Eakins、莎拉琳赛
搜索"Eakins、莎拉琳赛" ，找到 以下影视作品
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Facing a bleak future, a young man runs away to Mexico where he is recruited by the mysterious captain of a paramilitary group of teens who fight drug cartels. Isolated at their desert camp and unsure what he's fighting for, he seeks to prove himself in this crucible of manhood.
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约翰·希尔寇特
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俄罗斯黑帮喽罗伊琳娜（凯特·温丝莱特 Kate Winslet 饰）指示一批腐烂的警员直接了一同完善的银行掳掠行为,因为多少人均身处警界外部,反侦查才能极强,因而想要查出案件的本相多少乎是弗成能的事件。但是,多少人并不晓得的是,真正的威逼并非来自警方的考察,而是有人正在虎视眈眈的盯着他们所掉掉落的巨额待遇。 此役之后,伊琳娜野心不减,殊不知多少名警员在伟大的压力之下早曾经抵触重重,濒临瓦解的边沿。此中之一马库斯（安东尼·麦凯 Anthony Mackie 饰）不只要面临心坎的挣扎,还要敷衍谁人初出茅庐公理感爆棚的菜鸟错误克里斯（卡西·阿弗莱克 Casey Affleck 饰）,灵敏的克里斯好像曾经开端觉察本人身边正在产生的事件。
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AparallelstorytoUntilWeMeetAgain(2019).TellsthestoryofhowWinandTeamgettoknowoneanotherthroughtheswimclub,andeventuallydeveloparelationship.TheygrowtheirrelationshipasWinhelpsTeamdealwithhischildhoodtrauma,andTeamhelpsWinfeelwanted.
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Depressing,darklovedramawiththinstoryline,thatmakesyouwonderwhetherthemakersbelieveinlifeatall.Themaleprotagonistisconstantlyrunningintoproblemsandgetsbeatenuptimeandtimeagain,somuchsothatafterawhileIcouldnothelplaughing,whichcannothavebeentheintentionofthemakers:theyarevèry,vèryserious.ThecruxofthefilmseemstobeasharpcommentonthemoneydrivenGermansociety,inwhichitisimpossibletoshowanyrealaffection;ofcoursethiscouldbeadilemmaofthemakersthemselves:moneyisnottheproblem,butwhatyoudowithit.Notforgottenistoincludeanextremerightwingmanwhoseself-proclaimedpurposeinlifeitistofreethestreetofsociallyundesirableelements.Itisallveryheavysymbolismwithnorelief,butitiscertainlywell-madewithascriptthat-asthefilmprogresses-becomeslessandlesssurprising.Thetwoactingleadsaregood;finecinematography.(janonderwater)
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Nina is twelve years old and her world has just been shattered to smithereens: Her parents’ marriage has broken down and they are getting a divorce. After his internationally successful debut Miracle Juraj Lehotský now brings us an intimate drama in which the viewer looks upon the world and the selfish, visionless behaviour of adults through the eyes of a 12-year-old girl. A girl who is resilient and belligerent, but also vulnerable and just as fragile as the miniature world she creates for herself in the garden shed.
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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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A deserted pond. Two lonely children fall under the spell of this wild place that, little by little, draws them closer to each other and gives them the strength to cope with life. Seen through their eyes, and through their imaginations, the pond becomes a secret kingdom, both marvellous and frightening, thronging with creatures born from dreams or nightmares. The children experience an initiation, brief and intense, from which they will emerge transformed.
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Tothestreets,“Raq”Thomasiscold,hardandfierce—asuccessfulanddeadlywomantakingnamesinaman’sworld.Sheistough,resolute,ruthless,butRaqstilliscapableoflove.Greatlove.Thesolerecipientofthataffectionisherson,Kanan;heiseverythingtoher.Asmuchasshecaresforhim,though,therearemanyinstanceswhereonewondersifsheloveshimforwhoheisorifsheloveshimmerelyasanextensionofherself.Themiddlechildofthree,Raqalsocarriestheheavyburdenastheearnerforhertwobrothers.Sheisthesun,andeveryoneelseinheruniverseexistsinherorbit.
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A veteran cop is shocked when he's reassigned to the mounted division after a series of mistakes. However, his equine exploits aren't a complete mare thanks to the expertise of a former rodeo star who joins him on the beat. Crime drama, starring Dennis Franz and Spike Alexander.
