Wineman
搜索"Wineman" ，找到 以下影视作品
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Inthemidstoftimecomestheclangingofsteelagainststeel,acollisionofmythandhistory...."Vikingdom".BasedonVikinglegendsandtheepicpoemstheyleftasrecord,"Vikingdom"isafantasy,actionadventureaboutaforgottenking,Eirick,whowastaskedwiththeimpossibleoddstodefeatThor,theGodofThunder.Thorisonamissiontogatherthekeyancientrelics-"Mjolnir"-hishammerfromValhalla,"NecklaceofMaryMagdalene"fromMitgardandthe"Horn"fromHelheim.ThisneedstobeaccomplishedbeforetheBloodEclipse,whichhappensonceevery800years,failingwhich,thepaganVikingGodswillneverbeabletoruleandconquermankindeveragain.Onlyonemancanstophim...Eirick,theundead.
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莉莉·拉贝
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艾米·布伦尼曼
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恩里克·穆西安诺
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哈米什·林克莱特
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马克·理查德森二世
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基娅拉·奥利勒拉
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艾略特·弗莱彻
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Bobbi
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Baker
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泽维尔·塞缪尔
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斯黛拉·贝克
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理查德·托马斯
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Bryant
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Tardy
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凯瑟琳·威利斯
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查尔斯·伊斯滕
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阿什丽·曼德薇
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艾默莉·克鲁奇菲尔德
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杰拉尔丁·辛格
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蔡斯·斯托克斯
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狄安娜·杜纳甘
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道格·萨文特
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谢勒·拉莫斯
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德文·泰勒
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苏珊·沃尔特斯
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查明·李
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Jackie
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Goldston
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伊桑·艾哈特
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凯文·韦恩
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克莉丝汀·奥夫利
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Hannah
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Kepple
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Leop
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已实现拍摄却惨遭华纳抛弃的「说出你的机密TellMeYourSecret」由Amazon接办,2021年播出。这部女性主导的10集心思惊悚剧由HarrietWarner执笔。剧集环绕三名脚色开展,每自我都有着奥秘而不安的过往。LilyRabe扮演Emma,曾直视过某个伤害杀手,她刚坐了三年牢被开释,有一个作为掩护的新身份,想忘却与杀手纠葛的从前；HamishLinklater扮演John,已经是一名连环案实行者,现在急切想要寻觅救赎；AmyBrenneman扮演Mary,执迷于找到掉落多年的女儿,被定型为「伤心母亲」。跟着他们被推至边沿,「受害者」跟「犯法者」之间的分界限开端变得隐约。别的,EnriqueMurciano将表演PeterGuillory,一个看似心胸好心的心思医治师。卡司还包含StellaBaker!ElliotFletcher!XavierSamuel!ChiaraAurelia!AshleyMadekwe等。该剧原为TNT的名目,以剧名「朱颜祸水DeadlierThanTheMale」在2017年4月掉掉落试映集预约,2018年2月掉掉落正式剧集预约,6月时更名「说出你的机密TellMeYourSecrets」,2018年中下旬正式开拍。全剧于2018-2019年实现拍摄后始终被放置,跟着华纳团体节目战略调剂,被高层以为分歧适TNT。只管是华纳自家结合制片,华纳既不盘算上线HBOMax,也不斟酌寻觅新平台播出。在被华纳确认摈弃的4个月后,不测由Amazon接办复出。
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When his grandfather's drive-in cinema and home in the outback town of Wyndham is threatened with demolition, a twelve-year-old Aboriginal boy must journey through Australia's bush country — equipped only with ancient survival skills — to stop the city developers in this beautiful and uplifting adventure epic.
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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拉夫·迪亚兹
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A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.
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In2013,anAustralianmanafewmonthsshyofturning60decidedtowalktheCaminodeSantiago–an800kmpilgrimagetrailacrossthetopofSpain.Hehadnoknownreligion,andabsolutelynoideawhyhefeltsodeeplycompelledtodothistorturouswalk.Butcompelled,hewas.Hecompletedthewalk,battlinga“triumvirateofpain”-akneethathelaterdiscoveredlackedanymeaningfulcartilage,ablisterthesightofwhichwouldmakeagrownmanweep,andshin-sorenessthatfeltlikehislowerlimbhadbeensplitwithamountainaxewieldedbyadementedtroll.ArrivingattheendoftheCamino,themajesticcathedralinSantiagodeCompostela,heexpectedanepiphany–ananswertothequestionhe’dbeenaskinghimselfeveryday:WhyamIdoingthis?Butnoanswercame.Sowhenhegothomehewroteabook,hopingtheanswerwouldrevealitselfinhisscribblings.TheresultwasTheWay,MyWay,ahumourousandself-deprecatingbookthatmanyconsiderthebestmemoireverwrittenonwalkingtheCamino.Thebookhasnowbeenmadeintoafilm,andit’sanextraordinaryaccountofamanatapivotalpointinhislife,searchingformeaningandfindinghimselfundergoingafundamentaltransformationsoprofoundthathenowdivideshislifeinto“BeforetheCamino”and“AftertheCamino.”It’sastoryparticulartooneman,yetofappealtoanyoneseekingagreatermeaningfromlife.
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Theworldisonfire,andonemandoeseverythinghecantoavoidfacingtheimpendingapocalypseal...
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PlotSummaryforGalopin,Le(1996)(TV)Victor,anunemployedphysicist,ishiredtoserveatanoldchampagnemanufacturer'house.Oldman'sobsessionwithwomen,especiallytheonewhohelovedandthenlostduringtheWWII,makeshischildrenafraidtobeleftoutofthewill.That'swhytheyaretryingtobecomelegalguardiansandcountingonVictor'shelptoprovefa...
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dddBreakingPointisadramatictaleofcorruptionandself-realization,inwhichonemanhastoovercome...
