Ritter

Paris,1981.ThewindsofchangeareblowingonelectionnightandtheFrenchstormthestreets,elated.ButÉlisabeth(CharlotteGainsbourg)strugglestosharethegeneralmoodofoptimism.Hermarriageiscomingtoanendandshewillnowhavetosupportherfamily.Sheisdistraught,andherfatherandteenagechildrenareworriedthathertearssimplywillnotdry.Butwhatiflisteningtoheremotionscouldhelphertostartfillingtheblankpageofherfuture?Whatifsheweretowritealetteronawhimtothehostofherfavouriteradioprogramme?Orinviteahomelessgirlintoherhouse?Whatwouldhappenifsheweretomakethekindofgesturesthatactuallychangelives?Inthisfollow-uptothebeautifulAmanda,MikhaëlHersdirectshishypersensitivegazeatthe1980sandtheseeminglymundanemomentsinonefamily’slifethatshapeindeliblememories.Alargenumberofcharacterspopulatesthisnostalgicsagaofself-invention.Thedirectorhonourstheirvulnerabilityandkindnessinawaythatstandsoutinacinematiclandscapemoreoftenfascinatedbydisillusionedantiheroes.Thisisfilmatitsmostprofoundlyintimateandmesmerising,thekindthat,whenwereflectonhowwefunctionasasociety,givesusanideaofwhylovematters.

在美国密西西比州Cutter镇，人们过着自顾自的生活，彼此很少往来，平静如水。约翰和罗茜两口子就住在这里，因为丈夫工作的特殊性，罗茜足不出户，无聊的她整天用望远镜观察房子四周。直到某天，丈夫外出办事时，她无意中观察到了邻居的黑暗秘密，平静的生活被打破......等丈夫回到家中，发现罗茜不见了。他心急如焚，在看出了蛛丝马迹后，他潜入邻居家中，无意间发现一个地下室....约翰能否救出罗茜？或者他自己也无法逃脱密室？

A 30-something slacker finds his carefree life turned upside down when he falls for his sister's teenage babysitter.

After the abduction and assumed death of Mackenzie Allen Phillip's youngest daughter, Missy, Mack receives a letter and has the suspicion it's from God asking him to return to The Shack where Missy may have been murdered. After contemplating it, he leaves his home to go to The Shack for the first time since Missy's accident and encounters what will change his life forever.

一个心碎的物理先生（Asa Butterfield）,当他的女友Debbie（Sophie Turner）跟他分别后,他创造了一台时光呆板。试图回到从前处理爱情中的毛病...改编自导演Andrew Bowler11年的同名短片。

Awomanintheframe’sforegroundwatcheseventsunfoldinginaroom.Suddenly,hithertohiddenbyherfigure,herdoubleentersthescene,andcatastropheensues.Isthisatrickyhorror-mystery-thrillerbyDarioArgentoorBrianDePalma?No,itistheextraordinary,unexpectedgestureofIndonesianmasterGarinNugrohomarryinghispenchantforother-worldlyfantasywithmyriaddevicesofpopulargenre.ARotterdamregularoverthepasttwenty-sevenyears,Nugroho’simpressivebodyofworkspansfeatures,documentariesandshorts,amongtheseacclaimedOperaJawa,selectedforIFFR2007.

To try and overcome a lifetime of bitterness and resentment, an older lady decides to climb a mountain in Scotland.

Will,ayoungHispanicgaypotter,isonegregariousguy.Hisbossisterrible,buthe'sgotagreatboyfriendandagreatjob.Unfortunately,behindthatveneerisadarkpastofviolenceandmentalillnessthatheisdesperatetokeephidden.Whenhisbipolarmothercomesoutofthewoodworkaftertenyearsofsilence,hebeginsexhibitingunexplainablesymptoms.Afteraninjuryatwork,hestartslosingfunctioningofhisarms,andsomethingsinisterlurksinthecornerofhisvision:asilentandominousmaninawolfcostume.Willspiralsintoanobsession,determinedtosolvethismysteryofhisown.Whatisgoingonwithhisarms?Canhetrusthisboyfriend?Ishebecominghismother?

Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.

In-depth examination of the dark side of an American justice system where women who report sexual assault are instead charged with perjury and jailed for it. 　　Investigative journalist Rae de Leon has discovered a startling pattern in rape cases in the United States. Namely, that women who have reported a sexual assault are suspected of lying by the police. First they are accused...