Re
搜索"Re" ，找到 以下影视作品
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贝纳·纪欧多
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让-皮耶·罗利特
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佛洛伦丝·托马辛
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夏尔·贝尔林
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让-皮埃尔·利奥德
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阿尔蒂斯·德·彭居埃恩
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LaurentSpielvogel
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ElisabethMacocco
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Anne-MariePhilipe
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DelphineZingg
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DavidDIngeo
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FrédéricDeGoldfiem
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PatrickZimmermann
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ClaudeLesko
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VincentTepernowski
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Laurent
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Spielvogel
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Elisabeth
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Macocco
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Anne-Marie
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Philip
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费德里克（贝纳·纪欧多BernardGiraudeau饰）是朋友们公认的钻石王老五，他不仅事业有成，在相貌和个性上都是好男人的典范。一次偶然中，在一家餐厅里，费德里克遇见了名叫尼古拉（让-皮耶·罗利特Jean-PierreLorit饰）的厨师，这个烹饪技巧高超，全身都散发着强大人格魅力的男人立刻吸引了费德里克的注意，费德里克对尼古拉充满了好感，他甚至不惜花费重金，将尼古拉挖到了自己的身边，成为了他的私人专属品尝师。单纯善良的尼古拉满心以为自己遇见了伯乐，满心欢喜的他踌躇满志的决定在新的岗位上大展拳脚，没想到，随着时间的流逝，他和老板费德里克之间的关系开始变得复杂起来。
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伊斯麦（路易斯·加瑞尔 Louis Garrel 饰）跟茱莉（露迪芬·莎妮 Ludivine Sagnier 饰）是一对发生裂缝的情侣,因而胡思乱想找来伊斯麦共事爱丽丝（克劳迪德·埃斯曼 Clotilde Hesme 饰）参加他们,试图用三人行动恋情增长豪情。但三自我的恋情,毕竟只是烦忙的叠加,一场辩论之后,茱莉突发心脏急病倒在酒吧。现在剩下伊斯麦跟爱丽丝的二人间界,但是愧疚跟惦念令伊斯麦无福消受,茱莉的家人也开端以“关心”的姿势进入伊斯麦的生涯,尤其是其姐珍娜（基娅拉·马斯特洛亚尼 Chiara Mastroianni 饰）近乎骚扰地涌现在他家里,令他将近发狂。为了回避所有,伊斯麦躲到挚友家,却又引来挚友弟弟伊旺（格雷戈瓦·勒普兰斯-林盖 Grégoire Leprince-Ringuet 饰）的热闹寻求…… 巴黎的雨老是不平息,正如悲伤的男子永久走不出一段已逝世情绪的暗影……
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居伊·德波
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内详
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Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
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Taylorisaworkaholicwithnotalotgoingoninhersociallife.Oliveisanaspiringactress,withlittlemoneytohername.Astheholidaysnear,TaylorgetsacallfromherdadaboutvisitingherfamilyforChristmasandthattheyfinallywanttomeethergirlfriend.Sheagrees,afterfeelingguiltyaboutnotseeingtheminalongtime,butthere'saproblem:Taylorandher...
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乔纳森·林恩
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This movie is a remake of the hit series which starred, Phil Silvers as Sgt. Bilko. In this movie, Bilko tuns the motor pool and has all sorts of scams going on like gambling, renting out military vehicles, and so on, which are all violations. However, his commanding officer, Colonel Hall overlooks them, cause he is more concerned about his future, cause a lot of bases are being closed, and the inspector, Major Thorn was on the verge of doing that. But when he heard that Bilko was on the base, he turned into a mad dog. It seems that Thorn was a "thorn" in Bilko's side many years ago but through a series of misunderstandings, Thorn was accused of carrying out or being the brains behind one of Bilko's schemes, he would be sent to Greenland and his career has not gone as he hoped it would and now wants revenge on Bilko.
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安德里亚·阿诺德
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15岁的米娅（凯蒂·贾维斯KatieJarvis饰）性格叛逆而古怪，惹事生非的她不仅被学校开除而且连她最好的朋友都离她而去。米娅热爱跳舞，然而身边却似乎并没有多少人在意她那充满热情的舞步，直到一个叫康纳（迈克尔·法斯宾德MichaelFassbender饰）的男人出现。康纳是母亲的男朋友，在他与母亲同居的日子里，米娅被这个英俊而又友善的男人所吸引。在康纳的支持和鼓励下，米娅得到了一次舞蹈面试的机会，而且与康纳的关系也更进了一步。然而，现实世界并非想像的那样的美好……本片由在2006年凭借《红色之路》获得戛纳电影节评委会奖的英国新锐女导演安德里亚·阿诺德（AndreaArnold）执导，是她的第二部电影长片。作为2009年戛纳电影节竞赛影片，《鱼缸》在2009年英国独立电影节获得8项提名。
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塞德里克·卡恩
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八岁的小男孩查理（RoméoBotzaris罗密欧波扎利斯饰）急切企盼圣诞节的来临，因为父亲皮耶（VincentLindon文森特林顿饰）答应送他一辆自行车作为节日礼物。但是当他好不容易等到父亲回家时，却发现他的礼物只是一架白色的飞机模型。父亲看出查理的失望，答应当查理生日时一定送他自行车。不久，身为飞行员的皮耶在执行任务时不幸遇难，只留下悲伤的妻子凯瑟琳（IsabelleCarré伊莎贝尔卡瑞饰）和儿子查理相依为命。查理每晚抱着父亲送给他的飞机睡觉，希望以此能够与父亲更近。不过他却发现，这架飞机竟然能够自由飞翔……
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史蒂文·萨瓦里克
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上世纪40年月,理查德·皮蒙特（Ron Livingston 饰）出身在一个平常却危急重重的家庭里。母亲（Rebecca De Mornay 饰）因持续小产精力上遭遇严峻的困扰,父亲（Clint Jung 饰）则因一次不测过早地分开人间。一次偶尔的机遇,让理查德爱好上了报告,固然学历不高,然而他凭仗精彩的谈锋博得了有数的声誉。不外他的自负却受到一位传授无情的袭击,在此之后,理查德强迫前去越南疆场,并在那边留下了毕生的残疾。 返国后,理查德因耳聋的疑问无奈进退黉舍,也得不就任何任务。事先的美国社会对残疾人还布满诸多不解,他与很多残疾友人碰到了有数的刁难跟耻辱。在这一进程中,理查德垂垂找到人生行进的偏向……
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该剧根据人气推理小说家凑佳苗的同名小说改编。藤原龙也饰演一名从知名大学毕业，过着普通人生的32岁工薪族·深濑。户田惠梨香饰演深濑的恋人·美穂子，两人在一间咖啡专卖店相遇相恋。故事从美穂子某天收到了一份写有"深濑杀了人"的告发信开始，慢慢揭开10年前，深濑大学时代的挚友广泽之死的那场"事故"和"事件"背后的种种真相，以友情和赎罪为主题的悬疑剧。标题「リバース」包含反转(reverse)和再生(rebirth)的意思。
