Anilú
搜索"Anilú" ,找到 以下影视作品
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露西·沃斯利
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Lucy Worsley tells the story of Britain’s royals and photography. It’s a tale that begins with Albert and Victoria’s enthusiasm for having their pictures taken – and for taking pictures. Closer to our own time, such figures as Princess Margaret, often photographed by her husband, Lord Snowden, and Princess Diana loom large.
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讲述了两对夫夫的爱情和碰撞。不管多远多近,它们只为彼此而存在。俊和富是从幼儿园就一起长大的好朋友。他们不仅是青梅竹马,甚至在同一家公司工作,直到一场事故动摇了两人。Plus是一个自由奔放的调酒师,Jane是一个离了婚无法放下过去的人,经营着一家自助洗衣店。一天,自助洗衣店老板偶然发现了酒保丰富多彩的夜生活。两者碰撞,慢慢实现彼此内心的渴望。~~台日合拍Ittellstheloveandcollisionoftwocouples.Nomatterhowfarornear,theyonlyexistforeachother.JungandFuaregoodfriendswhohavegrownuptogethersincekindergarten.Notonlyarethey...
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Four blue-collar friends, recently laid off from the steel mill, take one last camping trip into the wilderness when they discover a backwoods cult with a cataclysmic agenda and must fight...
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菲剧《影响者》第一集中,男主的网络声明直击人心,面对网络暴力和谣言,应该勇敢站出来。菲剧《影响者》第2集中字Migo和Ram真的是冤家路窄,到底是人性的扭曲,还是道德的沦丧,Migo居然在Ram身上尿尿,Ram还直呼好大!预知后事如何,请见本集分解。菲剧《影响者》第3集中字本集中Ram和Migo的关系逐渐变好咯,《影响者》其实不是甜剧,会有日常,会有严肃议题,会有启发,还是一部不错的剧。本剧的英文名Influencers,也就是网红的意思,但是用于剧名感觉怪怪的,本来想用网络达人作为剧名,被土到说不出话来!所以在线征名!大家努努力,看完剧之后开开脑洞!本剧了融入了LGBT+群体的议题,第一集中出现了两个网络用语,0号羞耻(bottomshame)和抵制文化(cancelculture)。对于国内的网络环境,同样充斥着一样的问题。0号羞耻是对性别角色的刻板印象,例如这些语句,他那么娘,一定是个受,一个攻怎么比受还矮,大家觉得耳熟吗?其实在直人的世界也有同样的问题,作为女人怎么不会做饭,男孩子就应该会打篮球。抵制文化在微博上也是随处可见,在自媒体横行的年代,真假难辨,大众容易被带节奏,从而进行网络暴力。这部剧呼吁大家要正确认识性角色和辨别真伪,然后,咳咳,帮忙取名~?
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尼古拉斯·佩雷达
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AcclaimedMexican-CanadianauteurNicolásPeredareturnstotheFestivalwithMinotaur,apendanttohis2009featureJuntos.ShotintheMexicoCityapartmentofPereda'ssignatureactorGabinoRodríguez,Minotaurisanincandescentchamberpiecethatobservesthreethirtysomethings(Rodríguez,LuisaPardoandFranciscoBarreiro)astheysleep,dream,read,andreceivevisitors(includingthehousekeeperwhotakescareofthem)intheircommunalspace.Alovelyandlethargicspelliscastasanambiguous,Marienbad-likelovetriangleemergesamongthetrio,conveyedthroughliterature(booksfunctionastelepathictransmittersanddefinersofrelationships),choreography,andtheacutephysicalpresenceofthethreeleads.ExtendingPereda'srecurringinterestsinclass,socialstructureandfamilyrelationsinMexicansocietyinitswraithlikefantasyofaleisureclassthatisquiteliterallysustainedinitsnarcolepticexistencebytheministrationsofthedomestichelp,MinotaurevokesthefilmsofTsaiMing-lianginitsdistendednaturalism,ritualisticsolitude,andcreationofacloisteredworldsuffusedwithlonging.ThesurrealauraofMinotaurseepsbeyondtheconfinesofthetrio'sapartmentintoastrange"nightwithoutdistance"inLoisPatiño'shallucinatoryportraitofbordersmugglingintheGerêsMountainsbetweenPortugalandGalicia.Castingrealtownsfolk,someofwhomweresmugglersintheiryouth,PatiñoplacestheirstifflyStraubianpresenceswithincross-processed,multilayeredtableauxofrocks,river,andtrees—anever-indeterminateplacethathasimbibedandbornewitnesstoinnumerable,desperateactsofsurvival.Conjuringaninstantinthememoryofalandscapefilledwithghosts,Nightwithoutdistanceextractsspellbindingfantasyfromthereal.
