Eakins、莎拉琳赛
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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RuthPaxton’swomen-ledhorrorseesamothertestedwhenherdaughterinsiststhatherbodyisnolongerherown,butinservicetoahigherpower.
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米歇尔·德·斯瓦特
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阿米拉·加扎拉
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安珀·格拉比
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伯蒂·乔治·维恩
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Genesis Lynea
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塔尼娅·雷诺兹
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苏菲·里德
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塞扬·萨尔文
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卡尔·戴维斯
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Isy Suttie
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Shvorne Marks
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碧悠·加德斯顿
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Angela Yeoh
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巴夫·乔希
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Patrice Naiambana
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Michelle Thomas
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大卫·伯纳特
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戴维·坎恩
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When38-year-oldNatashaisunexpectedlylandedwithababy,herlifeofdoingwhatshewants,whenshewants,dramaticallyimplodes.Controlling,manipulativeandwithviolentpowers,thebabytwistsNatasha’slifeintoahorrorshow.Wheredoesitcomefrom?Whatdoesitwant?AndwhatlengthswillNatashahavetogotoinordertogetherlifeback?Shedoesn’twantababy....
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伍迪·艾伦
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故事发生在二十世纪三十年代，懵懂青年鲍勃（杰西·艾森伯格JesseEisenberg饰）前往好莱坞投奔在那里混得风生水起的舅舅菲尔（史蒂夫·卡瑞尔SteveCarell饰），在菲尔的引荐下，鲍勃结识了名为瓦妮（克里斯汀·斯图尔特KristenStewart饰）的可爱姑娘。活泼健谈的瓦妮很快就令鲍勃坠入了爱河，遗憾的是，瓦妮告诉鲍勃自己已经有了男友。一日，伤心欲绝的瓦妮找到鲍勃，原来她的男友是一名有妇之夫，后者因为无法下定决心同妻子离婚而决定与其分手。鲍勃温柔耐心的陪伴失恋的瓦妮，随着时间的推移，两人慢慢走到了一起。让鲍勃没有想到的是，瓦妮的前男友竟然正是菲尔，当菲尔下定决心要娶瓦妮之时，瓦妮亦毫不犹豫的离开了鲍勃。之后，失意的鲍勃返回家乡，在哥哥本（寇瑞·斯托尔CoreyStoll饰）经营的俱乐部里当差，并在那里遇见了维罗妮...
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弗拉季米尔·弗多维琴科夫
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柳博米拉斯·劳恰维丘斯
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Boris
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Khmelnitsky
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谢尔盖·罗斯林
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阿·罗戈夫采娃
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奥斯塔普·斯图普卡
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Pyotr
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Zaychenko
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Aleksandr
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Dedyushko
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Sergei
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Dontsov
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米哈依尔·波亚尔斯基
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尤利·别连耶夫
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谢尔盖·别兹鲁科夫
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伊戈尔·别特连科
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鲍格丹·斯图普卡
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弗拉基米尔·伊利因
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玛达琳娜·米尔卡兹
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达尼尔·奥勒布里斯基
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迈克尔·茹拉夫斯基
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本片改编自尼古拉·果戈里(1809—1852)的早期作品、同名长篇历史小说《塔拉斯·布尔巴》。小说塑造了哥萨克英雄布尔巴的形象,歌颂了民族解放斗争和人民爱国主义精神。相同题材曾经由俄罗斯班底在1924年拍摄于德国。本次重拍，由苏联人民演员、乌克兰的鲍格丹·斯图普卡（BogdanStupka）扮演哥萨克老英雄塔拉斯·布尔巴，伊戈尔·彼得连科（IgorPetrenko）扮演老英雄的小儿子。
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After the sudden death of his wife, a grieving father of a severely non-verbal autistic girl seeks experimental therapy where he unknowingly rents an Air B&B with a haunted history. This stirs his daughter's psychic abilities along with his personal demons. The result is a story full of suspense, tension, empathy and a powerful metaphor about the Noise in all of us.
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염지호
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Chan-woo, who has been studying to become a police officer for 5 years, joins his friends for dinner to ask for the money to apply for his exam and ends up getting drunk. He completely blacks out and wakes up not remembering what happened in his next door neighbor's room. Not only that, he finds a bloody corpse in the middle of the room. He hurries back to his room and tries to...
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由于妻子出轨，特德（安东尼•霍普金斯 Anthony Hopkins 饰）冷静地将她射杀了，他的完美杀人计划开始了。当警方接报前来现场时，警官罗布发现特德的妻子正是自己的情人珍妮佛。伤重但还没身亡的珍妮佛成了一具植物人，让人吃惊的是特德欣然承认了罪行。 年轻的公诉律师威 利（瑞恩•高斯林 Ryan Gosling 饰）觉得此案极容易获胜，希望凭借此案让自己进入经济庭和在女友面前威风一把。然而事件并没有这么简单，老奸巨猾的特德放弃使用辩护律师，由他自己亲自应诉。虽然每个人都知道特德犯了罪，但由于他在法庭上的“完美”表现和充分利用制度上的形式公平而合理合法地逃脱了法律的制裁！ 威利若想将犯人绳之以法，只有去抓住每一点的――破绽。
