Yibo
搜索"Yibo" ，找到 以下影视作品
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50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
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塔内尔·托奥姆
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Afterservingtwoyearsonamilitaryoutpostinthemiddleofanocean–foursoldiersarewaitingforanewcrewtoreplacethem.Whenthelong-awaitedboatfinallyappears,it’semptywithnoreliefonboard.Whentryingtofindoutwhathappenedtotheboatandthemissingcrew,theyrealizethey’velostallcommunicationswithhome.Cutofffromtherestoftheworldandn...
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鄭妍京
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《请不要救我》讲述了和妈妈两个人像逃亡一样在陌生的地方生活的12岁少女善有转学后在学校遇到天真烂漫的少年正国发生的故事。 新锐导演郑妍京（音译）首部长篇电影处女作《请不要救我》获得了2017年首尔国际女性电影节专门为挖掘新晋女性电影人的“peach catch”单元的电影大奖megabox奖，从剧本阶段开始就备受关注。 另外，《请不要救我》是推出了《断箭》,《南营洞1985》等给社会敲响警钟的沉重故事的AURA PICTURES负责制作，以新锐女导演的视线和忠武路摄影导演老手金亨九（音译）的完美配合诞生的《请不要救我》，有望以逆境中绽放的希望故事，给剧场带去沉甸甸的回响和温暖的安慰。
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爱德华·兹威克
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海湾战役后,美国于1992年在伊拉克的北方守望行为中遭受胡巴尔群楼爆炸袭击,美军将怀疑构造首级绑架至美机密考察。FBI捕快安东尼•哈勃德（丹泽尔•华盛顿 Denzel Washington 饰）及阿拉伯语错误弗兰克（托尼•夏尔赫布 Tony Shalhoub 饰）担任考察纽约巴士自残炸弹恐惧袭击进程中收到奥秘讯息“放人”。CIA间谍伊莉斯（安妮特•贝宁 Annette Bening 饰）坚称为恐惧分子操持先生签证入美的阿拉伯人萨米尔（塞米•鲍亚吉拉 Sami Bouajila）是本人主要耳目,却不愿泄漏其余信息。跟着恐惧袭击的进级,将军威廉姆•得弗罗（布鲁斯•威利斯 Bruce Willis 饰）奉总统之名进驻纽约对布鲁克林区实行军管,将全部青丁壮阿拉伯人收监待审。军方对人权与平易近主的蹂躏激发纽约市平易近的激烈恶感,请愿游行与下一波恐惧运动的威逼让全部人阁下逢源……
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热拉尔·乌里
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安东尼（布尔维尔 Bourvil 饰）是一个一般的再不克不及更一般的中年男子,一次不测中,他竟与黑帮老迈萨洛扬（路易·德·菲耐斯 Louis de Funès 饰）了解了。对萨洛扬的实在身份,诚实的安东尼并不任何的觉察,他只认为萨洛扬是一个难过的善意人,由于萨洛扬不只赞助了他从那不勒斯到波尔多的全体盘川盘川,还送给了他一辆超等奢华的轿车。 就如许,安东尼怀着激昂跟高兴的心境,开着闪亮的轿车开端了他的荣幸之旅,但是,一起上,种种百般的费事相继而至。本来,萨洛扬送给安东尼的轿车里藏有大批的黄金!钻石跟毒品,他应用了安东尼的仁慈,让他直接成为了赞助本人输送赃物的“爪牙”,这个名义上看来浑然一体的筹划是否胜利直接呢！
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杰罗姆·波奈
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Jonas, a 40 something Parisian, is still desperately in love with his ex-girlfriend Léa. When he knocks on her door to confess his feelings and she turns him down, he ends up at the café downstairs. Inspiration strikes and he sits down to write her a long love letter, dodging everything he was supposed to do that day. What begins as a last attempt to get her back surprisingly turns into a vivid musing on the state of his life. Over the course of a day, helped by a wisecracking bartender and an array of patrons from the neighborhood, Jonas has to face his past relationships, his uncertain future and, most of all, himself.
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Ayoungmandiscoversanswerstohispastbothtouchingandtragic,asbasketballbecomesmorethanagame.
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LikeFritzLang,DavidFincherorBongJoonHobeforehim,talenteddebutfilmmakerLadoKvataniyausestheconceptofpolicedetectivevsserialkillerforanexcitinglystylised,macabreandhauntingnarrative,thatultimatelyrevolvesaroundtheidentityofanera:inthiscase,thelate1980sSovietUnion.WithGlasnostandtheendofcommunistrule,theWestalsolearnedo...
