Lahu
搜索"Lahu" ，找到 以下影视作品
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Pusong是几十年前的一名舞姬，舞团遭遇坏人入侵，死伤无数，她通过月咒，洗澡，变年轻。但是得经常在月下泡澡，不然皮肤会开始变老。后来她来到这个舞团跳舞，好心帮助了一个叫Dab的女子，Dab脸上有疤，Pusong很可怜她，让她服侍自己，后来Dab发现了Pusong的秘密，在Pusong泡澡的时候杀了她（当然没死成）没有来得及沐浴的Pusong变老了，变成了Chub阿姨，然后Dab仿照之前看到Pusong洗澡的样子，在月下泡澡，自己变得貌美了，就来这里跳舞，改名Bunrueng。女主Prom是这个舞团的人，脸上有个胎记，有个哥哥叫Poom，然后那天被Chit杀了（但是也没死，大家都以为死了），Chit是舞团女主人的儿子，然后Bunrueng也把Prom敲晕扔到了河里，Prom随着水流飘到Chub姨那里，跟Chub姨诉说了自己遭遇的一切，然后Chub打算用月咒让Prom变美，然后二人去剧团复仇，Prom改名Prim。男主则是个督察，之前就喜欢女主，但是家里指定要她迎娶千金Samon，后来调查Pusong失踪的案子和Prom失踪的案子，邂逅了Prim，二人发生一段跨世奇缘
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丽贝卡·亨特
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丽贝卡·亨特
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First-timefeaturefilmmakerRebeca“Beba”Hunttundertakesanunflinchingexplorationofherownidentityintheremarkablecoming-of-agedocumentary/cinematicmemoirBEBA.ReflectingonherchildhoodandadolescenceinNewYorkCityasthedaughterofaDominicanfatherandVenezuelanmother,Hunttinvestigatesthehistorical,societal,andgenerationaltraumashe’sinheritedandpondershowthoseancientwoundshaveshapedher,whilesimultaneouslyconsideringtheuniversaltruthsthatconnectusallashumans.ThroughoutBEBA,Hunttsearchesforawaytoforgeherowncreativepathamidalandscapeofintenseracialandpoliticalunrest.Poetic,powerfulandprofound,BEBAisacourageous,deeplyhumanself-portraitofanAfro-Latinaartisthungryforknowledgeandyearningforconnection.
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这是拉姆和卢克楚普的故事。拉姆是建筑学三年级的学生。他长得很帅，很有钱，是大学里很受欢迎的人。但他是个挑食的人，你能轻易买到的食物并不能满足他的味蕾。卢克舒普是一个可爱的大三学生，有着胖乎乎的脸颊，研究食物和营养。他暗恋拉姆，却没有勇气表白。幸运的是，有一天命运将他们聚集在一起，以食物和泰国甜点为纽带。ThisisthestoryofRamandLukchup.Ramisathird-yeararchitecturestudent.He'sgood-looking,filthyrichandthepopularguyoftheuniversity.Buthe'sapickyeater,thefoodthatyoucaneasilybuydoesn'tsatisfyhis...
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PrinceFichaelandhiscrewastheyventureoutoftheirdomedhumancitytofighttheevilaliensthatwanttokillthem.Astheybegintheirjourney,Fichaelquicklydiscoversthatallisnotwhatitseemsandhemaybelivingalie.
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纽约古根海姆美术馆年青的古代艺术馆长贝丝（克里斯汀·贝尔 Kristen Bell 饰）是个任务狂,她很不看好妹妹一见仍旧式的闪电完婚,却仍然挤出时光飞往意大利罗马加入婚礼。在婚礼上,贝丝对前橄榄球员的尼古拉斯（乔什·杜哈明 Josh Duhamel 饰）一见仍旧,却在陈旧的恋情许诺池边看到尼古拉斯亲吻其余女人。心满足足的贝丝趁酒醉跳进许诺池高声叱责爱神雕塑,并捡起了他人投下的三枚硬币及一枚赌桌筹码带回了美国。没想到陈旧的意大利传说居然显灵,被贝丝捡到硬币的男子纷纭向她跋扈狂求爱,焦头烂额的贝丝却还得顶着老板莎莉丝特（安杰丽卡·休斯顿 Anjelica Huston 饰）的压力确保艺术馆年度筹款酒会的胜利。症结时辰竟是尼古拉斯帮了大忙,而就在贝丝幸福地坠入爱河之际,她才认识到,那枚从许诺池拣得的筹码竟属于尼古拉斯。真情仍是假爱！贝丝疼痛万分……
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Altantur
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Altanjargal
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Rentsenbat
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Batkhishig
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Badrakh
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Battogtokh
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Setgeltuvshin
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Bayarbat
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Tumurtogtokh
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Davaakhuu
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Munkhtumur
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Dondov
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Tsedoo
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Munkhbat
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Temuujin
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Odkhuu
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Gerelsukh
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Otgon
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Umravdan
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Oyunbileg
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Dashtseren
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Tumurbaatar
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AfeaturefilmbasedonthetruestoryofthelegendaryPrincessKhutulunofMongolia.
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克里斯·史密斯
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An intimate celebration of George Michael and Andrew Ridgeley’s enduring friendship, from childhood and through their years together as one of the UK’s biggest bands. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Michael and Ridgeley met at school in Bushy, near the town of Watford. They first formed the ska band The Executive before going on to release their first single as Wham!, Wham Rap! in June 1982. Success wasn’t immediate, but when it finally came, the pair crested a wave of success that continued until their farewell concert, The Final, at Wembley Stadium in June 1986. Chris Smith’s hugely entertaining film offers full and unprecedented access to the band’s archive, including unseen footage and interviews with the duo. The result is a nuanced portrait of an enduring friendship and a joyous musical travelogue.
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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In an abandoned theater, French actress Marina Vlady recites from Borges' "The Immortal"... Japanese research scientist Shin Kubota sings praises to the "immortal jellyfish"... Milan Duomo workers subject the cathedral's exquisite statues to perpetual regeneration... Swiss musician/inventors Felix Rohner and Sabina Schärer persistently refine their percussion instrument, the Hang... Native American community leaders Leola One Feather and Moses Brings Plenty preserve the centuries-old spiritual resistance of their tribe...Filmmakers Massimo D'Anolfi and Martina Parenti pay tribute to humankind's aspirations for immortality by showing us a portrait of our efforts to overcome our own limits. They share their discoveries in a visual symphony to the power and harmony of nature's elements: water, earth, air and fire. From Milan to Wounded Knee, USA, from Bern to Shirahama, Japan, the traces of the filmmakers' travels spiral into a symbol of perfection and infinity: Spira Mirabilis.
