Ramou
搜索"Ramou" ，找到 以下影视作品
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A lonely tow-truck driver gets caught in a deadly struggle between a pair of bank robbers with a beautiful hostage, local cops, and a monster that has come down from the Arizona mountains to eat human flesh. Written by Sci-Fi Channel A group of thieves heist the bank of a small town and shoot a deputy. While escaping from the police chase, their van crashes another car on the road. They make the driver hostage and they run to a forest, followed by the "men-of-law". Meanwhile a "big-foot" chases both groups, and they join forces against the "thing". Written by Claudio Carvalho, Rio de Janeiro, Brazil
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山姆·艾里奥特
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蒂姆·麦格罗
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菲丝·希尔
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汤姆·汉克斯
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伊莎贝尔·梅
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拉莫尼卡·加勒特
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Marc
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Rissmann
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埃里克·尼尔森
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詹姆斯·兰德里·赫伯特
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比利·鲍伯·松顿
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Gratiela
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Brancusi
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Audie
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Rick
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Anna
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Fiamora
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阿曼达·亚罗斯
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Jordan
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Walker
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Ross
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Konstantin
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Melikhov
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诺厄·勒·赫罗斯
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Stephanie
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Nur
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克里斯蒂安·科里
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马丁·桑斯梅耶
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道恩·奥利弗瑞
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妮可·加利西亚
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格雷厄姆·格林
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罗布·梅洛
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克里斯·华纳
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佩蒂
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故事聚焦Dutton一家在多年前西进的旅程，他们穿越大平原前往美国最后一站蛮荒之地，在应许之地蒙大拿寻求更美好的未来。艾里奥特饰演强硬的牛仔SheaBrennan，有着非常悲伤的过去，他承担着带领一群人从德克萨斯前往蒙大拿的艰巨任务，绝不容忍蠢人。麦格罗和希尔饰演Dutton家族的男女家长James和Margaret。《黄石》主创泰勒·谢里丹任该剧执行制作人，将在Paramount+流媒体平台上线。
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特伦特·奥唐纳
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Notrickshere-justatreattoasizzlereelandateaseofSeason2,whichpremierestwomonthsfromtoday-Thurs,Sept.29(8:30-9:00PM,ET/PT)onCBS!Thehitcomedywasthe#1newtelevisionseriesoflastseasonandthe#1comedyonstreamerParamount+.
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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TheoriginstoryforoneofPeanuts’mostbelovedcharacters,Franklin,followshowheapproachesmakingnewfriends.Franklin’sfamilyisalwaysonthemovewithhisdad’smilitaryjob,andeverywherehegoesFranklinfindssupportinanotebookfilledwithhisgrandfather’sadviceonfriendship.ButwhenFranklintrieshisusualstrategieswiththePeanutsgang,hehastroublefittingin.That’suntilhelearnsabouttheneighborhoodSoapBoxDerbyrace-accordingtohisgrandfather,everyonelovesawinner.He’ssurethatwinningtheracewillalsomeanwinningoversomenewfriends.Allheneedsisapartner,whichhefindsinCharlieBrown.FranklinandCharlieBrownworktogethertobuildacarandintheprocessbecomegoodbuddies.Butastheracenears,thepressuremounts-cantheircarandtheirnewfoundfriendshipmakeittothefinishline?
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西尔薇·维尔海迪
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在伦敦的高级应召女郎的世界，AmoureuxSolitaires告诉的法国护送维吉妮，伦敦和鲁伯特的故事，一个人救了被贩卖的女孩-一个现代的爱情故事。背景是倫敦，阿芙皙雅飾演的薇吉妮是應召女郎，她的老鴇信任她，還要她帶剛入行的妓女。她日複日賣淫，但也渴望愛情，當她遇到專門拯救受拐騙少女的年輕男子(史戴梅斯特飾)時，礙於自己的出身，愛得辛苦。短評：《性》是《巴黎妓院回憶錄》(HouseOfPleaures)的法國紅星阿芙皙雅的最新情欲演出，再度挑戰妓女，為操皮肉生涯的年輕女子做出最大的控訴，無情揭開人的情欲真面目，而這段掙紮在社會底層的危險愛情故事，也拍得驚心動魄，因為操控妓女的惡勢力，不是省油的燈。阿芙皙雅身材火辣，多場與嫖客的性愛戲，導演也處理得火辣
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拉夫·迪亚兹
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A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.
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It’s a rare feeling when we open a book and find ourselves lost in its pages; finding pieces of ourselves in the story and letting ourselves be enveloped in the emotions that arise. This effect is what the works of Elena Ferrante are most known for. Listed among Time magazine’s 100 - most influential people in the world, Elena Ferrante is a contemporary icon, whose identity is closely linked to her novels and nothing more. Despite her massive international success, Elena Ferrante is an author whose true identity remains unknown. Via excerpt readings and interviews with critics, directors, booksellers, editors and authors such as Jonathan Franzen and Elizabeth Strout, Ferrante Fever explores Ferrante’s deeply intimate writing and looks into her choice to remain anonymous, which sparked an unprecedented cultural debate. Filmed between Italy and the United States, Ferrante Fever doesn’t necessarily go in search of the identity of the "faceless writer,” instead, it hopes to discover the secret of her success. How was she able to create stories that would conquer readers over the course of 12 - years? In-depth interviews provide answers, but so do the writer's own words, and the places and protagonists in her novels.
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It's been eight years since the opening night tragedy of Hell House, LLC and still many unanswered questions remain. Thanks to an anonymous tip, investigative journalist Jessica Fox is convinced that key evidence is hidden inside the abandoned Abaddon Hotel-evidence that will shed light on the hotel's mysteries. She assembles a team equally hungry for answers with one goal: break into the hotel and discover the truth.
