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搜索"L" ，找到 以下影视作品
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乔纳森·莱斯·梅耶斯,埃米尔·赫斯基,帕斯·贝加([对她说]),杰里米·皮文([明日边缘])将携手出演黑色惊悚片[美国之夜](AmericanNight,暂译)。影片将是AlessioJimDellaValle的导演处女作,Valle亲自撰写剧本。影片讲述迈克尔·鲁比诺(赫斯基饰)刚刚成为纽约黑手党的头目,但他最大的梦想是将自己的一生奉献给绘画,并成为伟大的艺术家。艺术品经销商约翰·卡普兰(梅耶斯饰)的生活似乎一片混乱,但他仍拥有最能发现世界各地假货的双眼。当安迪·沃霍尔的《粉红玛丽莲》被偷走时,陌生的两人有了交集,而这一切也将颠覆他们的生活。
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Night Falls in India tells the story of Ricardo (Juan Diego) and Dana (Clara Voda). Ricardo decides to travel overland to India, as he used to do in the old days, when he brought hippies to the East with his van, crossing Europe, Turkey, Iran and Pakistan. But the situation is very different now. Ricardo has been in a wheelchair for the last ten years, suffering from a degenerative disease now in its final stage. He wants to die on the banks of the Ganges River and meet Gadhali again. In this journey, he is accompanied by Dana, his Rumanian housekeeper. Life owes something to these two lonely beings. The journey will become the alibi for paying it off. Night Falls in India is a shining road-movie full of life that uses journey as an excuse to tell a story about love and the passing of time, about the importance of the present and the need to recover lost time; a story in which the journey itself is as important as the arrival.
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Muang(MarkPrin饰)，一个讨人厌、嘴毒的年轻人，一定要找出Apo(YayaUrassaya饰)的真实身份，那个他从一开始就爱上的女人。她到底是谁？Phudin爸爸（Willy饰）是一切事件的策划者，在家庭关系混乱的动荡下，她对他的爱又将何去何从？
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艾玛纽尔·贝克特
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凯瑟琳·德纳芙
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伯努瓦·马吉梅尔
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塞西尔·德·弗朗斯
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Gabriel
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Sara
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Oscar
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Morgan
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Lou
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Lampros
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梅利莎·乔治
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Clément
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Ducol
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Olga
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Mouak
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Marc
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Fauveau
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Babetida
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Sadjo
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Izabella
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Maya
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Lomane
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de
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Dietrich
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Marushka
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Jury
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Julie
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Arnold
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Gérard
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Gaudron
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Nada
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Sara
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Marie
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Courroy
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Ariane
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Liautaud
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Karim
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El
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Toukhi
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Thefilmtellsthestoryofthreepeopleforayear:ason(Magimel)diagnosedwithcancer,amother(Deneuve)sufferingfromhelplessnessandadoctor(CéciledeFrance)todoherjob:Oneyearandfourseasonsforthesethreecharacterstodealwiththedisease,totameit,andtounderstandwhatitmeanstodiewhilealive.
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
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In-depth examination of the dark side of an American justice system where women who report sexual assault are instead charged with perjury and jailed for it.
Investigative journalist Rae de Leon has discovered a startling pattern in rape cases in the United States. Namely, that women who have reported a sexual assault are suspected of lying by the police. First they are accused...
