Esin
搜索"Esin" ，找到 以下影视作品
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埃格勒·维特利特
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OnaandSaulearebestfriendsandpassionatecookswhoarestuckworkingat"Tasty",alocalcanteen.OnaisasinglemotherandSaulėisanenthusiasticgirlfromthecountryside.Oneday,SaulėenrolstheminanationalTVcookingcompetition,whichoffersarestaurantasthegrandprize.WithoutOna'sconsent,sheliesabouttheirculinaryexperience.Reluctantly,OnagivesintoSaulė’sliesandtheybothmanagetoenterthecompetition.Despitebeingviewedasajoke,theirpopularityskyrocketsonsocialmedia.AsOnabecomestheaudience’sfavourite,tensionbetweenthefriendsescalatesasit’sfuelledbytheshow'smanipulativecelebritycontestant,Bruknė.OnaevenstartsdatingaFrenchjurymember,addingtothefriction.Willtheirfriendshipsurvivetheintensepressureofthecompetition?
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KrautploitationShootingstarEverettRayAponte(AtomicEden)explodesinthisinternationalspythrillerasLucasKane|aprofessionalhitmanwhouncoversthecorruptionofhisownagencybyinterrogatingthegreatesthitmantohaveeverlived.Featuring:DonTheDragonWilson(RedSunRising)|VolkramZschiesche(ArenaoftheStreetFighter)andWolfgangRiehm(UltimateJustice)
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Thefilmexploresthelife,philosophyandimpactofoneofthemostinfluentialearly20thcenturymodernists,MarcelDuchamp.ThefilmbreaksdownDuchampsideasandappliesthemtobothhistoricaleventsandthemodernistexplosionthatblanketedtheearly20thcentury.ArtofthePossibleisntsimplyabiopic;rather,thefilmshowshowDuchampsideaschangedthepublicconsciousness,andourunderstandingofaesthetics,art,andculture.ThefilmhighlightsthesingularimpactofDuchampsphilosophyonart,and,moreimportantly,examineshowDuchampsrevolutionaryideasfromtheearly20thcenturyhaveshapedthe21stcenturyandmodernday.
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InDiciannove(translatingtoNineteen),GiovanniTortorici’selegant,heartfelt,anddaringdebut,acuriousstudentlearnsthattheroadtoself-discoveryisworthwhile,ifnotnecessary,nomatterhowunfamiliarordauntingthepath.Eagertoescapehisoverbearingmotherandtheonlylifehe’sknown,19-year-oldLeonardo(ManfrediMarini,whogivesanexceptionalperformance),leavespicturesquePalermotostudyinbustlingLondon.HislandingisbufferedbyhissisterArianna(VittoriaPlaneta)andherroommateGrazia(DanaGiuliano),thoughtheinitialexcitementoflivingabroad—andunrestrictedpartying—wanesquickly,andLeonardofindshimselfenrollingattheUniversityofSiena,focusingonItalianliterature.Backinfamiliarsurroundings,hefallsinlovewiththemedievalcity,butisnotsokeenonhisliteratureprofessor.Seekingthatindescribablefeelingofknowingyou’vefoundyourplace—beyondjustgeography—Leonardodelvesintotheclassicsindependently,spawningasoul-searchinganddeepinterestinearlymodernauthorslikePulci,Segneri,andLeopardi.Surroundinghimselfwithbeauty,vibrantyouth,andnewideas—aswellasimageshe’dpreviouslyrepressed—hisworldblooms.Ayearintohisunboundjourney,LeonardotravelstoTorinowherehemeetsamanwho,thoughmucholder,mayfinallybeacontemporary—ifnotthekeytounlockinghisinnermostdesires.
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法比耶娜·贝尔托
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ItfollowsTomandhismother,wholiveinamobilehomeontheedgeofthewoods.Ayoungmanjustreleasedfromprisoninterferesintheirlifebybreakinginandupsettingthebalance.
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Wyatt,acynicalnarcolepticwholivesinaflophouse-likeapartment,wantstobeajournalist.HiscareerdreamsarenearlydashedwhenhenoticesamysteriousgirlnamedFernlivingonhisblockinan88ToyotaTercelhatchback.FernsfatherwentmissingandassumeddeadwhenshewasayoungchildlivinginMontana.AfterreceivingacrypticletterfromastrangernamedDr.Green,tellingherthatherfatherisaliveandlivinginLA,shedecidestogolookforhimherself.TogetherthetwosetoffonajourneytofindFernselusivedadamongthederelictcornersofthecity,whiledevelopinganotsoplatonicinterestforeachotheralongtheway.
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Inaprisonintheprocessofdecommission,ahandfulofofficersandthelastremaininginmatesawaittransfertoadifferentjail.Overtime,thewrittenandunwrittenrulesinplaceseemtoloseallmeaning,andthiscommunityofmeninlimbotakesonanewandfragileform.
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
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Hamid’s(8)fatherhasgonemissing.HismotherIshrathasturnedindifferenttowardsHamidandtheentireworldaftertheincident.Neglectedandlonely,withaheartsearchingforanswers,Hamidstargazesinthehopeofmeetinghisfather.Thenumber786alwaysbewilderedHamid.OnedayateachertellsHamidthatthisisGod’snumber.Usinghisfather’soldmobilephone,aftertryingdifferentcombinations,he?nallymanagestoconnecttoaperson,whoheisconvincedisGod.OntheothersideisAbhay,ahard-knuckledCRPFJawaan.Hamid’sphonecall,thoughsurprisingat?rst,intriguesAbhaywhoengagesinhumouringHamid.Thesetwo,unknowinglyandunintentionally,changeeachother’sworldforthebetter.
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ThefilmdelvesintotheunexploredthemeofthedisplacementoftheRusyn,anEastSlavicethnicgroupfromtheEasternCarpathiansinCentralEurope,duringtheconstructionoftheStarinareservoirinthe1980s.Setagainstthistumultuousbackdrop,Floodintertwinespersonalandcollectivestories,bringingtotheforefronttheoften-overlookedplightoftheRusynminorityinSlovakia.Gonda'sfilmspeakstominorities,individualswhohaveexperienceddisplacementandyoungadultsthroughitsprotagonist,Mara.Thestoryunfoldsinasmallvillage,threatenedbyanimpendingfloodduetotheconstructionofthereservoir.Mara,ayoungwomanyearningforcitylifeandaneducation,isboundtoherruralrootsbyherstrictfather,aRusynfarmer,whorefusestorelinquishhislandandlegacydespitetheloomingendoftheirworld.Floodexploresthethemesofadolescence,uprootingandthesacrificeofpersonaldesiresforthegreatergood.Thefilmseekstoelicitreflectionsonone'srootsandtheconceptofhome,aswellasthechallengesofnavigatingadisappearingcultureandheritage.TheStarinareservoir'sconstruction,whichlastedfrom1981-1988,ledtothelargestdisplacementinSlovakhistory.Gonda'spersonalconnectiontotheregion,havingspenthischildhoodsummersthere,addsalayerofauthenticityanddepthtothenarrative.ThefilmnotonlyrecountsthephysicaldestructionofthesevenRusynvillages,butalsocapturestheemotionalandculturalimpactofthiseventonthecommunity.Thedirectoraimstopresentadeeplyresearched,emotiveandintimatestoryaswellasdivingintothecomplexdynamicsbetweenpersonalidentity,communitytiesandtheinexorablemarchofprogress.Themovieispoisedtoengageandchallengeaudiences,fosteringadeeperunderstandingoftheoften-painfulinterplaybetweentraditionandmodernity.
