Ys

搜索"Ys" ,找到 以下影视作品

黑气球
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  莫里森一家四口搬到了澳洲一个小镇。父亲西蒙(艾瑞克?汤马森 Erik Thomson饰)是当地驻军军官,母亲玛吉(托妮?柯利特 Toni Collette 饰)怀孕待产,大儿子查理(卢克?福特 Luke Ford 饰)患有自闭症,表现为语言障碍学习障碍,无法与人正常交往,小儿子托马斯(瑞斯?维克菲尔德 Rhys Wakefieled 饰)进入新的学校,在游泳救生员课上认识了美丽的女同学杰姬(吉玛?沃德 Gemma Ward 饰)。托马斯不愿让同学们知道自己有个不正常的哥哥,但没想到杰姬对查理竟能毫不介意。随着玛吉的临产,托马斯身上的负担越来越重,同时随着与杰姬的交往,他更加希望哥哥查理能奇迹般的病愈。但与托马斯的愿望相反,家里添了新妹妹后更为杂乱,而查理的状况也毫无改观。托马斯如何才能走出生活的阴影?  本片获第58届柏林电影节青少年题材类别的最高荣誉“水晶熊”奖。
未来玩具
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  A group of middle school kids stumble upon a chest full of incredible toys from the future. The discovery takes them on an adventure using their newfound toys to save their neighborhood and ultimately the world from a maniacal corporate madman. In the process, these "loser" kids learn they have the qualities they thought they were lacking all along.
鬼钱/致命尸钱
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Denkhun演的脚色跟友人一同去冒险拿了Poh的鬼口中的钱,而后想拿回本人的货色?Eye 演的女生能够瞥见鬼,还能被Poh演的鬼下身。m.ysgou.cc Denkhun跟Eye是同窗?情人?亲戚? Joy演的脚色恨着?爱着Poh演的脚色?
RacketBoys
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tvN预定10月11日开播新综艺《RacketBoys》,充满活力的青年们挑战羽毛球项目,讲述真心对待羽毛球的新手们与各地高手比拼,然后参加全国大赛的旅程。韩国前国家队男子羽毛球运动员李龙大在节目中担任教练,组建艺人羽毛球同好会,女子羽毛球运动员张水荣也会出演提供支持,综艺人张圣圭将担任爱好者协会会长兼MC的角色。李龙大亲自物色演艺圈内的羽毛球爱好者,3日tvN官方SNS已经上传成员招募视频,成员们将在热情挑战的过程中一起向观众展现羽毛球运动隐藏的魅力
布赖恩和查尔斯
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AfteraparticularlyharshwinterBriangoesintoadeepdepression;completelyisolatedandwithnoonetotalkto,Briandoeswhatanysanepersonwoulddowhenfacedwithsuchamelancholicsituation.Hebuildsarobot.
疑神
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Will,ayoungHispanicgaypotter,isonegregariousguy.Hisbossisterrible,buthe'sgotagreatboyfriendandagreatjob.Unfortunately,behindthatveneerisadarkpastofviolenceandmentalillnessthatheisdesperatetokeephidden.Whenhisbipolarmothercomesoutofthewoodworkaftertenyearsofsilence,hebeginsexhibitingunexplainablesymptoms.Afteraninjuryatwork,hestartslosingfunctioningofhisarms,andsomethingsinisterlurksinthecornerofhisvision:asilentandominousmaninawolfcostume.Willspiralsintoanobsession,determinedtosolvethismysteryofhisown.Whatisgoingonwithhisarms?Canhetrusthisboyfriend?Ishebecominghismother?
红牝
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‘How do you feel about intimate relations? Speak freely, don’t hold back.’ · ‘I think it’s the highest connection between two souls.’ Benny’s hair is as red as the fur of her devout father’s treasured calf – which he believes will bring salvation. But the 17-year-old feels as lonely and trapped as the calf in its enclosure. Benny’s mother died giving birth to her, and she grew up alone with her caring yet patriarchal father. He is a figure of authority and a mentor for many people in their Jerusalem religious community. Benny becomes increasingly critical of her father’s religious, utopian nationalism and then there’s Yael, the self-confident young woman who has set off a whirlwind of longing and emotions in her. Avigayil Koevary powerfully portrays the defiance and desire of a young woman in Tsivia Barkai Yacov’s debut feature film.
印度夜幕
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Night Falls in India tells the story of Ricardo (Juan Diego) and Dana (Clara Voda). Ricardo decides to travel overland to India, as he used to do in the old days, when he brought hippies to the East with his van, crossing Europe, Turkey, Iran and Pakistan. But the situation is very different now. Ricardo has been in a wheelchair for the last ten years, suffering from a degenerative disease now in its final stage. He wants to die on the banks of the Ganges River and meet Gadhali again. In this journey, he is accompanied by Dana, his Rumanian housekeeper. Life owes something to these two lonely beings. The journey will become the alibi for paying it off. Night Falls in India is a shining road-movie full of life that uses journey as an excuse to tell a story about love and the passing of time, about the importance of the present and the need to recover lost time; a story in which the journey itself is as important as the arrival.
等待方舟
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
受害者/嫌疑人
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In-depth examination of the dark side of an American justice system where women who report sexual assault are instead charged with perjury and jailed for it.   Investigative journalist Rae de Leon has discovered a startling pattern in rape cases in the United States. Namely, that women who have reported a sexual assault are suspected of lying by the police. First they are accused...
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