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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well. In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.
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德尼·科泰
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Invitéesenmaisonderepospourexplorerleurstroublessexuels,troisjeunesfemmesoccupentlesjoursetlesnuitsàapprivoiserleursdémonsintimes.Souslasupervisiontranquilled’unethérapeuteallemandeetd’untravailleursocialbienveillant,legroupetentedegarderunéquilibrefragile.PourlajeuneGeisha,lasombreLéonieetl’imprévisibleEugénie,ils’agit,pour26jours,d’éviterlescris,d’apprivoiserleschuchotementsdutempsprésentetdeconsidérerl’avenir.
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OurfocushereisonattractivecoupleGeorge(RafeSpall)andAmy(EleanorTomlinson).NewlyarrivedinWoking,theLondonEveningGazettejournalistandamateurscientisthopetheirnewsurroundingswillhelpthemfindpeace.GeorgesdecisiontoleavealovelessmarriagewithhiscousinLucyfortheeducatedAmyhasseenhimshunnedbypolitesocietyandestrangedfromhisfamily.Evenhisformerlyclosebrother,Frederick(RupertGraves),agovernmentofficial,nowhasnotimeforhissibling.Thisisaselfish,cruelpursuitthatcannothelpbutbringforththemostunpleasantconsequences,hehisses.However,whensixtrawlersmysteriouslydisappearoffthecoastofHull,itscleartheyareallfacingfarbiggerproblems.Atfirst,theBritishgovernmentblametheRussiannavy,butthenmeteoritesbeginlandingaroundthecountryside.OneofthemblazesatrailthroughHorsellCommon,arousingtheinterestofbothAmyandlocalastronomerOgilvy(RobertCarlyle).Aslocalsbegingatheringtogawkatthespacedebris,somethingstrangebeginstounfold.Themeteoriterises,emittingaheatraythatkillseveryoneittouches.Naturally,panicensuesandthegovernmentsinitialattemptstodownplaytheeventquicklyfallawayasmoreandmorereportsofsimilarincidentsacrossthelandcomein.Itisthough,onlythebeginning.
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Everyyear,afamilyhomeisturnedintoahauntedhouse.Thepurposeisnotonlytobeasterrifyingaspossible,butalsotocreateaspectacularattractiontodrawtheneighboursin.Inresponsetosomecriticism,thefathercommitsirreparabledamage.
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Lee-ithdreamsofbecomingacoolindierockmusician.Becauseofhiscompletedisregardforhisstudies,hismothersendshimtoanewschool,onethat'sacceptingmalestudentsforthefirsttimethisyear.HeimmediatelyclasheswithstudiousPutterwhoendsupbeinghisroommate.
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《吸血鬼之后》翻拍自2003年电影《魔鬼之后》第一世得不到女主的爱,第二世还是爱得那么卑微遭到惊扰而复活的吸血鬼Maekin(Cee)回来清算自己同前世恋人Rommance(Noona)及情敌Witawat(Ohm)之间的爱恨纠葛。一百年前,Maekin/銮Maekin是克星巫师,Witawat叫Tian/Sertian,是劫富济贫的俠盗。Maekin爱上Bonplum,他发誓会永远照顾她。但他的父亲昭坤Thewarak不喜欢仅仅是家里佣人的!Bonplum,昭坤Thewarak得知Tian暗恋Bonplum,因比将Bonplum赐予Tian,害Maekin承受莫大的心碎。后来,Maekin被锁链囚禁在城堡中。在他离世时,Maekin使用巫术令自己获得永生。昭坤Thewarak命令将Maekin的尸体理在城堡底下。百年之后,爱久弥坚。Maekin仍期待着能见到自己的恋人。Bonplum转世为Rommanee,同Witawat相恋。Witawat的朋友Narudom(Ak)念出复活咒语唤醒MaekinNarudom成为Maekin的奴隶,不得不寻找纯洁少女供Maekin吸血.Maekin外出寻找自己的恋人。有许多人成为他的受害者.Rommanee感到自己同Maekin之同有联系,Witawat见此异常因而开始调查那座神秘城堡里的真相。唯有"发晶"是唯一能阻止Maekin的力量。
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WithNorthKorea'srelationswiththerestoftheworldatanewandunpredictableinflectionpoint,NationalGeographicDocumentaryFilmspresentsINSIDENORTHKOREA'SDYNASTY,agroundbreakingfour-episodedocumentaryseriesthatexaminestheextraordinaryhistoryoftheworld'sonlycommunistdynasty,threegenerationsinthemaking.Ayearinproduction,INSIDENORTHKOREA'...
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浩克(The Hulk),本名布鲁斯班纳(Bruce Banner),是涌当初惊讶漫画出书物中的反豪杰虚拟人物。浩克由史丹李(Stan Lee)与捷克科比(Jack Kirby)所发明,初次涌现于「可想而知的浩克」(The Incredible Hulk)第一部第一期(1962年仲春);今后成为惊讶漫画旗下最受欢送的人物之一。 物理学家罗柏特布鲁斯班纳(Robert Bruce Banner)博士在不测受本人制作出的伽玛炸弹(Gamma Bomb)喷射线传染后酿成了名为浩克的末路怒怪物。班纳与浩克两个因素时常形成消灭性的损坏,因而常成为警方与有关单元追捕的工具。中文译名常称浩克为绿伟人,但此译名与现实有必定水平的偏差,虽说浩克的皮肤色彩最罕见的是绿色,但是在浩克的故事汗青中皮肤时常转变色彩,差别色彩的肤色代表了此脚色差其余品德,但都是指涉统一自我物。在从前四十年中,浩克多少乎与惊讶天下中每一个豪杰与反派交兵过。 在2009年最新的的动画片子中,浩克将迎战雷神托尔与金刚狼。
