Willy
搜索"Willy" ，找到 以下影视作品
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马伊雷德·泰尔斯
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希沃恩·麦克斯维尼
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罗比·基
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约翰·麦克米兰
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索菲亚·奥克斯纳姆
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Reis Daniel
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Edward Wolstenholme
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Luke Rollason
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Safia Oakley-Green
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亚伯拉罕·波波拉
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皮埃尔·伯格曼
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Bilal Hasna
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Nathaly Herrera
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Kamahl Sami-Miller
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埃拉·布鲁科莱里
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帕特里夏·艾莉森
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“Extraordinary”issetinaworldwhereeveryonedevelopsapowerontheir18thbirthday…everyone,thatis,exceptforJen.She’sturning25andisstillwaitingtogethers.She’snotevenfussyaboutwhatthatcouldbe:superspeed?Lasereyes?TheabilitytopluginaUSBtherightwayeverysingletime?She’lltakeit.Likeacaterpillarsurroundedbybutterflies,Jenfeelsunabletomoveforward,stuckinadead-endjobinapartyshopandoccasionallyhookingupwithLuke,aflakyyoungmanwiththeirritatinglycoolabilitytofly.Luckily,JenhasCarrietostopherfromwallowinginherownself-pity.Inseparablesinceschool,theirrelationshipcyclesbetweensister,parent,andwingman.TogethertheyshareanEastLondonflatwithCarrie’slong-termboyfriend,Kash.Carriehasthepowertochannelthedeadbutfeelsshe’sbeenovershadowedbyherownpartytrick:doesn’tanyonecareaboutwhatshehastosay?Kashtakeshispower–theabilitytoturnbacktime–veryseriously,buthe’snotaboveusingittoundominorembarrassments,ormomentswhenhesaysexactlythewrongthingtolong-sufferingCarrie.Thefourthmemberoftheflatisastraycat,namedJizzlordbythegang,who’sharbouringasurprisingsecret:turnsoutevencatshavemorepowerthanJen.
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诺米·梅兰特
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SetinaboilingMarseilleneighborhoodplaguedbyaheatwave,themovierevolvesaroundthreeroommateswhogleefullymeddleinthelivesoftheirneighborsfromtheirbalcony.Untilalate-nightdrinkturnsintoabloodyaffair.Sometimesgory,sometimesbrazen,alwaysplayful.
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斯特瓦特·亨德尔
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在将来的约500年后,人类社会高度开展,并已实现向外太空的殖平易近。而在这一进程中,新的危急威逼着人类的存在。此时现在,托马斯·拉斯基（汤姆·格兰 Tom Green 饰）还只是一名殖平易近星球军事学院的先生,他与迪娜（Kat de Lieva 饰）!Sully（Masam Holden 饰）逐日直接艰难严苛的练习,在此时期他一面饱受奥秘疱疹的困扰,一面又对战役的实质发生之一。一样平常与身为天堂伞兵的欧巴通话给他仅有的抚慰。直到某天,欧巴战逝世疆场,托马斯的去留也到了定夺时辰。这一夜,未知的外星生物入侵学院,形成伟大的伤亡。危难时辰,疆场之神士官长来临…… 本片依据同名电子游戏改编。
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罗德尼·阿谢尔
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In The Nightmare, director Rodney Ascher (Room 237) has done just that. The film explores the condition commonly referred to as “sleep paralysis.” That’s a condition where someone is in bed, but totally physically immobilized. Some who suffer from the condition – including the eight subjects in this documentary – feel they are visited by something evil during these periods. Ascher lets these subjects tell their stories, then we watch them play out on screen. It’s absolutely horrifying, if not wholly rewarding.
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洛奇林·莫罗
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乔纳森·利普尼基
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蒂莫西·V·墨菲
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艾比·罗斯
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艾莉森·巴思
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Catherine Lough Haggquist
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约翰·卡西尼
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Megan Peta Hill
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Avery Konrad
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詹娜·伯曼
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安妮特·赖利
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Matthew Nelson-Mahood
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科里·拉奇
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Phoebe Miu
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内尔斯·莱纳森
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A listless grand-daughter, Chance Sinclair (Avery Konrad), is sentenced to live with her draconian grand-father, August (Timothy V. Murphy) after a violent incident at school and begins to question the source of her families immense wealth and power. When Chance's scheming Mom, June (Annette Reilly), hires a troubled chef, Sydney (Johnathan Lipnicki), to poison August, the family's monstrous secrets are revealed over the course of one bloody night. Every soul is up for grabs as The Sinclair Family Games Night gets underway and Chance learns that being apart of this family is a blood-in, blood-out proposition.
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Afunnyandirresistiblestoryofayounggirlwholiterallycannotseeorhearhermother,despitelivingunderthesameroof.Withthehelpofaneccentricyoungpsychiatrist,(BenjaminWalker:TheChoice),andalocalaccidentalhero,ourheroine(ShannonTarbet:Beast)fallsinloveandeventuallytakesholdofherfuture-despitenotseeingwhat’sinfrontofher!Aheart-warmingstoryofloveandself-discoverystarringAidanTurner(Poldark),Chlo?Sevigny(AmericanHorrorStory)andMatthewBroderick(FerrisBueller’sDayoff)
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Astrugglingphotographergetsmorethanhebargainedfor,discoveringthetruthofwhathisnewcameraisreallycapableof.
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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TroubledartistCassiesufferswithreoccurringvisionsofmurder,whichshecopeswithbycommittingtheviolentactstocanvas.Butwhenhervisionsbegintomanifestinreallife,herfriendsandfamilybegintoturnupdead.Realizinghervisionsactuallyprovideadirectlinktothekiller,Cassiemustnowconfrontherownpastinordertostopthemurdersandsaveherself.
