Kalled
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苏里
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Kathir works as an IT professional at Dindigul and visited his village on a holiday in order to attend his elder brother's wedding but only to realise that the wedding has been cancelled. Things take unexpected swift when relatives come to know that the woman who was engaged with the elder brother of Kathir is actually the girlfriend of Kathir.
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Talent and passion for music can take one to the very top. On the way, however, there are going to be showbiz traps. There is money, fame and fan crowds in册ved. Will a young girl be able to fight for her dreams in this no-holds-barred world where fame is so elusive? A controversial talent show called "Music Race" keeps looking for talented singers all over the country. The decision on who will be started-up for a career and who will get a cold shower is always up to the three jurors: a once-popular singer, Olo (Maciej Zakoscielny), social media queen, Ewa (Julia Kaminska), and the dame of Polish jazz, Urszula Dudziak (playing herself). During an audition held in Olo's home town, there is a row. The person who starts it is "Ostra" (played by Katarzyna Sawczuk). The rebel teen is outraged by the juror's arrogant and dismissive behaviour towards her mother (Anita Sokolowska). The small scandal suits the show's producer (Tomasz Karolak), who pushes "Ostra" through to the next stage. There, it will turn out that the girl doesn't just have a fiery temper, but a great voice as well. Success, though, comes at a price. Being popular is not as pleasant as many people think. Our teenage hero will have to face a genuine test of integrity and character. The young star is about to take on her stage competition, the ruthless world of show business, and, most importantly, her own feelings.
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SuperstaracapellagroupPentatonixisstrugglingtofindinspirationfortheirannualholidayalbum,andtheclockisticking.Tomakemattersworse,theirwell-intentionedbutmisguidedmanagermistakenlylockstheminamagicmailroom.ButwiththehelpofsomeDisneymagic,we'resoononawhirlwindtouraroundtheworld,discoveringholidaytraditionsandinspirationfromPentatonixfansallaroundtheglobe:fromTokyotoGrenada,GhanatoMexicoandIceland.Thefun-filledjourneyleadsthegrouptorealizethatwhereverwefindourselves,theholidaysoffertheperfectopportunitytodiscoverhowmuchwehaveincommonandthatitreallyisasmallworldafterall.
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In2013,anAustralianmanafewmonthsshyofturning60decidedtowalktheCaminodeSantiago–an800kmpilgrimagetrailacrossthetopofSpain.Hehadnoknownreligion,andabsolutelynoideawhyhefeltsodeeplycompelledtodothistorturouswalk.Butcompelled,hewas.Hecompletedthewalk,battlinga“triumvirateofpain”-akneethathelaterdiscoveredlackedanymeaningfulcartilage,ablisterthesightofwhichwouldmakeagrownmanweep,andshin-sorenessthatfeltlikehislowerlimbhadbeensplitwithamountainaxewieldedbyadementedtroll.ArrivingattheendoftheCamino,themajesticcathedralinSantiagodeCompostela,heexpectedanepiphany–ananswertothequestionhe’dbeenaskinghimselfeveryday:WhyamIdoingthis?Butnoanswercame.Sowhenhegothomehewroteabook,hopingtheanswerwouldrevealitselfinhisscribblings.TheresultwasTheWay,MyWay,ahumourousandself-deprecatingbookthatmanyconsiderthebestmemoireverwrittenonwalkingtheCamino.Thebookhasnowbeenmadeintoafilm,andit’sanextraordinaryaccountofamanatapivotalpointinhislife,searchingformeaningandfindinghimselfundergoingafundamentaltransformationsoprofoundthathenowdivideshislifeinto“BeforetheCamino”and“AftertheCamino.”It’sastoryparticulartooneman,yetofappealtoanyoneseekingagreatermeaningfromlife.
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An impressive solar storm befalls the Earth causing power surges and blackouts. A deeper storm rages in the soul of Regina, a lonely spinster called 'Fräulein', after a mysterious tourist passes the gate of her hotel closed for years. What was supposed to be a one night meeting, it will turn soon into a surprising coexistence.
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Belgiandirector/screenwriterBertScholiersjumpsallovertheplaceinhisimaginativefeaturedebut.OnemomentweareinanAntwerppub,thenextwearewalkingacrossanexpanseofsnow,theninacosmicblackholeorchasingaflyingpineapple.ThisishowbestfriendsCharlieandHannah’sdrink-fuellednightpansoutafterswallowingamagicalsweetthatchangestheworldsurrealistically–alsoforeveryonearoundthem.Thelaconictwenty-somethingsrespondtotheseeventswithamusedamazement(whethertheywindupinapre-warbrothelorareblowntosmithereensbyanatombomb),allthewhilesaunteringalonganddiscussingthereallyimportantstuff:dealingwithexesandrelationships.LikeatrippingWoodyAllenorNoahBaumbach,Scholiersplayswithform,usinginventivevisualhumour,colourandblack-and-white,switchingaspectratiosandreferringtosilentmoviesandItaliangiallohorror.
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Adesperatemanmakesadealwiththedevilinhopesofmakingallhisearthlydreamscometrue.ButwhenheiscalledupontoliveuptohisendoftheFaustianbargain,hesoonlearnsthatthiscomeswithaverysteepprice,asthosearoundhimspiralintomadness,possessionanddeath.
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After the corrupt former Mayor is killed by the peasants, poor janitor Juan Vargas is appointed new Mayor of a desert town in central Mexico. Although he tries to bring the motto of the ruling party to town (modernity, peace and progress) he realizes soon that there's nothing to do against corruption... except to become corrupt. Step by step, helped by his pistol, Juan Vargas becomes the law and the worst Major in the town's history. 故事讲述墨西哥农民杀死腐败的前市长后，不幸的看门人阿瓦尔加斯在墨西哥中部被任命为一个沙漠镇的新市长，他努力提倡执政党的新意识，到任不久就立下反对腐败的座右铭，但反对也开始变得腐败，一步步在他的枪手帮助下，阿瓦尔加斯成为法郎和镇上历史最恶劣的一页。
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丹尼·斯坦曼
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An altercation between a group of girls out for the night and a gang of local punks leaves the punks vowing revenge. It comes in the form of the gang-rape of a young mute (Heather) and her older sister (Brenda) starts hunting the gang in turn - armed with bear traps and crossbow. A teenage vigilante seeks revenge on a group of violent thugs who raped her handicapped sister and killed her best friend.
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Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
