CR
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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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A deserted pond. Two lonely children fall under the spell of this wild place that, little by little, draws them closer to each other and gives them the strength to cope with life. Seen through their eyes, and through their imaginations, the pond becomes a secret kingdom, both marvellous and frightening, thronging with creatures born from dreams or nightmares. The children experience an initiation, brief and intense, from which they will emerge transformed.
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A veteran cop is shocked when he's reassigned to the mounted division after a series of mistakes. However, his equine exploits aren't a complete mare thanks to the expertise of a former rodeo star who joins him on the beat. Crime drama, starring Dennis Franz and Spike Alexander.
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IanOlds
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After being exiled from Afghanistan, a former war journalist settles in a small town in northern California and takes a job with a local newspaper. But when he attempts to cover local crime, he stumbles into local corruption that puts himself and others in danger.
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Amother'svacationwithherdaughterbecomesanightmarewhenGali,25,isarrestedfordrugsmugglinginMoscow.Orna'sbattletoproveherdaughter'sinnocenceentanglesherinadangerousworldofcrime.
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Thingstakeaturnasdramaticeventsunfoldafteracrimewascommittedinavillageandastheculpritissoughtafter.
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本·阿弗莱克
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1979年11月4日，伊朗的革命军攻进了美国在伊朗德黑兰的大使馆，将大使馆的工作人员劫为人质。有超过50名人员被关押，但有6人逃脱，并躲在加拿大驻伊朗大使KenTaylor（维克多·加博VictorGarber饰）的家里。CIA高层JackODonnell（布莱恩·科兰斯顿BryanCranston饰）找到专家TonyMendez（本·阿弗莱克BenAffleck饰），让他协助将那六个人带回美国。经过讨论后，CIA决定采取Tony的办法，以拍摄电影的名义，Tony到伊朗将那六个人带回。Tony联系了他在好莱坞的朋友，化妆师JohnChambers（约翰·古德曼JohnGoodman饰），并联系了电影制片人Lester（艾伦·阿金AlanArkin饰）。Tony在许多剧本中选中了《ARGO》，一部和《星球大战》...
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丽贝卡·托马斯
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这是一个由执法人员组成的家族——成员分别供职于FBI、美国法警署（USMarshals）、特勤局（SecretService）及司法部（DOJ）。他们既要弥合彼此间的家庭裂痕，又时常在工作中跨越职权边界，联手处理各类重大案件。然而，一宗本以为简单明了的案件，竟演变为致命阴谋。此刻，他们必须动用一生累积的、用来保护平民与政要的办案专长——转而来保护彼此，将真凶绳之以法……即便这意味着：背叛自己曾宣誓恪守的执法准则。
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A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.