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——赌上一切去挑战。上吧,才能的原石们啊。改变时代的,是我们“BlueLock(蓝色监狱)”——为了培育出带领日本获得W杯优胜的射手,日本足联设立了“BlueLock(蓝色监狱)”计划。被邀请参与计划的是300名高中生。而且全员都是FW(前锋)。身处一旦被淘汰就会失去将来加入日本足球代表资格的极限状态下,被选中的才能的原石们逐渐觉醒了身为射手的Ego。时而踢落他人,时而凭自身的进化从严苛的选拔中生存下来的35人。跨越了盘旋着Ego的、狂热的生存战的他们,赌上“BlueLock(蓝色监狱)”计划的存续,向与U-20日本代表展开的史上最疯狂的决胜赛(BigMatch)发起挑战!现在,为了将自己的Ego铭刻于世,为了亲手改变命运,史上最炽热的战斗
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朴哲洙
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Nan-hie and Min-hie have been best friends for years. Despite their different economic status, they share many things in common-including theirm taste in men. Their friendship becomes strained after Min-hie learns that Nan-hie has been sleeping with the former's husband .
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The story of a five year old little rebellious girl Vitka with her teenage cousin Larysa and her boyfriend, the young criminal Scar unfolds in a Ukrainian provincial setting. Larysa finds herself at a crossroads after the death of her father. Yearning to be self made, the village community ostracizes her for loving Scar. Larysa discovers her grandmother once sacrificed her love for a young gypsy abandoning him for traditional values and other people's opinions. Larysa's mother is too psychologically weak to support her daughter. Larysa and Scar plan to escape from a life of crime, misery and their relatives. But are they ready to pay the full price for freedom?
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EinSegeltörnimMittelmeerwirdfürfünfHamburgerFreundezumAlbtraum.EininSeenotgeratenesBootvollerGeflüchteterbringtsieanihreGrenzenundverändertihreLebenfürimmer.
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杜桑·哈那克
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《322档案》是杜桑·哈那克执导的剧情片,Václav Lohnisky和卢茜娜·温尼斯卡出演。该片讲述了一个关于个人疾病和社会疾病的故事。曼海姆-海德堡国际电影节 年份结果奖项类别/获奖者 1969 荣获特等奖 杜桑·哈纳克 捷克斯洛伐克的一名政府官员误认为自己患有癌症。他认为,他在斯大林执政期间参与的秘密活动注定会死于一种可怕的疾病。当他对过去的罪行感到内疚时,他寻求内心的平静。本片荣获 1969 年曼海姆电影节大奖。 斯洛伐克导演杜桑·哈纳克是 60 年代和 70 年代捷克电影界最聪明、最优秀的人才之一,但由于审查制度,这一点直到 80 年代末才显现出来。杜桑凭借他的处女作《322》(1969)对电影界产生了影响。虽然直到 1988 年才被禁,但最终上映后,它赢得了国际赞誉并在曼海姆电影节上获得了大奖。哈纳克的第二部作品,纪录片《Obrazy Stareho Sveta/Image of an Old World》(完成于 1972 年),直到 1988 年才上映,他 1980 年的电影 Ja Milujem, Ty Milujes/I Love You, You Love 也没有上映。只有哈纳克 1976 年的电影《Ruzove Sny/Rose-Tinted Dreams》通过了审查并及时上映。
