Tova
搜索"Tova" ，找到 以下影视作品
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AlegendarydogtrainerbelieveshecantransformMarmadukefromanundisciplined,butlovabledog,intothefirstGreatDanetowintheWorldDogChampionship.
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坦纳民·翁斯坤帕
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Uea是一个很私人的讨厌卡萨诺瓦的人，而King很聪明，是个卡萨诺瓦。King和Uea在同一个办公室工作，都是杰德最好的朋友。他们不喜欢对方，却因为某种原因开始有了特定的“关系”。~~改编自小贝拉96的小说。Ueaisaveryprivatepersonwhohatescasanovas,whileKingissmartandisacasanova.KingandUeaworkinthesameofficeandbotharebestfriendswithJade.Theydon'tlikeeachotherbutbegintohaveaparticular"relation"forsomereason.~~Adaptedfromanovelbylittlebbear96.
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奥莉亚·祖娃
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Vova and his best friend Kisa make ends meet by working for the local thug in Vladivostock, Russia until one assignment forces them to question their own morality and puts their friendship to the ultimate test.
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凯利·阿斯博瑞
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一次偶尔中,蓝妹妹（黛米·洛瓦托 Demi Lovato 配音）发明白一张遗落的舆图,指引向一座奥秘的村落。为了求证村落存在的实在性,蓝妹妹跟挚友聪聪（丹尼·普迪 Danny Pudi 配音）!健健（乔·曼根尼罗 Joe Manganiello 配音）!笨笨（杰克·麦克布瑞尔 Jack McBrayer 配音）一同踏上了旅途。 一起上,初出茅庐的四人组遭受了有数的伤害,但总能凭仗他们的伶俐跟福气转危为安,四人的友谊亦受到了重重磨练。罪恶的格格巫（雷恩·威尔森 Rainn Wilson 配音）也知晓了村落的存在,为了第一个达到村落,格格巫开端想方设法的阻拦起蓝妹妹一行的前程
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在Youtube上大受欢迎的《赛博朋克农场》系列短片将由同位导演改编成10集的完整长剧集《赛博朋克村庄》，于2023年9月23日在Kinopoisk网站上首映。该剧主角是一位农民尼古拉，他和家人住在火星的未来村里，平静地经营着一个机器人农场，直到一家大公司的负责人来到地球并想要在村庄的旧址上建造一座新工厂，得知消息的尼古拉踏上了前往地球拯救家园的旅程。该剧导演和编剧为谢尔盖·瓦西里耶夫。据他介绍，已在YouTube短片中出现的新机器人、行星和故事也会在长剧中出现。农民尼古拉的角色由谢尔盖·奇哈切夫(SergeiChikhachev)扮演，YouTube项目《赛博朋克农场》的观众对他已经很熟悉了。该剧的主演还包括格里戈里·斯克里亚普金(GrigorySkryapkin)、阿尔乔姆·塞马金(ArtemSemakin)、奥尔加·热瓦金娜(OlgaZhevakina)、弗拉达·卢基娜(VladaLukina)、玛格丽塔·西拉耶娃(MargaritaSilaeva)、埃琳娜·马科娃(ElenaMakhova)等。
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威廉·A·塞特尔
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John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band). John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable Roberta gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her. Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. Countess Scharwenka, a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer. Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish. When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce. Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time. John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation. The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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InDiciannove(translatingtoNineteen),GiovanniTortorici’selegant,heartfelt,anddaringdebut,acuriousstudentlearnsthattheroadtoself-discoveryisworthwhile,ifnotnecessary,nomatterhowunfamiliarordauntingthepath.Eagertoescapehisoverbearingmotherandtheonlylifehe’sknown,19-year-oldLeonardo(ManfrediMarini,whogivesanexceptionalperformance),leavespicturesquePalermotostudyinbustlingLondon.HislandingisbufferedbyhissisterArianna(VittoriaPlaneta)andherroommateGrazia(DanaGiuliano),thoughtheinitialexcitementoflivingabroad—andunrestrictedpartying—wanesquickly,andLeonardofindshimselfenrollingattheUniversityofSiena,focusingonItalianliterature.Backinfamiliarsurroundings,hefallsinlovewiththemedievalcity,butisnotsokeenonhisliteratureprofessor.Seekingthatindescribablefeelingofknowingyou’vefoundyourplace—beyondjustgeography—Leonardodelvesintotheclassicsindependently,spawningasoul-searchinganddeepinterestinearlymodernauthorslikePulci,Segneri,andLeopardi.Surroundinghimselfwithbeauty,vibrantyouth,andnewideas—aswellasimageshe’dpreviouslyrepressed—hisworldblooms.Ayearintohisunboundjourney,LeonardotravelstoTorinowherehemeetsamanwho,thoughmucholder,mayfinallybeacontemporary—ifnotthekeytounlockinghisinnermostdesires.
