Filipp
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拉法洛·马塔拉佐
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The tragic love story between Guido, the owner of a marble quarry and Luisa, the humble daughter of one of his employees, ends up in her giving birth to a baby boy. Giulio's mother is against them: at first she takes her son abroad with an excuse and then has her grandson kidnapped making Luisa think the boy died in a fire.
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吉莉恩·贝尔
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TheplotoftheshowrevolvesaroundAbby,who,upondiscoveringherhighschoolcrush’spreferredcoitalposition,seekstofamiliarizeherselfwithitwiththeassistanceofalocalstripper.However,asAbbygrappleswiththeideaofadvancingtheirrelationship,sherealizesthatthejourneyhasgrantedhermuchmore:anewfoundsenseofselfandalastingfriendship.
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THRIVE II: This is What it Takes brings viewers behind the scenes with the people and innovations that have the power to transform life for everyone. Follow a journey across the globe investigating the most promising solutions in energy, health, consciousness, and non-coercive self-organizing while unpacking the underlying science, principles, and strategies that make them possible. THRIVE II reveals compelling evidence that illustrates a new paradigm of science that Einstein was seeking, unveiling for the layperson an emerging coherent theory of the "Unified Field" and all that it implies. Inspiring trans-political, grass roots, and decentralized solutions, THRIVE II offers practical tools for reclaiming authority over our lives. From new sources of energy to breakthrough health cures, THRIVE II provides the insights and resources needed for viewers to take next steps in accessing and supporting the solutions that can truly create a world that works for everyone.
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迈克尔·西特
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Everything in high school is like the world ending and Sadie Mitchell's crippling fear of the coming apocalypse is the heightened version of that. Undeterred by the naysayers, Sadie has two weeks to ready herself before doomsday. She needs to master survivalist cuisine, learn to sew, but there are other things...personal things: go to a high school party, kiss a boy, and most importantly, get her best friend back.
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At his first show in LA for 10 years, Chappelle charges straight into the fire with bits on Bill Cosby, O.J. Simpson, and his own brushes with controversy. 阔别洛杉矶10年后的首秀,查贝尔借用调侃Bill Cosby,O.J Simpson和自己过往的风波,直接了当地将现场推向高潮。
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BrijMohan(36),ahosieryshopownerinabusyDelhimarket,desperatelywantstochangehislife.Heisfedupofhisball-crusherwifeandmountingdebts.Inordertoescapehiswretchedlife,hechangeshisappearanceandadoptsanewidentityasAmarSethi,butendsupcommittingabotchedupmurder.Herunsoffwithhisyounggirlfriend,hopefulofmakinganewbeginning.Instead,asluckwouldhaveit,hefindshimselftrappedinawebofhisownKarma.
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Afteragroupoftelemarketersgetfiredbytheirpenny-pinchingboss,theytakerevengebystealingthecompanyslistofclientstostartuptheirownfirm.Intheheatofcelebrationandafewdrinksin,theylosethephonewhichholdstheonlycopyoftheirfuturecostumers.WhiletrackingthelostdeviceonHalloweennight,co-workersAmberandWillfindthemselvestrappedinadementeddrugaddictshouseofhorrors.
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SYNOPSIS ET DéTAILS Julien, trentenaire bonne pate et modeste, créateur d’applications pour smartphone, est fou d’amour pour Eva, journaliste dans la presse professionnelle. Après avoir accepté la demande en mariage de Julien, Eva est obligée de le présenter à ses parents qui résident sur l’?le de Ré. Au cours d’un week-end de folles péripéties, Julien va faire exploser sa future belle-famille qui ne tenait que par des mensonges et des faux-semblants...
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迈克尔·柯蒂兹
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Doctor X (1932) is a First National/Warner Bros. horror and mystery film. Based on the play originally titled The Terror (New York, February 9, 1931) by Howard W. Comstock and Allen C. Miller,[1] it was directed by Michael Curtiz and stars Lee Tracy, Fay Wray, and Lionel Atwill. The film was produced before the Motion Picture Production Code was enforced. Themes such as murder, rape, cannibalism and prostitution are interwoven into the story. The film was one of the last films made, along with Warners' Mystery of the Wax Museum (1933), in the two-color Technicolor process. Black and white prints were shipped to small towns and to foreign markets, while color prints were reserved for major cities. PS. The Return of Doctor X (1939) link
