Sarachu
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Renisonthehuntforromance,butinaworldoftinderandzerocommitment,gettingluckyhasneverbeenharder.Fullofrelateablemisadventures,MIXEDMESSAGESisafrank,wittyandcringe-worthytaleoflookingforloveinallthewrongplaces.Fromspeed-dating,tomeditationandevenakinkyworkshop,eachunsuccessfulliaisonleadstoheraskingtheultimatequestion:isitmeorthem?
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This film, very much of its time shows London in the early 1970's. Of course now a different world. Note the old fashion Underground ticket machines, and the Black and White Telly in the flat. The location looks very much like Churchill Gardens, Pimlico, with Battersea Power Station in the background. And, plenty of smoking going on, in pubs, and on the tube. The film is strangely sexy in its own way, with the young girl playing along with the much older man, its really a sexual fantasy come true. It is another one of those British low budget film where the low budget adds to rather that take away value. Watch for fun, which is what it is.
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Thequeererotichorror-comedyACLOSERWALKWITHTHEEfollowsJordan,ayoungChristianmissionarywhogetscaughtwatchinghishandsomepastorEliintheshower.ThehousechurchostracizeshimuntilEli(whohappenstobeafledglingexorcist)suggestsitmaybedemonicpossessionthatsgivingJordanhisungodlyurges.Whatstartsasanexorcismtosavetheirfriendshipquicklydescendsintopsychosexualmadness.
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After years on the run, the mystery man known as Trick is back, but not on his own terms. Trick finds himself trapped in a cage with four other hostages - all of them paralyzed from the neck down. When Trick realizes that one of the other hostages is an old foe, Detective Epperson, the two begin working together to uncover the connection between them and their captor - a masked man they suspect is the infamous Deathstalker Killer. Meanwhile, Agent Bobby Church of the FBI is investigating Epperson's disappearance and discovers the detective vanished while he had been following a lead in the Deathstalker case. The search soon has Church crossing paths with Epperson's former partner, Scott, himself looking into the abduction of his friend, Olivia. After Scott and Church discover cellphone pictures of Olivia in the cage with both Trick and Epperson, they know they must race against the clock to find the location of the cage before time runs out, and the hostages are executed one-by-one.
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迈尔斯（保罗?吉亚玛提 Paul Giamatti 饰）和杰克（托马斯?哈登?丘奇 Thomas Haden Church 饰）是老朋友了，看着杰克即将踏入婚姻殿堂，迈尔斯更加感叹起自己失败的生活：婚姻失败、作家梦遥不可及、干着无聊枯燥的职业、不再年轻的岁数。迈尔斯对葡萄酒的研究颇为深厚，于是两个人决定前往加州的葡萄酒生产基地狂欢一次，如果遇上一夜情当然是最好不过了。
果然二人在酒香浓郁的加州遇上了女招待和她的亚裔朋友，迈尔斯和杰克的艳遇让两人都兴奋不已。然而接下来的事情却大扫兴致。他们的狂欢计划充满了障碍。?豆瓣
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改编自1974年美国着名新闻主播ChristineChubbuck的真人真事。29岁的克里斯汀(丽贝卡·豪尔饰)美貌与智慧并重，是当时首屈一指的女主播。但在七十年代，杰出的事业型女性要在社会与职场中获得肯定也绝非易事，加上爱情与家庭的问题，早已令克里斯汀承受无比压力。电视台以收视率定生死，下令新闻节目需加入更多花边趣闻和爆炸性故事。克里斯汀一向坚守新闻传统及认真报导，但为了事业她必须向现实低头，违背自我制作譁众取宠的节目。最后，她在大气电波中直播最轰动一时的新闻……
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广濑贵士
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Constantlyonthehuntandsufferingfromhallucinationsthatdrivehisviolentnature,anunnamedmaniscapturingwomenandsavagelybeatingthemtodeath.Meanwhile,awomanisluringmenintoaviolentend,bywayofherknife.Drivenbythesameforcetomaketheoppositesexsuffer,thekillers’fatesintertwine.Thetwomustfaceoffinabattletothedeath,inwhichtheyareforcedtorevealthehorribletruthbehindtheiraddictiontomurder.“Brutal”takesaninterestingapproachtoitsvisuals,drawingheavyinfluencefromWestern“Grindhouse”films,usingafiltertomakethefootageappeargrainy,damaged,andwithlightandcolorfluctuations.Unfortunately,thevisualstylingendsupfeelingmisguided,asotherthanapplyingthefilteritdoesnotimitateanyotheraspectsofthe“Grindhouse”genre.Despitetryingtodirtyupthefilm,itisapparentitwasshotondigital.Thecinematographyisalsoastepabovemost“Grindhouse”productions,withTakashiHiroseprovinghehastalentbehindthecamera.Exteriorshotstothosetakingplaceinsmallspacesareallcompetentlyframed,lit,andtransitionwell.Thedecisiontoaddaneffectontopoftheworkhurtsthefilm’simageryandevengivesasenseofdesperationtotrytocaptureacertaintypeofnostalgiawiththeaudience,insteadofrelyingonitsownstrengths.Itisunfortunatewhenonecreativechoicecanhurtaproductionsomuch.Thestoryof“Brutal”issimplebuteffective,itdoesattemptsomesortofsocialcommentaryabouttheviolentnatureofmenandwomen,butitdoesnotofferenoughdepthintothesubjecttojustifytheamountofviolenceondisplay.Thefilmdoesendonastrongnotewithaninterestingtwist,witharevealthatisboundtogrosssomeout,whilegivingothersachuckle.Inspiteofitssimplenature,thosewhoenjoyfilmsthatmakethemsomewhatuncomfortableandenjoythechallengeofgettingthroughsomeultra-violence,“Brutal”posesafunandentertainingchallengeinthatregard.
