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戴夫·博伊尔
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据《Variety》报道，美国XYZFilms公司已获得由贺来贤人担任制片人的电影《NeverAfterDark》（原题）的全球海外发行权。该片讲述了在日本深山中进行驱魔仪式的灵媒师遭遇最恐怖敌人的故事，由出演《幕府将军SHOGUN》的穗志萌香担纲女主角。贺来贤人于2024年与曾合作出演《忍者之家HouseofNinjas》的戴夫·博伊尔（DaveBoyle）共同创立影视制作公司SIGNAL181，本片是该公司的首部作品。影片由博伊尔担任导演兼编剧，全程在日本取景拍摄，目前正处于后期制作阶段，计划于2026年在日本上映。
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Annie曾经是泰国最火双人组合的超级偶像，如今过气老公跑了还要养女儿，她突然从一个亲戚那继承了一家叫MsmaGogo的残旧酒吧，这家酒吧以前是专门为富婆服务的，Annie要让这家酒吧重新火热起来，她招聘了几个男生，其中有卖菜的、摩的司机、健美操教练、小偷、国际学生和一个失败的古惑仔，她要求他们必须不仅身材好还要有知识、熟知股票和彩票，但没那么简单，她还得面对此地的地头蛇以及曾经的队友兼老对手Tina的挑衅
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ThefilmdelvesintotheunexploredthemeofthedisplacementoftheRusyn,anEastSlavicethnicgroupfromtheEasternCarpathiansinCentralEurope,duringtheconstructionoftheStarinareservoirinthe1980s.Setagainstthistumultuousbackdrop,Floodintertwinespersonalandcollectivestories,bringingtotheforefronttheoften-overlookedplightoftheRusynminorityinSlovakia.Gonda'sfilmspeakstominorities,individualswhohaveexperienceddisplacementandyoungadultsthroughitsprotagonist,Mara.Thestoryunfoldsinasmallvillage,threatenedbyanimpendingfloodduetotheconstructionofthereservoir.Mara,ayoungwomanyearningforcitylifeandaneducation,isboundtoherruralrootsbyherstrictfather,aRusynfarmer,whorefusestorelinquishhislandandlegacydespitetheloomingendoftheirworld.Floodexploresthethemesofadolescence,uprootingandthesacrificeofpersonaldesiresforthegreatergood.Thefilmseekstoelicitreflectionsonone'srootsandtheconceptofhome,aswellasthechallengesofnavigatingadisappearingcultureandheritage.TheStarinareservoir'sconstruction,whichlastedfrom1981-1988,ledtothelargestdisplacementinSlovakhistory.Gonda'spersonalconnectiontotheregion,havingspenthischildhoodsummersthere,addsalayerofauthenticityanddepthtothenarrative.ThefilmnotonlyrecountsthephysicaldestructionofthesevenRusynvillages,butalsocapturestheemotionalandculturalimpactofthiseventonthecommunity.Thedirectoraimstopresentadeeplyresearched,emotiveandintimatestoryaswellasdivingintothecomplexdynamicsbetweenpersonalidentity,communitytiesandtheinexorablemarchofprogress.Themovieispoisedtoengageandchallengeaudiences,fosteringadeeperunderstandingoftheoften-painfulinterplaybetweentraditionandmodernity.
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It's the close of World War II. Unwilling to surrender| rogue German forces shoot down a returning British squadron leaving Sydney Baker wounded and lost with the enemy closing in. He's saved by American soldier and the duo must face their fears both internal and external| to defeat the enemy and make it back to friendly territory alive.
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樊启鹏
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[InAsYouSee,Farockisearchesforthoseinstancesandfactsinthehistoryoftechnologythathavebeenoverlookedorignored,alsoexploringtheambivalentrelationshipbetweentechnologiesdevelopedforciviluseandthosedesignedformilitarypurposes.Thusthefilmforinstancedescribeshowinthe1970'sworkersattheBritisharmsfactoryLucasAerospaceattemptedtod...
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Anaspiringvloggergoesonawildernessretreattoacabininthewoods,whereheisheldcaptivebyanancient,naturalforce.
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[InAsYouSee,Farockisearchesforthoseinstancesandfactsinthehistoryoftechnologythathavebeenoverlookedorignored,alsoexploringtheambivalentrelationshipbetweentechnologiesdevelopedforciviluseandthosedesignedformilitarypurposes.Thusthefilmforinstancedescribeshowinthe1970'sworkersattheBritisharmsfactoryLucasAerospaceattemptedtod...
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内详
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本季为大脑史上最燃的国际赛，以“封神十一，一站成名”为slogan，专注于传播脑科学知识和脑力竞技。最燃“中外对决”：国际热身赛与中国战队内部选拔并线进行，"中久封神大战钧”轮番上演最炸“神迹挑战”：经典项目回归迭新续写传奇最硬“养成之路”：优中选优寻找选手，一路成长向前
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50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
