Siff

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海军罪案调查处洛杉矶第四季
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CBS是名副其实的「罪案电视网」,一部又一部罪案剧,一个又一个衍生剧,似乎永远没有尽头。既然CBS的招牌菜《犯罪现场调查》(CSI)能衍生出《纽约》、《迈阿密》,那么CBS的另一道招牌菜《海军罪案调查处》(NCIS)为什么就不能衍生点什么呢?这不,《海军呢?这不,《海军罪案调查处:洛杉矶》来了。凡是喜欢《海军罪案调查处》的朋友对《洛杉矶》其实并不陌生--该剧的头两集(被命名为《传奇》)本季已经插在《海军罪案调查处》正剧中播出了。《洛杉矶》主要讲述了海军罪案调查处专门从事秘密监视任务的分支部门OSP(特别项目办公室,OfficeofSpecialProject)打击高科技犯罪、逮捕最危险的罪犯并维护国家安全的故事。加入该小组的成员都是训练有素的精英特工,他们运用尖端科技手段和各种各样的假身份秘密开展工作。他们潜藏得很深,有时连家人也不知道他们的真实身份。为了完成任务,他们不顾个人安危,每天都游走于生与死的边缘。代号G的Callen特工(ChrisODonnell扮演)是条「变色龙」。为了打入犯罪组织内部,他可以把自己改变成任何「需要」的形象。他的搭挡SamHanna特工(LLCOOLJ扮演)是前海豹突击队成员,曾在阿富汗和伊拉克战场上接受最残酷的实战考验。Hanna还是个监视专家,善于使用各种尖端设备。当执行外勤任务的队友需要帮助的时候,他总是能在第一时间提供决定生死的重要情报。Callen和Hanna的直接上司是OSP办公室主任LaraMacy特工(LouiseLombard),她负责计划任务的制定、调配和监控,并负责在关键时刻作出关键决定。KensiLo特工(DanielaRuah扮演)奉命协助OSP开展行动。她是一位前海军陆战队员的女儿,聪明绝顶,富有激情。临床心理学专家NateGetz(PeterCambor扮演)则相当于小组中的「智库」,他不仅能轻易攻破任何人的心理防线,而且拥有敏锐的观察力和一流的判断力,能在任务前、任务中、任务后的不同阶段快速判别嫌疑人的精神状态和心理状态。在危机四伏的高端犯罪领域,OSP的成员唯有依靠彼此的帮助和过硬的罪案调查技巧,才能取得一个又一个胜利。
木乃伊历险记
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12-year-oldfriends,Marshall,GilbertandAmyaccidentallyreviveamummytheydiscoverinaneighbor'sbasement.TheyaffectionatelynamethemummyHarold,andmustrushtoreturnhimtohisrestingplacebeforemidnightonHalloween.
紧急呼叫
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Haylee, a local EMT suffering from PTSD, spends her days making split second decisions with lives that hang in the balance. One night on a routine call, she is faced with a moral decision, taking matters into her own hands and mercy kills a young woman. Her decision opens a pandora's box that leads Haylee to blur the lines of her job responsibilities and wanting to help those in need. Now, falling deeper and deeper into a rabbit hole, she gets caught up in a world of underground drugs and a sadistic killer who's made her his next victim.
糖果区域
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Remy,anaiveanddevoutyoungwoman,iscastoutfromherreligiouscult.Withnoplacetoturn,sheimmersesherselfintotheundergroundworldoftruckstopsexworkersunderthetutelageofSadie,Riley,LivandLevi,theirmadam,Nora,andenigmaticlocallawman,SheriffRex.Remynavigatesbetweenherstrainedbeliefsystemandthelotlizardcodetofindhercallinginl...
咖啡人
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/ Jeff / Hann
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THE COFFEE MAN follows Sasa from Ethiopia, the birthplace of coffee to Seattle, Washington (USA), the home of the specialty coffee movement and host of the World Barista Championship. From humble beginnings in war-torn Yugoslavia to his adopted home in Australia, Sasa Sestic's journey to the 2015 - World Barista Championships is a long one. But his dedication and pursuit of excellence carries him through as do his family, his staff, coffee growers and roasters and the vendors who travel with him on this remarkable journey. THE COFFEE MAN is an intensely personal, observational documentary that will have you biting your nails, standing up and cheering; and wishing that you, too, could experience Sasa's Holy Grail: the perfect cup of coffee.
自由落体2025
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Nearfuture.Mankindissuccessfullyexploringspace:nowahugeDeltastationislocatedintheearth'sorbit.MaksimBortnikovisoneofthemembersofthestationrepairteam.AnunexpectedcatastrophecausedbyaprotonstormcutsoffMaksimfromtherest,andheisleftaloneinouterspace.
无声的证言第二十五季
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Forensicpathologistsfacepersonalandprofessionalchallengesinamoody,tensethrillerthatmovesfromthecrimescenetothelab.AmandaBurtonmakesadramaticreturntoSilentWitnessasshereprisesherroleofSamRyanforthe25thanniversary.AmandafirstappearedintheleadroleofpathologistSamRyanin1996,starringin54episodesbeforeleavingin2004,whenhercharacterreturnedhometoNorthernIrelandtobewithherfamily.AmandaBurtonsays:“IamsoexcitedtobereturningtoSilentWitnessandsteppingbackintoSamRyan’sshoes-withadifference!AudiencescanlookforwardtoplentyoftwistsandturnsastheydiscoverwhatSam’sbeendoingsinceleavingtheLyell.”AmandajoinsfellowcastmembersEmiliaFox(NikkiAlexander),DavidCaves(JackHodgson)andGenesisLynea(SimoneTyler)forsixbrandnewepisodeswhichwillmarkthe25thAnniversaryofthehugelypopularprimetimeBBCOnedrama.EmiliaFoxsays:“ItissuchadelightandthrilltobeworkingwithAmanda.TohaveSamRyanbackagainattheheartoftheshowisthegreatestwayofalltocelebratethe25thanniversaryofSilentWitness.”
诡摇铃
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影片讲述邱意浓饰演的美艳女医生误入诡宅后遇到的一系列灵异案件,晶女郎和民国恐怖元素双重buff叠加,看点十足。
妈妈的男人
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  After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --? Official Site
诱饵2019
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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