Farr
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安东尼·曼
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二战期间，盟国面临着一个致命威胁，那就是德国很可能制造出原子弹。一群抵抗战士奉命摧毁挪威一家水电厂的重水设施。于是，希特勒的原子弹计划在轰隆一声巨响中化为了泡影。挪威抵抗运动破坏了位于挪威泰勒马克郡尤坎镇的Vemork Norsk Hydro工厂，纳粹利用该工厂生产重水，可用于制造原子弹。柯克·道格拉斯 (Kirk Douglas)饰演挪威物理学教授罗尔夫·佩德森 (Rolf Pedersen)，虽然他原本满足于等待战争结束，但很快就被当地抵抗运动领导人克努特·斯特劳德 (Knut Straud)（根据克努特·豪克利德 ( Knut Haukelid ) 饰演）（理查德·哈里斯 (Richard Harris)饰演）拉入斗争。罗尔夫的前妻安娜（乌拉·雅各布森饰演）也参与了这项工作，她与罗尔夫的关系重新升温。罗尔夫和克努特乘坐一艘客轮偷偷离开挪威前往英国，他们劫持了这艘客轮，以便将水力发电厂的缩微胶片计划提供给英国人，英国人对这些信息印象深刻。然后两人乘降落伞返回挪威，计划对工厂进行突击队袭击。当一架载有皇家工兵部队进行突袭的英国飞机在挪威上空被德国人击落时，佩德森和斯特劳德率领一小队挪威破坏分子进入工厂。突袭是成功的，但德军很快更换并修复了设备。在抵抗组织争论是否要开枪射杀吉斯林后，一名破坏分子混入了抵抗组织。他最终逃脱并背叛了他们，以至于一架德国飞机炸毁了他们的安全屋。当纳粹和破坏者追捕罗尔夫和克努特时，罗尔夫和破坏者最终落单，罗尔夫杀死了他。德国人随后计划将钢桶重水运往德国。罗尔夫和克努特破坏了一艘运载鼓的渡轮，导致渡轮沉入峡湾的最深处。当罗尔夫看到一位抵抗战友的遗孀和她年幼的孩子登上渡轮时，他自己也登上了渡轮。罗尔夫即兴创作了一个“游戏”，船上的所有孩子都在船尾练习穿着救生衣。因此，当渡轮沉没时，孩子们、罗尔夫和寡妇得以逃脱。克努特和安娜乘坐小船前来帮助营救乘客。除了这个镜头之外，袭击（松鸡行动、新生行动和枪纳赛德行动）和最后的攻击都是在现场拍摄的，挪威的山区和白雪皑皑的地点作为情节的背景。
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Using breakthrough flesh-regeneration technology, a biotech firm creates a set of living dinosaurs. But when the creatures escape their museum exhibit and terrorize Los Angeles, a former firefighter must rescue his teenage daughter from the chaos brought on by the Age of Dinosaurs.
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丽贝卡·亨特
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丽贝卡·亨特
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First-timefeaturefilmmakerRebeca“Beba”Hunttundertakesanunflinchingexplorationofherownidentityintheremarkablecoming-of-agedocumentary/cinematicmemoirBEBA.ReflectingonherchildhoodandadolescenceinNewYorkCityasthedaughterofaDominicanfatherandVenezuelanmother,Hunttinvestigatesthehistorical,societal,andgenerationaltraumashe’sinheritedandpondershowthoseancientwoundshaveshapedher,whilesimultaneouslyconsideringtheuniversaltruthsthatconnectusallashumans.ThroughoutBEBA,Hunttsearchesforawaytoforgeherowncreativepathamidalandscapeofintenseracialandpoliticalunrest.Poetic,powerfulandprofound,BEBAisacourageous,deeplyhumanself-portraitofanAfro-Latinaartisthungryforknowledgeandyearningforconnection.
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"Deepwithinthe100-Acre-Wood,adestructiveragegrowsasWinnie-the-Pooh,Piglet,Owl,andTiggerfindtheirhomeandtheirlivesendangeredafterChristopherRobinrevealedtheirexistence.Notwantingtoliveintheshadowsanylonger,thegroupdecidestotakethefighttothetownofAshdown,homeofChristopherRobin,leavingabloodytrailofdeathandmayhemintheirwake.Winnieandhissavagefriendswillshoweveryonethattheyaredeadlier,stronger,andsmarterthananyonecouldeverimagineandgettheirrevengeonChristopherRobin,onceandforall."
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肖恩·麦克纳马拉
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影片只用了40天便拍摄实现,全片应用35mm的胶片摄制。 影片改编自2004年出书的列传文学「魂魄冲浪：一个对于信心!家庭跟从新站上冲浪板的实在故事」。 生长在夏威夷考艾岛的贝瑟尼·汉密尔顿（安娜索菲亚·罗伯 AnnaSophia Robb 饰）是一个生成的冲浪蠢才,从小就展现出了在冲浪方面的过人的才干。她与挚友埃兰娜（洛琳·尼科尔森 Lorraine Nicholson 饰）一同加入了天下的冲浪竞赛,而且掉掉落了不俗的成就。但在她13岁那一年的一个凌晨,在她在冲浪的时间一条14英尺长的虎鲨打击了她,咬下了她的左臂。一霎时,她的生涯跟将来都被冲毁了。就在全部人都在预备为她另谋前途的时间,她决议用本人完整的身材重返冲浪的赛场。在好友人汤姆!切瑞跟萨拉的赞助下,她用本人惊人的毅力从新起破,站在了冲浪板跟浪头之上。
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内详
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DocumentaryseriesgoingbeyondthetheatredoorsofQueenElizabethHospitalBirmingham,wheresurgeonspushmedicalboundariestothelimits.?EverySecondCounts?Surgeonshavejustminutestoperformlife-savingemergencytraumaoperations.?GettingBetter?Asurgeonremovesawoman’soesophagusandusesherownstomachtoreplaceit.?ANewBeginning??AtBirminghamChildren’sHospital,twochildrenundergolife-changingsurgicalprocedures.?ARiskWorthTaking??SurgeonscarryoutQueenElizabethHospitalslargesteverremovalofexcesstissue.?PushingTheBoundaries?Afacialsurgeonventuresintounchartedterritorytooperateonapatient’sraredisease.?OneFalseMove?Theseriesreturnswithbrainsurgeryonapatientwhoisawakeandariskyaortarepair.
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黎刹·曼托瓦尼
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Dinda who escapes the Kuntilanak (female vampire ghost) terror, without the agreement of Aunt Donna, intends to meet someone who is believed to be her biological mother, Karmila. Together with his younger siblings and accompanied by Julia and Edwin, they are trapped in a house in the middle of the forest. Many irregularities occur. Dinda again has to deal with Kuntilanak, but it was different from what she had defeated using spikes or spells.
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Olivia Sazon (Carmina Villarroel) is a mother who is desperate to find help for her terminally-ill daughter. As she takes on a demanding job at a call center in an old building in Manila, Olivia begins to experience a series of strange events that creep into her personal life. And when the events start to affect her daughter's behavior, Olivia is forced to uncover the mystery that lies within the call center walls...but what's waiting for her inside may be more sinister than she ever expected
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ThreeclosefriendssetoffonajourneytoAyvalikandthentotheirreshapedfuture.
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
