Hout
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一个年轻的拿破仑军官追踪一个神秘的女人而来到一个年迈男爵的城堡，在那里他发现这个女人是听命于一个老巫婆，其最终目的是迫使男爵自杀…… Roger directed for two days on a set left over from a previous production, and without a proper script. He hired Francis Coppola to write a script and finish the picture. After five weeks of shooting, Roger fired Francis, and hired me to finish the picture. Jack Hill was hired to write a new script with me. A lot of what Francis shot was thrown out, except for the stuff with the witch from WIZARD OF OZ. (Dorothy Newman), and I finished the picture in five days of shooting. All of the interiors are Roger's (with the exception of Francis's witch's lair), and most of the exteriors are mine. To the best of my recollection, and contrary to legend, Jack Nicholson did not direct any of the film.
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His days are grey and pathetic without any highlights to lift his spirits. Drudging away in Munich's last greenhouse, he is forced to produce roses for the wealthy using his mechanical hand. Yet in these days, this is still possible, because he has 999.999.999 - roses on hand. One day, she comes through the door and all he could ever want from that very moment was her. A brief moment was all it was as she had to return to work leaving him determined to abandon everything he was and had to fight for her heart... But all seemed to be in vain. Nothing mattered anymore. Not even the 999.999.999 - roses that were in his hand. Set in the distant future of Munich, graphic designer and filmmaker, Gerald Grunow moved his animation world. The houses, the landscapes and the people inhabiting this foreign land seem in their own way, surreal and not of this world. And yet, a classically romantic story in this imaginative backdrop of love and suffering is told, completely devoid of any dialog. This is ...
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Inthisnewiterationandnewworld,theLeveragecrewhavewatchedastherichandpowerfulcontinuetotakewhattheywantwithoutconsequence.GrifterSophieDevereaux(GinaBellman),thiefParker(BethRiesgraf),hitterEliotSpencer(ChristianKane),andhackerAlecHardison(AldisHodge)havewatchedtheworldchangeoverthelasteightyears.Sincetheirlastjob,it’sbe...
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彼得·格兰兹
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迈克尔·卡尔金
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蓓尔·波利
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克莱尔·芙伊
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罗杰·阿什顿-格里菲斯
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理查德·E·格兰特
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薇琪·佩珀代因
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安格斯·肯尼迪
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塞巴斯蒂安·阿梅斯托
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理查德·麦凯布
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杰克·法辛
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迈尔斯·贾普
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基拉·洛德·卡西迪
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艾琳·巴特尔
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Shiona·Brown
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Dominic·Charman
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Phill·Drew
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汤姆·戈德温
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Sven·Ironside
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Les·Kenny-Green
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James·Nicholson
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SetagainstthebackdropofeighteenthcenturyEngland,amassivepoxoutbreak,andJacobiteuprising–thisisatimelyanddarklysatiricalstoryofSirChaunceySavage(Grant)andLadySavage(Foy)andtheirblindpursuitofabetterlife.ItisnotwithoutatingeofironythattheirfamilynameistheSavages,forthisisaSavageHouseindeed.Filledwithduels,decadence,andbloodshed,thisisamadcapplayonclassandpower.
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西瓦·萨瓦玛尼固
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杰伊和金是长期的对手和坚持不懈的朋友。如果不互相辱骂或严厉的一瞥，他们就看不到对方。当杰伊预见到金的死亡并最终在车祸中丧生时，他在康复期间不情愿地被交给金照顾。最终，他意识到没有他的生活是多么的不可能。~~改编自网络小说《naikhraiwajjmaithukKan》(??????????????????????？)byMyfeline.。JayandJinnarelongtimerivalsandpersistentfriends.Theycan'tseeeachotherwithoutexchanginginsultsoraharshglance.WhenJayhasavisionofJinn'sdeathandendsupinacrash,he'sunwi...
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ThelifeofTonyisturnedupsidedownwhenhemeetsamysteriouscreatureinhissmallvillage:theKyma,alivingsoundwavecapableofbreakingmatter.Tonytamesit,withoutrealizingthedangeritrepresents.
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尹瑞镇
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ThefilmbeginswiththetitleChorokbamfillingthescreen,whichisamazingtosee.Thisistheverymomentatwhichtheaudiencedecidestotrustthisfilmwithouthesitation.Intermsofhowtofillandemptythesquareframe,thefilmisboldandskillful.Chorok,meaninggreeninEnglish,isthecoloroffateinthismovie.Theproblemsofallthefamilymembersahopeles...
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ThisisthestoryofEvaPerónafterherdeath.Theembalmedbodyof“Evita”hadaneventfuljourneythatlastedfor22years,andwaseverybitaseventfulasher33yearsoflife.Evitadiedin1952,buthercorpsewaitedabovegroundforthreeyearsfortheconstructionofamonumentthatwasultimatelyneverbuilt.In1955,PresidentPerón’sgovernmentwasoverthrownbyamilitarycoup,whohidthebodyfor19yearstopreventitfrombecomingasymbolagainsttheregime.WhileonlyapoliticalfigureforsixyearsasGeneralPerón'swife,hercorpseinfluencedArgentinepoliticsformorethantwodecades—weavingamorbidlystrangestorythatpassedintotherealmofmythology.Tothemilitaryofficersthattookover,Evitawasevenmoredangerousthanwhenshewasalive,asallfearedthaterrantcorpsewithoutarestingplace.
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SamedilivesinavillageinWallonia.Heworksfromtimetotimeasagardenerandhasacloserelationshipwithhismother.Everydaylifeinthevillage,whichhasseenbettertimes,Samedi'squietandfriendlynatureandthestilllargelyintactruralsettingstandinstarkcontrasttotheheroinaddictionSamedihassufferedfromforover20years,whichonlyhisfamilyknowsabout.Hisrelationshipwithhismotherchangeswhenhemakesanotherattempttogetclean.PalomaSermon-Daï’sdocumentarypaintsarestrained,highlyprecisepictureofarelationshipmarkedbyaffectionandlovebutwhichisalsodifficulttodefineinrelationtoSamedi'sproblem.Asthecameraobservesthelong,concentratedconversationshehaswithbothhismotherandhistherapist,apictureofaddictioncomesintoviewwhichispartofafamilystructure.Thisbecomesembeddedinsomethinglargerinturnviatheindividualimagesofthevillage.PetitSamedicreatesanimageofdependenceinwhichindividual,familyandsocialcoexistenceareintertwined,withoutfallingintothetrapofsayingwhatmightbeabletosolvetheproblem.
