestfriend,Kevin,whentheyareabductedontheirwayhomefromschool.Managingtoescapehisconfines,Bobbynavigatesthedarkhalls,prayinghispresencegoesunnoticedasheavoidshiscaptorateveryturn.Evenworseisthearrivalofanotherderangedstranger,whosemysteriousarrangementwiththeki...
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保罗·惠廷顿
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继收视和口碑均表现喜人的《白屋农场谋杀案》《丹斯》后，ITV预定了下一部真实罪案类剧集《约克郡开膛手 The Yorkshire Ripper》(暂定名)。 《杀死伊芙》《审讯室：英国》编剧George Kay负责剧本，《白屋农场谋杀案》导演执导。 本剧共6集，基于Michael Bilton的书籍《Wicked Beyond Belief The Hunt for the Yorkshire Ripper》创作，将讲述世界上最臭名昭著、令人震惊的连环杀手案件之一，即对被称为约克郡开膛手的Peter Sutcliffe的追捕。 在1975年10月至1981年1月期间，警方进行了英国犯罪史上最大规模的搜捕行动。对Sutcliffe的搜寻持续了五年，有超过一千名警员参与，彻底改变了英国警方的工作方式。 该剧不会仅仅着墨于警方的工作，还会聚焦受害者和...
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Diz (Joel Courtney) is a reckless teenage drifter living life on the run. Abandoned by his parents as a child, he looks out for himself and doesn't accept handouts. He takes whatever he wants and runs. Jaded and determined to answer to no one, Diz lives a life marked by thievery and abandonment. Things change for Diz when he floats into a small town on the Snake River. There he is confronted by an unflappable old man named Marty and falls for Marty's guarded granddaughter, Selah. When Diz robs a local drug-dealing crazy, he becomes the owner of a giant pile of cash and the target of two vicious killers. With more money than he knows what to do with, and criminals at his heels, Diz puts the people he's learned to care about in danger, still trying to win Selah. But some things can't be stolen or bought. The River Thief is a film about guilt, self-sacrifice, and accepting life as a gift.
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Netflix预定5集限定剧《意料之外的凶手TheUnlikelyMurderer》,2021年播出。这部瑞典剧集为半虚构故事,基于ThomasPettersson在2008年出版的书籍创作。RobertGustafsson饰演平面设计师StigEngstr?m,他被认为很可能刺杀了瑞典前首相奥洛夫·帕尔梅。该剧讲述1986年帕尔梅遇刺后,Engstr?m凭借大胆和幸运,以及警方在案件办理中的迷茫,成功逃脱了法律制裁,直到他死去。主演还包括EvaMelander,MikaelPersbrandt和PeterAndersson。JoelSpira,EmilAlmén,ShantiRoney,TorkelPetterson,HenrikNorlén,LiaBoysen,MagnusKrepper,Bj?rnBeng...
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
