Nea
搜索"Nea" ，找到 以下影视作品
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We are inEast Berlin, 1978. It’s summer, three years after Wassilly’s death. Nelly’s boyfriend and Alexei’s father died in a car accident in Russia. Since he is dead, Nelly wants to leave too. Away from the GDR, to leave the grief and the memories behind. To get a fresh start. That should be possible in the West, or so Nelly believes.
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马克·阿特金斯
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Prehistoricsand-dwellingsharksareunleashedontheislandofWhiteSandswhenanunderwaterearthquakecracksopenacraterdeepbeneaththeoceansurface.Themostmenacingbeatstoeverrulethewatersnowrulethesand;withtheirmonsterappetitiestheymercillesslyfeastonanythingthatcrossestheirpathMarkAtkinsdirectsthissci-ficreaturefeaturehorror.Whenanunderwaterearthquakeopensupadeepcraterontheoceanfloor,aprehistoricbreedoflethalsand-dwellingsharksisunleashedupontheunsuspectingresidentsofWhiteSandsIsland.
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
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内详
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起源于欧洲地下墓穴的希腊，一声细语摧毁了大陆。不要像奴隶一样活着！(pronounced“Naminzisoumesandouli”inGreek)Venudescatacombesgrecquesdel’Europe,unmurmuretraverselecontinentdévasté:«Nevivonspluscommedesesclaves»Surlesmursdesvillesetsurlesrochersdescampagnes,surlespanneauxpublicitairesvidesoudétournés,danslesjournauxalternatifsetsurlesradiosrebelles,dansleslieuxd’occupationetd’autogestionquisemultiplient,telestlesloganquelarésistancegrecquediffuse,jouraprèsjour,etnousinviteàreprendreenchœur.Ungrandbold’airfrais,d’enthousiasmeetd’utopiesenmarche,venudelamerÉgée.
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Blackholesstandatthelimitofwhatwecanknow.Toexplorethatedgeofknowledge,theEventHorizonTelescopelinksobservatoriesacrosstheworldtosimulateanearth-sizedinstrument.Withthistooltheteampursuesthefirst-everpictureofablackhole,resultinginanimageseenbybillionsofpeopleinApril2019.Meanwhile,Hawkingandhisteamattacktheblackholeparadoxattheheartoftheoreticalphysics-Dopredictivelawsstillfunction,eveninthesemassivedistortionsofspaceandtime?Weavingthemtogetherisathirdstrand,philosophicalandexploratoryusingexpressiveanimation."Edge"isaboutpracticingscienceatthehighestlevel,afilmwhereobservation,theory,andphilosophycombinetograspthesemostmysteriousobjects.
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扎拉·海斯
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特蕾西·伊芙艾策尔
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詹姆斯·弗莱恩
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莎伦·D·克拉克
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西妮德·基南
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席琳·邦金斯
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科尔·罗根
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洛丽塔·查卡巴蒂
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汤姆·安德鲁斯
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Amy
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Morgan
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Joseph
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Payne
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鲁珀特·霍利迪-埃文斯
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露·科菲尔德
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萨姆·霍尔
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罗伯·贾维斯
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迈克尔·古尔德
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Amy
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Marston
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亚力克·纽曼
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伊丽莎白·里德
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Warren
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Anderson
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Rebecca
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Grant
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Lucille
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Cavanagh
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Maud
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Druine
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Claire
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Lams
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Christopher
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Hatherall
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Hannah
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TalithaCampbell,thearrogantdaughterofawealthyentrepreneur,isarrestedfollowingthedisappearanceoffellowstudent,HannahEllis,thehard-workingdaughterofasinglemother.FromthemakersofVigil,Showtrialswitchesbetweenbothsidesofthelegalbattle,asdefenceandprosecutionfightfortheirversionofwhatreallyhappenedtoHannah,andthetruthaboutTalitha:Falselyaccused?Orcallousmurderer?Thecastincludes,TracyIfeachor,CelineBuckens,SineadKeenan,LolitaChakrabarti,SharonD.ClarkeandKerrLogan.
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SuccessfularchitectWillRobertsorganizesagrandsurprisebirthdaypartyforhiswifeMandywiththeirdaughterKellyandcollegedaysfriend,onlytobetoldafterwardshewantsadivorcetoleadherownlife.Sooneachspousecommitstoanotherlover.@www.pniap.com
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Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.
